What are the traditional dances of China, how to say in English

The group characteristics of folk dance are mainly manifested in three aspects of choreography, performance and circulation. Folk dance is produced in the folk, basically the name of the choreographer, it is in the production of labor and social life, the masses out of the expression of joy, anger, sadness and happiness needs, impromptu singing and dancing, there are sympathetic people jumping with, and then gradually processed action, harmonize the pace, unified rhythm, stereotypes, circulation and gradually perfected. Ethnic folk dance performance and self-indulgence characteristics closely linked, many dances are collective performance of self-indulgence, there is no purely onlookers to appreciate, only jumping tired of resting and ready to join the ranks of the dance. For example, the Uyghur's "Maisilaifu", the Yi's "Yanhe" and "Luosuo", the Tibetan's "Pot Chong Dance " and "String Dance" of the Tibetans, "Andai Dance" of the Mongols, "Pendulum Dance" of the Tujia, "Jaguang Dance" of the Dai, and "Jingshuang Dance" of the Jingpo. "of the Dai nationality, the "Meimou Zongsong" of the Jingpo nationality, the "Stomping Song" of the Dong nationality, the "Jumping Lusheng" of the Miao nationality, the "Jumping Shalang" of the Qiang nationality, and the "Dance of the Shalang" of the Dong nationality. "Jumping Shalang" and so on, in the festival dance, often appear hundreds or even thousands of people **** dance spectacular scene. Terroir is generally distinctly expressed in the dances of beliefs, festivals and life rituals. Minority folk dance retains a lot of ritual dance, witch dance and reflect the primitive worship of dance, such as Mongolia's "Chama Dance", Manchu, Daur, Ewenke, Oroqen and other ethnic groups of the shaman dance, the Zhuang's Tao Gong dance, the division of the public dance, the dance of the mask, the Tibetan "ghost face dance "Ancestor Dance" of the Qiang, "Devil Dance" of the Dai, "Maogus Dance" of the Tujia, and "Hongmen Dance" of the Yao. "Hongmen Dance", Dong's "Sky Soul Dance", "Temple Dance", "Wizard Dance", "Nuo Nong dance", "ancestral mother dance", the Li people's "drive ghost dance", the Gaoshan people's "festival dance" and so on. In the festivals of ethnic minorities, there are corresponding musical dances, the more prominent ones being those of the Xinjiang ethnic groups, the Korean ethnic group in the northeast and the southern ethnic minorities. Especially in the social festivals of young men and women and festivals of joy, ethnic songs and dances are performed throughout. In life rituals, many ethnic minorities have wedding dances, bride-welcoming dances, funeral dances, toasting dances, etc. Some ethnic groups, such as the Zhuang, even have walking dances. Some ethnic groups, such as the Zhuang, even have the road dance, the village dance, and the welcome dance. The folklore characteristics of folk dance can also be said to be closely linked to the practical characteristics of life.