Literature Theory Thesis

Literature is a unique cultural form of mankind, its essential characteristic is aesthetic, is the unity of truth, goodness and beauty. The following is the literary theory essay I have organized for you for your reference.

Literary Theory Essay Sample 1: Chinese Modern and Contemporary Literature? Modernity? Problem Analysis

Abstract: After the 1990s, scholars historically scrutinized the modern Chinese literature? modernity? problem, found that the concept of modernity is more complicated, mistaken modernity as a treasure chest, the phenomenon of defying the principle of logic in defining academic terminology. However, based on the fact that modern and contemporary Chinese literature has two sides, namely, expressing the resistance to the nature of traditional literature and questioning modernity, and that the aesthetics of modernity in literature is different from that of modernity in society, and that literature pays more attention to the study of other aspects, the following is an overview of modernity in modern and contemporary Chinese literature. Modernity? Research and analysis.

Keywords: China; modern and contemporary literature; modernity

Preface

After the 1990s, the study of modernity in literature has become more and more in-depth, and it can be said that modernity has become an important topic in the current literary research. For modernity in modern and contemporary literature, on the one hand, it promotes the formation of new artistic and aesthetic concepts, and on the other hand, it also has a devastating impact on the aesthetics of traditional art and brings irreversible changes to literature and art, therefore, modernity for Chinese literature is a double-edged sword.

1 Modern and contemporary literature of ? Modernity? Definition

Regarding the study of modernity, some fields believe that modernity is a concept of time, while others believe that modernity is a concept different from traditional thinking, a dynamic process, a process of gradual improvement with the changes of the times. In the field of literature, there are many scholars who believe that the modernity of literature is an embodiment of aesthetic modernity, because literature itself is an aesthetic artistic existence. Strictly speaking, literary modernity is difficult to define, in general, literary modernity is a system with aesthetic, enlightenment and other functions, while the center of literary modernity is aesthetic modernity.

2 The modern and contemporary literature of ? modernity? Characteristics

2.1 Aesthetic modernity has a paradoxical nature:

For the modernity of literary aesthetics, there is a certain difference with the modernity of the society, and the modernity of literary aesthetics not only examines the modernity of the scientific aspect, but also examines the modernity of the subject matter, aesthetics, speech, and personal aspects. Literary modernity is an existence that concentrates the emotions, dreams, life pursuits, and values of the people of the country into one. In aesthetic modernity, it has the characteristic of fleeting, one side of aesthetic modernity is easily disappeared, while the other side is eternal, so it is necessary to retain the side of aesthetic modernity that is easily disappeared by means of artistic treatment, so as to turn it into an eternal topic, at the same time, the aura in the traditional art is gradually disappeared under the modern technology, so it can be seen that aesthetic modernity is equipped with two sides, which can not only promote the It can not only promote the generation of new aesthetic concepts, but also deal a blow to traditional art aesthetics. In the modernity of Chinese modern and contemporary literature, there exists the characteristics of the specificity of the empirical world and the fragmentation of modern experience. Since the world is composed of fragments, it is necessary to treat the status of each fragment in literature fairly, and to create the whole of Chinese modern and contemporary literature through the reorganization of fragments.

2.2 The dilemma of the development of modernity in Chinese modern and contemporary literature:

For modernity in Chinese modern and contemporary literature, there is a great correlation with the development of China's modernization, and at the same time, there is a great difference between the modernity of Chinese modern and contemporary literature and the process of modernization. For the modernity of Chinese modern and contemporary literature, it is not only borrowed from the development results of the West, but also has its own development characteristics. The main differences between modernity in Chinese and Western modern and contemporary literature are: (1) the context is different, the modernity of modern and contemporary literature in the West is a revolt against the classical literature, whereas Chinese modern and contemporary literature not only wants to emphasize the national characteristics in the anti-traditional, but also will guard against the pitfalls of the existence of modernity while pursuing the modernity. The traps of modernity will be guarded against at the same time. (2) Different forms of literary expression, in the Western modern and contemporary literature, its modernity is the direct embodiment of the overthrow of traditional rationality, through symbols, metaphors and other techniques, showing an irrational world; for the Chinese modern and contemporary literature, it is the survival of the reality and the tradition of the interstices of the literature and the art of exploratory, advanced, with a positive attitude to express the unique national spirit of the Chinese people. (3) The inner mechanism is different, in the western modern and contemporary literature, due to the existence of more genres, although contradictory, but the western modern and contemporary literature has a **** the same point, that is, from the process of capitalism, the analysis of the spiritual alienation of human beings, to seek the best belonging of human beings; the Chinese modern and contemporary literature is based on the collective, the modernization of the society, the independence of the nation is the ultimate destination of the Chinese modern and contemporary literature. Modernity in Chinese modern and contemporary literature is developed under the influence of modernity in Western modern and contemporary literature. Although Western modern and contemporary literature provides a foundation for the development of modernity in Chinese modern and contemporary literature, it does not build a good platform, which makes Chinese modern and contemporary literature fall into the dilemma of opposing the Chinese tradition and questioning the modernity of the West.

