Traditional Culture Encyclopedia - Traditional stories - In what year was the making of silverware and bronzes and the skill of gilding included in the intangible cultural heritage list?

In what year was the making of silverware and bronzes and the skill of gilding included in the intangible cultural heritage list?

The production of silverware and bronzes and the gold-plating technology were listed in the intangible cultural heritage list in 20 1 1.

Making silverware and bronzes and gilding are local traditional crafts in Huangzhong County, Qinghai Province, and they are one of the national intangible cultural heritages. The process of making silver, bronze and gold plating is very complicated. The process of making silverware and bronzes includes blanking, welding, smashing, glue pouring, composition and polishing. The bronzing process includes masking gold, smearing gold, opening gold and calendering. Finally, a silver bronze ware was formed.

20 1 1 on may 23rd, 2008, the production of silverware and bronzes and the skill of gilding were approved by People's Republic of China (PRC) and the State Council, and included in the third batch of national intangible cultural heritage list, with the project number Ⅷ-196. 20 19, 1 1, the list of representative projects of national intangible cultural heritage was published, and Huangzhong County Silver and Copper Association was qualified as the list of protected units of national intangible cultural heritage.

The production of silverware and bronzes and the inheritance and protection of gilding technology;

The technology of making silverware and gold plating can be divided into silverware and bronze processing technology. Exquisite processing technology, novel and lively patterns, exquisite workmanship and rich Tibetan cultural characteristics. Due to the production of silverware and bronzes in Huangzhong and the skill of gilding, the production mode is generally based on family manual workshops, which have been passed down from generation to generation. In principle, other surnames are not allowed to circulate. In addition, the process is complex, the technical difficulty is high, the training time from apprentice to skilled craftsman is long, the product production is slow, the investment is large, and the effect is slow.

In addition, many young people do not pay enough attention to silverware processing and give up learning this craft. Old artists died one after another, which made this craft less employees, which was not conducive to the inheritance and promotion of silverware processing skills. Effective measures were urgently needed to protect and inherit it.