Traditional Culture Encyclopedia - Traditional virtues - Write the main characteristics of Chinese painting (short answer)

Write the main characteristics of Chinese painting (short answer)

Features:

(1) pays attention to "vivid charm", and does not stick to the similarity of the appearance of objects, but emphasizes the expression of the author's subjective interest. Chinese painting emphasizes "expressive form" and pursues a feeling that "beauty lies between similarity and dissimilarity".

(2) Pay attention to the charm of pen and ink, and the requirements of brushwork are: flat, round, staying, heavy and changeable. Ink method requires that ink be divided into five colors: coke, thick, heavy, light and clear.

(3) Pay attention to "using a bone pen", not focusing on perspective, and not emphasizing the influence of the environment on the light and color changes of objects.

(4) Pay attention to the blank layout and the "momentum" of objects.

From the perspective of art history, the capitals before the Republic of China were collectively called ancient paintings. Traditional Chinese painting has no clear name in ancient times, and it is generally called Danqing, which has its own system in the world art field.

Chinese painting embodies the ancients' understanding of nature, society, politics, philosophy, religion, morality, literature and art in content and artistic creation. It is a traditional painting form in China, mainly using brush, soft pen or finger, and painting on silk or rice paper with the color and ink of traditional Chinese painting.

Extended data:

Chinese painting has a long history. Painted on silk before the Song Dynasty, the materials were expensive. Therefore, the themes of China's traditional paintings are mostly portraits or life records of court nobles. It was not until the Song and Yuan Dynasties that the improvement and popularization of paper materials and the rise of literati painting made the themes and techniques of Chinese painting diversified, and the poems on paintings were the beginning of the homology of painting and calligraphy.

China figure painting has a long history. According to records, there were murals in the Shang and Zhou Dynasties. Gu Kaizhi, who specializes in figure painting in the Eastern Jin Dynasty, was the first painter in the history of China painting who put forward the idea of "writing God with form". Yan was also good at figure painting in Tang Dynasty. And Wu Daozi, Han Wo and so on. He has made great contributions to figure painting. After the Tang Dynasty, there were many painters who painted figure paintings, and there were all previous dynasties.

After the Ming Dynasty, painting spread to the public and became a part of citizens' life, and genre painting came into being. At the end of the Qing Dynasty, the west wind spread eastward, painting materials were diversified, and western painting elements were added, which developed in many aspects.

There are many differences between China's traditional painting and western painting. They pay attention to the similarity of spirit rather than form, emphasize observation and summary rather than on-the-spot copying, use scattered perspective rather than focus perspective, and attach importance to artistic conception rather than scene. The development of modern Chinese painting has also begun to absorb some skills of western painting, such as the configuration of light and shadow, the accuracy of human anatomy and so on. Some painters also use the artistic conception of Chinese painting in their oil painting creation.

Baidu encyclopedia-Chinese painting