2.3 Resentment complex embodied in literary modernity:

China's modern and contemporary literature in the pursuit of modernization, but also the exclusion of modernity, in the affirmation of traditional culture at the same time, but also contradictory to its backwardness, China's modern and contemporary intellectuals have to face the situation of the co-existence of the merits and demerits of modern and contemporary literature, so that China's modern and contemporary literature's basic aesthetic experience boils down to ? Resentment? And the modernity of Chinese modern and contemporary literature is closely connected with this kind of resentment. Because the modernity of Chinese modern and contemporary literature is developed under the drive of Western modernity, it is not a product of its own development. Therefore, the modernity in Chinese modern and contemporary literature is not only embodied in the resentment of the conflict between modernization and tradition, but also embodied in the resentment of the conflict between Chinese and Western culture.

2.4 The Transformation of Literary Modernity:

In the face of Chinese modern and contemporary literature? modernity? problems, the modernity of Chinese literature has undergone a certain transformation. In the author's opinion, the transformation of the modernity of Chinese literature started from Hu Shi's Ruminations on the Improvement of Literature, and from the actual creation, Lu Xun embodied the modernity of literature from the aspects of spiritual feelings and literary concepts. In addition Mao Dun, in Erosion, embodies literary modernity through the emotional feelings of the intellectual youth, and in Ziyou, through the train, ship, and chimney to reflect the protagonist's understanding of ? modernity? s yearning. Under the leadership of writers such as Hu Shi, Lu Xun, and Mao Dun, the modernity of Chinese modern and contemporary literature gradually underwent a transformation and brought the Chinese modern and contemporary literature to ? Modernity? The climax of modernity has been gradually removed from Chinese modern and contemporary literature. Modernity? The disadvantages of modernity in Chinese modern and contemporary literature have also been gradually removed.

3 Summary

The modernity of China's modern and contemporary literature is a very complex issue, which arose from the oppression of Western modernity, therefore, the development of modernity in China's modern and contemporary literature has a dilemma, and there is a certain amount of resentment, while there are certain differences between literary modernity and aesthetics in modernity, and the complexity of the modernity of China's modern and contemporary literature makes China's modern and contemporary literature has a very high degree of complexity, making China's modern and contemporary literature has a high degree of complexity. The complexity of the modernity of Chinese modern and contemporary literature makes the modernity of China's modern and contemporary literature has a high research value.

References

[1] Wang Wen. The study of modernity in Chinese modern and contemporary literature? Modernity? s Problem Exploration [J]. Talent, 2015(01):325-326.

[2]Li Shuo. Discussion on Chinese Modern and Contemporary Literature? Modernity? A Discussion on the Problem [J]. Literary Life Lent, 2015(04):9-10.

[3]Guo Jianmin. A New Perspective on the Study of Chinese Modern and Contemporary Literary History Commenting on Wu Xiuming's Chinese Modern and Contemporary Literary History and Ecological Field [J]. Zhejiang Social Science, 2010(03): 120-122.

Literary Theory Essay Sample 2: Analysis of Modern Literary Context and Ancient Literary Resources

Abstract Ever since there is a distinction between modern literature and ancient literature, there has been an inextricable link between the two for nearly two thousand years. What is the current situation facing the context of modern Chinese literature? Chinese ancient literary resources and how to continue to develop, and what kind of relationship exists between the two, this paper mainly from these three points to analyze, so as to promote the inheritance of China's ancient literary resources and the further development of modern literature.

Keywords modern literature context ancient literary resources inheritance

Introduction

With the evolution of social development, since the development of modern society, the development of culture is also towards the direction of modernization, in the junction of modern and traditional, the development of domestic and foreign fusion, modern Chinese literature has been effectively developed. So how is modern Chinese literature fully activated in the context of modernity under the influence of ancient literary resources? What kind of criteria are used as the basis for this kind of entry-type activation? How to grasp the intrinsic connection between ancient and modern Chinese literature in the context of traditional values? What are the main factors for the transformation of traditional values? What are the main factors for the transformation of traditional values? All these questions need to be explored seriously.

I. The contextual situation facing modern Chinese literature

1.

