Traditional Culture Encyclopedia - Traditional virtues - Why should bats and clouds be carved in ancient buildings? What does this mean?

Why should bats and clouds be carved in ancient buildings? What does this mean?

The reason why there are sculptures of bats and clouds in ancient buildings is that both bats and clouds are traditional patterns in China, which have beautiful meanings. Carving this pattern on the building expresses the good vision of blessing and yearning.

Moral: The bat means "good news, good news everywhere", and the cloud means "to rise and be content".

The meaning of ancient buildings carved with bats and clouds is as follows:

1, Bat: The bat pattern is a traditional symbol pattern in China. Bats are not birds or mice, but flying mammals belonging to Chiroptera in zoology. In China's traditional decorative arts, the image of bats is regarded as a symbol of happiness. It is customary to use the homonym of "bat" and "blessing" to combine the arrival of bats into the meaning of "entering blessing", hoping that happiness will fall from the sky like bats. With this set of auspicious patterns.

Bat means good luck, which means "good luck falls from the sky". The bat decoration on the window has the most homophonic effect. Its name is homophonic with "Fu", so the sash pane likes to use bats as linghua, and there are five bats around the word "Shou Shou" in the center of the door panel. Common in porcelain paintings and jade carvings, the red bat also means "Hongfu (red bat) is a monkey".

Bat means "all blessings", so a group of bats represents happiness, full of blessings, lasting for a long time, and also means happiness and auspiciousness for future generations. There are many patterns combined with bats, most of which represent good omen with their homophones or come from beautiful historical and cultural stories and become popular symbolic patterns or totems.

2. Clouds: Moire is an auspicious pattern in ancient China, which symbolizes high altitude and wishful thinking and is widely used. Moire is a typical decorative pattern in China, which is widely decorated in ancient buildings, sculptures, costumes, utensils and various handicrafts. Moire has various forms, including very abstract and regular geometric figures and vivid natural figures.

The ancient people's long-term collection and farming practice predicted and feared the impact of clouds and rain on the harvest. Make the cloud sublimate and abstract in people's minds, and have admiration and awe for it.

The pattern composed of moire and bat pattern is called "good luck". If it is at the gate, it has the meaning of "good luck to the door" and "good luck to heaven".

Extended data:

The application of symbolic patterns such as bats and clouds;

Moral patterns refer to decorative patterns with certain meanings. Moral is to express feelings through one or a group of images that can be "disguised", "metonymic" and "homophonic". From ancient times to the present, China's decorative patterns all contain certain meanings, some symbolize auspiciousness, some indicate prosperity, and most of them contain rich connotations.

1. Bat: Bat patterns are quite diverse, including inverted bat, double bat, four bats holding Fu Lushou and five bats. In traditional decoration, bats are combined with the word "longevity", which is called "five bats hold longevity". Generally speaking, Five Blessingg is: long life for one day, wealth for two days, health for three days, moral cultivation for four days, and final exam for five days. There is also a combination of bats and moiré, which is called "Hongfu Qitian";

Bat, Shoushan stone and Ruyi or Ganoderma lucidum are collectively called "Peace and Ruyi". There are two ruyi yuntuo at the bottom of the word "shou" woven with gold thread, and an inverted bat below. The design of "Longevity and Fulu" skillfully draws the deer into a ball, Ruyi Ganoderma lucidum holds the word "Shouzi" in the north, and bats spread their wings and fly between the words. The composition is simple and generous.

There are bats in Samsung photos. Samsung is the legendary lucky star, birthday star and road star. They are in charge of human wealth, official wealth and longevity. In design, they are usually composed of the birthday girl, deer holding flat peaches and bats, symbolizing happiness, wealth and longevity.

2. Cloud: After thousands of years of development and evolution, moire patterns are constantly enriched, and the moire patterns in each historical period have integrated different styles of people's respective times. Therefore, China's moire art shows its profoundness and infinite charm. According to the characteristics of moire in different periods, it can be divided into the following development stages:

1) prophase. The original spiral pattern on painted pottery is a very typical abstract geometric pattern. Some scholars think that they are early texture patterns. People generally think that Yun Leiwen is an early form of moire, which is common in bronze decoration in Shang and Zhou Dynasties. In the development history of moire, Yun Leiwen is of great significance.

2) heyday. Han dynasty is the most widely used period of moire in China, and it is also one of the richest and most vivid periods of moire morphology. New moire patterns such as moire, cirrus moire and cloud beast moire have appeared. On the basis of Yun Leiwen, the moire is simplified by its structural elements and dispersed by its structural mode. Established its own form of existence, and the simplified hook has since become a commonly used stereotyped element in moire interpretation.

The fluidity and rich flavor of moire in Han dynasty were maintained in the moire in Wei, Jin, Southern and Northern Dynasties. As the most thorough and concise perceptual interpretation of China's moire, flowing moire strengthened the tendency of simplification since Yun Leiwen to the extreme, making the decorative space in Wei, Jin, Southern and Northern Dynasties look turbulent and vivid.

3) maturity. Sui and Tang Dynasties were the period when moire was prevalent. Generally speaking, moire in Song Dynasty is still moire. Moire patterns in the Yuan Dynasty often show a strong sense of combination. Since the Tang and Song Dynasties, the increasingly rich decorative elements that meet the aesthetic requirements of the times have made the structure of Duoyunwen increasingly heavy. The units of configuration elements presented in the Yuan Dynasty are bound to be strengthened. Overlapping moire is a kind of moire type that spreads on a plane in the process of cloudy form, which is luxurious and complicated.

Generally, it is composed of thick layers of hooked clouds and winding flat clouds. In China's moire system, ruyi moire is the most abstract, recognized and widely used one.

The overall evolution trend of moire is: on the original basis, the structure is more and more complex, the shape is more and more abundant, and the image is more and more delicate. These can be summarized as the development trend of refinement, which fundamentally reflects the continuous efforts made by the Chinese nation to meet its own aesthetic needs. The general law of art formation and development shows that once the growing aesthetic experience and performance requirements reach a certain level, they will break through the original formal framework and seek their own forms of expression.

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