Who knows a female singer, is Tibetan, but in Japan to develop, special good-looking.

Name: Tsetan Drolma

Gender: female

Nationality: Tibetan

Nationality: China

Tsetan Drolma (1937.6-), female, Vice Chairman of the Chinese Federation of Literary and Artistic Associations, Vice Chairman of the CPPCC of the Tibet Autonomous Region. Tibetan folk singer, soprano singer. National level actor. Rikaze, Tibet. Tibetan. College culture. 1961 April to join the Chinese **** Producers Party. 1956 November to 1957 August, in Tibet Rikaze Cultural Troupe as a trainee. 1957 August to December, in Tibet public school preparatory studies. 1958 to the end of the Shanghai Conservatory of Music Department of Vocal Studies, under the famous vocal educator Professor Wang Pinsu.

He graduated in 1964, and has served as an actor and director of the Song and Dance Troupe of the Tibet Autonomous Region, chairman of the China Music Association, chairman of the Tibet Federation of Literature and Art, executive vice-chairman of the Fifth Plenary Committee of the China Federation of Literature and Art, vice-chairman of the Sixth Plenary Committee of the China Federation of Literature and Art, and vice-chairman of the Fourth, Fifth, Sixth, and Seventh sessions of the Political Consultative Conference of the Tibet Autonomous Region. He is a member of the Standing Committee of the Fifth National People's Congress, a deputy of the Sixth National People's Congress, and a member of the Fourth, Seventh, Eighth and Ninth National Committee of the Chinese People's Political Consultative Conference.

He participated in the performance of the music and dance epic "The East is Red". The main songs he sang include "Turn over the serfs and sing", "Sing a song to the Party", "On the Golden Mountain of Beijing", "Amalekhorn", "Song of Wine", "We are together", etc. He has recorded the album "Beautiful West China", which is the first album of his kind in China. Recorded a record "beautiful Tibet, lovely hometown" in 1980 has recorded many solo album tapes and records, and in 1985 held a "Tsetan Drolma Concert". Has been included in the "Chinese cultural artists and celebrities Dictionary", "Chinese experts and personalities Dictionary", "Chinese musicians directory".

China's most prestigious Tibetan soprano singer, she has received numerous awards, applause and praise. It can be said that in China, there is no one who has not heard of Tsetan Drolma's songs, and there is no one who does not know that there is Tsetan Drolma's person. Despite the countless honors, Tsetan Drolma's life path was not smooth. Especially before the liberation, Tibet is still a slavery society, the young Tsetan Drolma only rely on cattle and sheep to maintain a hard life. The spiritual landscape of Tibet endowed Tsetan Drolma with a naturally good singing voice. Under the careful guidance of the folk artist Poorbu Rinzig, in 1957, she was sent to the Shaanxi Xianyang Tibetan Public College to study, and then to the Shanghai Conservatory of Music to study in the Ethnicity Class of the Vocal Music Department. The year 1962 was a great turning point in her life for Tsetan Drolma, as the Chinese saying goes, when the bitter is sweet, the sweet is sweet. It was also the year when she realized the sweetness of suffering. This year she participated in the World Youth Festival with the Chinese Youth Delegation, and won the Grand Prize and returned. From then on, people in the circle were impressed by her and did not dare to underestimate her.

In 1964, the large-scale music and dance epic "Oriental Red" was staged in Beijing, Tsetan Drolma participated in the performance and sang "sing a song to the party". This singing made her extremely popular with the national audience, which made her a hit and officially entered the Chinese singing scene. The bitter life experience makes Caidan Drolma have more rich life feelings than normal people. She dissolved all these feelings into her singing voice. Caidan Drolma's singing, high, bright, melodious, emotional, "Sing a Mountain Song to the Party" is her representative repertoire, singing for a long time. 1993, it is because of this song, her record sales in mainland China to create a sales miracle. The song "On the Golden Mountain of Beijing" is one of the most familiar songs to the Chinese people and is a household name. Because of the album sales, it has been widely circulated, and because the song is rich in dance, so much so that from 1993-2000, most of the primary and secondary schools in mainland China commonly used this song as the dance music for various performances, which shows the wide influence of her. Tsetan Drolma's collaboration with the famous British band EINGEMA is highly respected by Chinese university students and young music fans.

Tailan Drolma, the daughter of a turned serf

Tailan Drolma, who grew up bathing in the sunshine and rain of the Party, sang with the deepest feeling of the word "love": full of deep feelings, passionate, and emotional. She used "turn over the serfs to sing" to express the joy of the poor farmers and herdsmen to be the master of the house, she used "Beijing's Jinshan" to express the Tibetan compatriots to the Party's gratitude, she used "a mother's daughter" eulogize the Tibetan and Han people's unity.