During the Opium War, the Western countries opened the door of our country with the assistance of powerful ships and cannons, which put the Chinese people in deep water, since then, many literati and intellectuals began to realize the poverty and backwardness of our country and the gap between the advanced development of Western technology, and the y touched literary people began to put their lives at risk, and to strengthen our country's power, the sense of mission to give up our country. Into the revolutionary battle, a revolution on the word like a torrent of floods like the onslaught,? The Poetry Revolution, the Poetry Revolution, the Poetry Revolution, the Poetry Revolution, the Poetry Revolution The Poetry Revolution. revolution in poetry, revolution in literature The Poetry Revolution, the Literature Revolution, and the Down with Kongjiatian? "Down with Confucius", "Down with Confucius", "Down with Confucius", "Down with Confucius". Opposition to the Literary Language and Literature? This series of revolutions seemed to have a certain haste, which knocked the ancient culture into the abyss in an unforeseen manner, and made the development of modern Chinese literature face many obstacles. Literary revolution, since 1917 in China began to pull the curtain, with the local flavor of the novel, contains the scars of all kinds of literary writings, nine leaves of poetry, etc., to the current various types of cross-novels, the proliferation of urban romance, in the development of the times under the change, China's modern literature seems to give a sense of prosperity, but if you look closely into the view of the back of the prosperity of the so-called literature, most of the time, but the pompous and vain, the so-called literature. But if you look closely, behind this prosperity, most of the so-called literature is nothing but pompous and vain, and under the influence of the Western world, the national things have been farther and farther away from us, and the modern Chinese literature has been in a bottleneck state in the process of development.

2. Literature? Fracture layer?

Throughout the history of modern literary development in the past hundred years, there is no novel comparable to Dream of Red Mansions, and there is no poem that can compete with the 300 poems of Tang poetry. What the modern literary context faces in the process of development is only the embarrassment in the face of the Nobel Prize for Literature, and an ineffable sense of helplessness in the face of the world's classic literature. However, as a discipline with a unique emotional flavor, literature should not only have the traces of modern society, but also can not be separated from the historical matrix. Throughout the modern seemingly prosperous literary world, and ancient literature has a connection with the works, I know of the more famous works are Mr. Guo Moruo compiled "Qu Yuan", Wang Duoqing's "The Death of Yang Guifei", Song Zhiqian's "Wu Zetian", and so on, it can be said that the history of these works is really very little, especially in the development of the past few years, the excellent literary works are really fewer and fewer, and too many writers Running towards the front and neglecting to watch the ancient literature, making a rift between modern literature and ancient literature, as far as modern literature is concerned, ancient literature is its root and source, if less root and source, the context of modern Chinese literature is bound to be corrupted and declined.

Second, the inheritance of ancient literary resources

Above, we talked about the rift between the contexts of modern Chinese literature and ancient literature, the so-called fracture layer, the creation of modern Chinese literature lacks the spirit contained in ancient literature, what is the reason for this? What is the reason for this? Is it because of the lack of ancient literary resources? The answer is no. Kant once said that no nation in the world can have tens of millions of history writers like the Chinese nation. From this we can see how deep and rich the ancient Chinese literary resources are.

1. Rich ancient literary resources.

The ancient literature and historical literati that people remember and enjoy are really countless, the pre-Qin masterpieces are "Poetry and Classic", "Zhuangzi" and "Zhouyi"; the Eastern Han and Western Han periods, the emergence of a magnificent Han Fu and "Historical Records"; Wei and Jin dynasties, literature is like a flood of rivers, this period of the famous literati have? The Seven Sons of Jian'an and the Seven Sages of the Bamboo Grove. Seven Sages of the Bamboo Grove and the Seven Sages of the Bamboo Grove. Poetry Immortal and the Sage of Poetry. Sage of Poetry and the Sage of Poetry. Poetry ghosts. Poetry written throughout the ages, the level is not divided into high and low, to the bold school, the poetic literati represented by the Poetry School, leading the trend of the times; Yuan dynasty miscellaneous music is not willing to lag behind, "the West Wing", "Peony Pavilion" led the trend of an era; Ming and Qing dynasties, the ancient literature is on the way to the pinnacle of the road to the Dream of Red Mansions as a representative of the four great masterpieces, set of politics, love, poems and songs are equal to the whole, not only enriched the spiritual world of the literati, but also become modern classic works, besides these, all kinds of folk songs, historical records are also not behind, and spectacular the ancient literary world, and also became the modern classic works. The Dream of the Red Chamber, represented by the four great masterpieces of politics, love, poetry and song, not only enriched the spiritual world of the literati at that time, but also became a classic work of modern times.

