Traditional Culture Encyclopedia - Traditional virtues - What are the artistic features of Huangmei Opera?
1, Huangmei Opera is known for its lyricism, rich charm, beautiful and beautiful singing, euphemistic and fresh, delicate and moving, with stron
What are the artistic features of Huangmei Opera?
1, Huangmei Opera is known for its lyricism, rich charm, beautiful and beautiful singing, euphemistic and fresh, delicate and moving, with stron
1, Huangmei Opera is known for its lyricism, rich charm, beautiful and beautiful singing, euphemistic and fresh, delicate and moving, with strong local flavor, easy to understand and popularize, and is deeply loved by people everywhere.
2. The aria of Huangmei Opera is a plate variation, which has three major cavity systems: coloratura, coloratura and main melody. The coloratura is dominated by small plays, with healthy and simple tunes, lively and beautiful performances, lively and cheerful forms, and strong flavor of life and folk songs. Color cavity, also called playing color tone, is named after the professionalization of Huangmei opera troupe, and is often used by actors to "beg for color" from the audience. Its melody is cheerful and smooth, and it has been widely used in coloratura opera. The main melody, also known as Zheng Qiang, is a common aria in the traditional original drama of Huangmei Opera. There are flat characters, fire attack, second line, third line and so on. Among them, Pingci is the most important aria in the original work, and its tune is serious, solemn, beautiful and generous. It is often used in narration and lyricism, which sounds euphemistic and melodious.
3. In terms of music accompaniment, the early performance of Huangmei Opera was "three hits and seven sings", that is, three people played percussion and participated in the voice. The division of musical instruments is: one person plays bamboo root knots and cymbals at the same time and sits in the middle of the grass platform; A small gong, sitting inside and outside the ridge gate; The big gong (aka) is standing outside the gate. In the 1930 s, in addition to percussion instruments, accompaniment also tried to use Beijing-Hunan tonality. Later, someone tried to accompany Gao Hu and erhu. It was not until the early days of the People's Republic of China that Gao Hu was gradually fixed as the main musical instrument.
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