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Cedan Drolma, famous Tibetan soprano singer, national level actor, was born in August 1937 in Shigatse, Tibet, and graduated in 1964 from the Shanghai Conservatory of Music. She was born in Rikaze, Tibet in August 1937, and graduated from Shanghai Conservatory of Music in 1964. She has served as an actress and director of the Song and Dance Troupe of the Tibet Autonomous Region, deputy director of the Bureau of Culture of the Tibet Autonomous Region, vice-chairman of the CPPCC, and chairman of the Federation of Literary and Art Circles of Tibet. He is now a member of the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference (CPPCC), vice-chairman of the China Federation of Literary and Artistic Associations (CFLA), vice-chairman of the China Musicians Association (CMA), and vice-chairman of the China Ethnic Minority Vocal Society. He is a member of the Standing Committee of the Fifth National People's Congress, a deputy of the Sixth National People's Congress, and a member of the Fourth, Seventh, Eighth, Ninth and Tenth National Committee of the Chinese People's Political Consultative Conference. He was awarded the first national "Golden Record" award, the "Five Continents Cup Golden Melody Award", and the first Tibetan "Everest Literary and Art Fund Award". "All the actors clamored to shake hands with me, and they decided that my hands were still warm from the President." The East is Red For older audiences, the large-scale music and dance epic "The East is Red" carries too many memories. Every person who walked from the 1960s remembers Caidan Zhuo Ma, her singing voice is like the blood of that era, flowing in the pulse of the times, but also firmly rooted in the hearts of every audience. more than 40 years ago, when "The East is Red" premiered, Caidan Zhuo Ma is in the prime of life, the wonderful singing voice from the "The East is Red" flew to the world. In the blink of an eye, she and the audience who appreciated the performance were gray at the temples, which further revealed the eternal charm of this work. In 1963, the country was preparing for the performance of the large-scale music and dance epic "The East is Red" to celebrate the 15th anniversary of the National Day. At that time, Tsetan Drolma was taking part in a large-scale song and dance performance. Premier Zhou Enlai and Vice Premier Chen Yi watched the performance and appreciated Tsetan Drolma's singing. Zhou Enlai said: "The performance of "The East is Red" is best performed by actors of all nationalities, and those who are in different parts of the world must be transferred back. So, Tsetan Drolma was selected as the first generation of singers coming out from Tibet to Beijing. On October 2, 1964, the large-scale music and dance epic "The East is Red" met the audience for the first time in the Great Hall of the People in Beijing with its magnificent momentum and majestic scenes. The performance was a great success and became a red art and classic of the times combining "revolutionary heroism" and "revolutionary romanticism". This production, which was initiated and choreographed by Premier Zhou Enlai, utilized a magnificent lineup of more than 3,000 people, gathered the most authoritative and famous artists of the year, and ****created 9 large-scale dances, 18 song and dance performances, and 6 choruses. Tsetan Drolma in the music and dance epic "East is Red" sang "million serfs stand up", with a turnover serf children's deep feelings and high and beautiful singing, moved the hearts of the people of the country. Caidan Drolma said: "After the performance of the East is Red, Chairman Mao received representatives of the actors, I was sitting behind his old man. At that time, Premier Zhou saw me and introduced me to the President, telling him that I was the Tibetan girl who had just sung 'A Million Serfs Rise'. The President turned back, greeted me with a smile, and then extended his hand to me. I took the President's big hand at once, so excited that I did not know what to do. The President's hand was especially big, warm and powerful. The President held my hand and taught me to sing well and to make more contributions to the Tibetan people. I was so excited that my tears kept flowing and I could not speak at all. Later, all the actors competed to shake my hand, and they decided that my hand still had the warmth transmitted by the President." "It was something Premier Zhou said to me that made me make this choice." Returning to Tibet When she didn't stay in Beijing or Shanghai, Tsetan Drolma said she never regretted it. She knows that living conditions and other aspects of life are better in the mainland; she also understands that some people care about her out of love and concern. But she still doesn't feel like leaving the soil that nurtured her. "As an art worker, especially a singing actress of ethnic minorities, it is all the more important to take root in one's hometown, so that it will be a little bit better to serve the people of one's hometown and the whole country." Tsetan Drolma emphasized that as an ethnic minority singing actor, to serve the people of the country is to take something from one's own ethnicity and sing for the people of the country in return. "It was something Premier Zhou said to me that made me make this choice." Tsetan Drolma said, "After the performance of 