2. Ancient literary resources heritage.

Speaking of the cultural inheritance of literary resources, we have to feel ashamed, in terms of inheritance, we did not do active and positive, we must seriously overcome two aspects of the problem, the first is to take for granted that this idea to overcome, in the current freedom of speech, freedom of thought, people may be based on their own ideas arbitrarily go to change the development of the literary resources, and then taken for granted that this is a reasonable development and evolution. In the current society of freedom of speech and thought, people may change the development of literary resources according to their own ideas, and then take it for granted that this is a reasonable development. However, this kind of taking for granted should never be detached from the historical development, but should be based on the real point of view to inherit and accept the culture. Secondly, ancient literature should be interpreted from various perspectives. The two characteristics of long history and rich literary resources make the inheritance of ancient literary resources hindered. In this regard, it is necessary to require workers to be able to comprehensively analyze it from a variety of perspectives, to prevent a one-sided single perspective to praise and disparage the historical figures and facts, and to achieve objectivity and broad evaluation.

Third, the relationship between the context of modern Chinese literature and the resources of ancient literature

Just as birds can not leave the sky, fish can not leave the water, modern literature must follow its roots, and ancient literature is the root of modern literature. Although in the initial stage of the development of literature in modern Chinese society, in order to promote modernity, it attempted to leave the ancient literature out, but practice has proved that this idea is wrong. Moreover, the development of modern literature is always inseparable from the rich source of ancient literary resources, such as the contemporary human-centered consciousness is inseparable from the unity of heaven and man in ancient literary thought, the present aesthetic is inseparable from the ancient mood, and today's prose poetry is inseparable from the thought of ancient literary resources. Therefore, the development of modern literature should stand in the modern perspective, take the ancient literary resources as the root of development, and y excavate the potential that exists in it, so as to effectively promote self-development. At present, the development of people's spiritual world is to return to the truth, which is inseparable from the tradition, so that the soul can be comforted. Therefore, the relationship between modern literature and ancient literature is unity rather than antagonism. If the resources of ancient literature are not taken as the root and guide, modern literature cannot get a long development, and if the context of modern literature is not integrated into it, the ancient literature cannot effectively exert its resource power. Therefore, the development of the context of modern Chinese literature and the excavation of ancient literary resources can be said to be complementary to each other, and only interdependence can **** with the development. Modern literature is a new kind of literature formed after the historical changes in China and the acceptance and learning of foreign literature after people's thoughts were separated from the original feudalism. It utilizes modern language when expressing modern scientific and democratic ideas, and it has also innovated its artistic expressions, forming new genres such as novels, essays and poems in modern society. In addition, innovations were given to all kinds of expressions, such as lyricism and descriptive means, forming a modernized character, thus closely connected with the world literary trend and becoming a real literature in the modern sense. As two different literary forms, there is a great difference between modern literature and ancient literature, which is manifested in the following points: firstly, at the spiritual level, no matter in the aspect of realism and romanticism, there is a certain connection between modern literature and ancient literature. However, it must be seen that the spirit of ancient literature injected into realism and romanticism is only linked with Confucianism or Taoist culture, and embodies mainly the level of spiritual literature, which has not been combined with methodology, while the spirit of modern literature contains both methodology and modern literary thought. Secondly, although the connotation of modern literature contains certain humanistic factors, its main literary consciousness is individualism or humanism, which is not found in ancient literature, and which is a kind of culture imported from modern western countries, and which can be said to be the source of the soul of modern literature, and is also the main difference between ancient literature and modern literature. The various forms of liberation expressed in modern literature are ultimately a kind of liberation for human beings themselves, and this kind of human-centered ideology and spirit is not common in classical literature. Thirdly, ancient literature is mainly a form of literature with literary language as the main symbol, while modern literature is mainly expressed in vernacular language. Although vernacular language is a language symbol that replaces literary language, it is more unique and novel, which makes modern literature more beautiful. Fourth, the ancient literary genres are mainly in the form of poetry and prose, while novels and operas are in the form of marginal development; and in modern times, novels have become the mainstream form of development, while poetry and prose are in the form of marginal development. Conclusion: Throughout the above, China's modern literary context is facing a very difficult situation, the need for new sources of injection, and ancient literary resources, need to be fully interpreted and excavated, the two to get eternal development must continue to rely on each other's strength to achieve self-development, and effectively realize the stable and healthy development of China's literary history.

References:

[1] Zhu Defa. Meditation on Deepening the Research on the Relationship between Traditional Culture and Modern Literature [J]. Dongyue Discussion Series.2010(01).