With business standards lowered, why is the Derby so wrong this time around at the Wire Festival?

From the last Wire Festival to the 2019 one, the Dewansea has gone through a lot of turbulence. For starters, Woo Wooson raised all the money. Then there were the inappropriate comments made during Zhang Yunlei's comic performance many years ago, which Yu Qian praised on Weibo. Many media outlets criticized De Yun's performance during the recent performance fiasco. As a result, this year's Wire Festival was one of the most serious!

As brothers who are capable of organizing special programs on their own, this is actually not Linglong's normal strength. Even if you're not a veteran comic audience, you can tell that the tight pacing and time constraints are a serious problem. It could also be a bit of a mess because it was the first time they appeared, and the two could also be a bit nervous! However, Meng Tanghe and Zhou Jiuliang's "Big Bodyguard" lost its standard.

It's surprising, you know, the main hall has been one of the pillars of the Tokyopop club for a while now, but probably most of the fans sitting underneath it are just peachy for me. There were no spectators in the hall to argue with, and it wasn't easy for Kurara, eager to get off work. Normal didn't look particularly slick. Needless to say, once again, the burner was strong evidence that difficult to grasp is not a popular comedian. Sekiguchi doesn't speak very well, but as usual...?

Yue Yunpeng had the shadow of Guo Degang in his early years. It's no surprise that this is the son of Wire Festival. Despite the many disappointments, this Wire Festival remains one of Guo's festivals. It's also a festival for Tsunshi, and even though it was edited and became the object of public criticism, at the end of Guo's, even though the disciples were taking pictures, I, Peachy, thanked before and after, signing autographs for Tsunshi while keeping the tradition alive, and moreover, seeing Guo's love for Tsunshi