'The East is Red', Premier Zhou, who personally grasped the production of 'The East is Red', met with me in Shanghai." At that time, Premier Zhou said, "If you want to sing, sing for the minorities. If you don't go back ah, the flavor of this ghee tsampa of yours will be gone." "I often think, I'm just the daughter of a serf, the party and state leaders care for me, in fact, also poured deep feelings for the Tibetan people, I want to put the Tibetan people's voices in song." In her words, Tsetan Drolma was full of respect for the leaders, and she said that she must sing for Tibet and for the people for the rest of her life. Tsetan Drolma has served as vice-chairman of the Tibet Autonomous Region Political Consultative Conference and vice-chairman of the China Music Association and the China Federation of Literary and Art Circles. No matter what position she is in, she is as passionate as she is on the art stage. She has also been a member of the Standing Committee of the National People's Congress (NPC) and the Standing Committee of the National Committee of the Chinese People's Political Consultative Conference (CPPCC), all of which she has conscientiously fulfilled. The gentle Ama and the simple Abba know that letting her daughter do what she loves her daughter will be happy. Let Drolma Go Fly Tsetan Drolma's father was a silversmith who made jewelry. In old Tibet before the peaceful liberation, the social status of silversmiths and blacksmiths was considered to be that of people at the bottom of the social ladder. Birthdays were also not taken seriously by ordinary Tibetans. Tsetan Drolma only remembers her mother saying that she was born when she was cutting wheat, and remembers that it was the year of the tiger in the Tibetan calendar, probably 1937. When she came to the mainland to go to school, she put 1937 on the form. The organization asked her to fill in the date of birth, but she could not remember the date, so she chose August 1, "Army Day" as her birthday. As the youngest child in her family, Tsedan Drolma was taken care of by her father, mother and siblings from a very young age. In Tsetan Drolma's childhood memories, although the material life is extremely poor, but the spiritual life is a lot of fun. When she was a child, she liked to follow her father to graze animals and listen to him sing, and followed her mother to plant and weave, and listened to her mother sing, and those ancient tunes accompanied her as she grew up in her childhood. Tsetan Drolma frankly said that her parents not only gave her life, but also gave her a free sky. You can imagine how the family would have been shaken in the early days of liberation when the teenage Tsetan Drolma asked her father and mother to join the Tibetan army's cultural troupe. In the 1950s in Tibet, on the eve of democratic reform, feudalism is still y rooted, the little girl ran out to sing and dance, show off, is simply treason. Many of Tsetan Drolma's little sisters were married off early by their parents, which was the fate of almost all Tibetan girls at that time. However, Tsetan Drolma's parents did not do so. The gentle ama and simple ama dad know, let your daughter do what you like daughter will be happy. They let their daughter fly, and fly farther and farther, first to the regional cultural troupe, to join the Youth Federation, and then to Xi'an Tibetan Public School to learn culture, and then flew to Shanghai to study, and finally flew to the stage in Beijing. However, the parents did not see their daughter's song "Beijing's Golden Mountain", did not see their daughter was surrounded by applause and flowers scene, has passed away. Before the death of the two old people, Tsetan Drolma are preparing for a large-scale performance, can not be for the elderly to send off the end. Tsetan Drolma said guiltily: "because too busy, I regret that I did not receive my parents to the big city to see, did not let them see me sing on stage, did not do the last filial piety in front of their bed." Tsetan Drolma finally developed a set of beautiful round, bright and gentle, with a strong Tibetan flavor of the good voice. Drolma went to school. Tibet was emancipated, and Tibet underwent an unprecedented change. This change turned slaves into masters of their own destiny overnight. An ordinary Tibetan girl became a bridge between two eras overnight. The Women's Federation was established in her hometown, and Tsetan Drolma took an active part in its activities. She loved to sing, the children of poor families do not have any entertainment, three or four friends on the hillside to sing to each other. The beautiful voice in the Women's Federation's publicity work has been put to use, this area of the townspeople are willing to listen to Caidan Drolma's singing. Tsetan Drolma sang even more vigorously, and it was not long before she joined the **** Youth League. At the end of 1958, Tsetan Drolma left her hometown and came to Shanghai, entering the Shanghai Conservatory of Music Vocal Department of Ethnic Studies. From the plateau at first to the banks of the Huangpu River, not only the language barrier, climate, water and soil, food and drink are so that Tsetan Drolma feel uncomfortable. She often cried in secret and had thoughts of going home. The school takes very good care of Tibetan students, which makes Tsetan Drolma feel the warmth of a big family, and she devotes herself to her study. She said she had a lot of jokes when she first arrived in Shanghai. The teacher of the music theory class, written on the top of the sheet music, look at the teacher wrote 1, 2, 3, Tsetan Drolma do not know what, and then asked a Tibetan classmate from Qinghai next to the teacher wrote 1, 2 what is the meaning of the classmate said that it is the sheet music. The student said that was the short score. Especially fortunately, Tsetan Drolma met several good teachers at the Shanghai Conservatory of Music, the most important one being Mr. Wang Pinsu. The first time Wang Pinsu led Tsetan Drolma to the music classroom to listen to the record, "I listened to the soprano voice of the flowery soprano voice, like flowing water, and was so fascinated that I couldn't help imitating it, and the teacher was surprised because she couldn't find my high register on the piano. My teacher immediately decided not to let me follow the traditional path, let me try to retain the singing characteristics of Tibetan folk songs, and instructed me to maximize my natural state through scientific methods. Thinking about it now, what my teacher did was a marvelous decision. Because of this, I didn't lose the qualities of my voice." At that time, because of the language barrier, it was very difficult for Tsetan Drolma to learn and for the teacher to teach. The teacher finally said, "I'll be your student first!" So, Tsetan Drolma and Ms. Wang Pinsu switched places. Tsetan Drolma sang her own unique style of singing to Mr. Wang, and at the same time taught Mr. Wang to speak Tibetan. Mr. Wang then put these singing styles into the practice songs, "such as teaching the 'sun is coming out', 'ni, ma, xia, on', that's how it is taught". Ms. Wang Pinsu is not only a mentor to Caidan Drolma in her singing career, but she is more like a mother in her life. "At that time, you needed a ticket to buy everything, and when I first arrived at school, I always caught a cold and had a bad windpipe, so my teacher took me to the hospital. At that time, you couldn't boil medicine in school, so the teacher boiled it at home and brought it to class the next day. Without such help from Mr. Wang, I couldn't have gotten to where I am today." The most important feature of Tibetan songs is that they are loud and clear and melodious. However, the loud and clear songs are often thin, and the melodious songs are often weak. After Wang Pinsu's careful guidance and their own hard training, Tsetan Drolma finally developed a beautiful round, bright and gentle, with a rich Tibetan flavor of the good voice. "The original singer of this song is not me, it is my effort to 'snatch' from others." Singing a Mountain Song to the Party Recalling the earliest days of singing Singing a Mountain Song to the Party, Tsetan Drolma said sincerely, "The original singer of this song was not me, but I tried hard to 'snatch' it from others." It was 1963, when the whole country set off the craze of learning Lei Feng, people found the poem "Sing a Mountain Song to the Party" in Lei Feng's diary, and then after the composer Zhu Tran'er composed the music, this very beautiful song came into being. The first singer at that time was Ren Guizhen. One morning, Caidan Drolma heard this song on the campus radio: "Sing a mountain song to the Party, I compare the Party to my mother. Mother only gave birth to my body, the party's light shines in my heart ...... old society whip whip my body, mother only tears. The *** Producer Party called me to revolution, grabbed the whip to beat the enemy ......" word by word, clearly sung out of the Tsetan Drolma this turn over the emancipation of the serf daughter of the heart, she saw the Tibetan serf's bitter life, witnessed the serfs turned over to be the master of the happiness of life, and personally felt the warmth of the party. Without the **** Producer's Party, there is no such thing as a serf's daughter walking on a college campus, thinking back to the suffering and happiness she experienced, Tsetan Drolma could not help but weep and be excited. A passion for singing erupted in her chest, and she found Wang Pinsu and asked to sing the song. Worried that she would lose her style, Wang Pinsu said, "You sing Tibetan songs, okay? Don't lose your style." Tsetan Drolma was so anxious that she was on the verge of tears: "What is sung in the song is the same as my heart. I must sing it!" At that time, many people didn't understand why Tsetan Drolma, who couldn't even speak Chinese well, wanted to sing a song written by a Han Chinese, but her teacher knew what she was thinking. Wang Pinsu found the score for the song and wrote the lyrics word by word for her, and invited the composer of the song, Mr. Zhu Tran'er, to come and listen to her singing. As a result, Mr. Zhu and Mr. Wang were both moved by Tsetan Drolma, and they felt that the song was sung from the depths of their hearts. When it came time to report the performance to the academy, the singing of Tsetan Drolma was a hit. Later, in the "Shanghai Spring Music Festival", Tsetan Drolma sang the song "singing a mountain song to the party", by the audience favorite. Recorded and broadcast by Shanghai People's Broadcasting Station, "Singing a Mountain Song to the Party" was instantly popular in the north and south of the Yangtze River, and Tsetan Drolma's name began to become a household name.