Catalog of Studies in Chinese Painting Theory

Publication Notes

Publication Notes of Studies in Chinese Painting Theory

Preface

Self-Preface

Forward

Explanations for the Distribution of Materials by Chapters

Chapter I. General Introduction

Chapter II. The Theory of Painting in the Books of the Zi Shu (子书)

Section 1. The Theory of Painting in the Zhuangzi (庄子)

Section 2. Theories of Painting in the Book of Zi

Section 3: Theories of Painting in the Book of Huainanzi

Chapter 3: Theories of Painting and Methods of Painting by Gu Kaizhi

Section 1: On Painting

Section 2: Praise for Painting by Shengliu of the Weijin and Jin Dynasties

Section 3: Records of Painting Yuntai Mountain

Chapter 4: Theories of Painting and Techniques of Painting in the North and South Dynasties

Section 1: Preface to Painting Mountains and Shadows by Zong Bing

Section 2: Wang Wei's Narrative of Painting

Section 3: Emperor Liang Yuan Di's Pine and Stone Grid in Landscape

Chapter 5: The Six Methods in Xie He's Record of Ancient Paintings

Section 1: Explanation of the Six Methods

Section 2: Relationship of the Six Methods to the Theory of Paintings in the Preceding Period

Section 3: Six Methods as a General Theory of Painting

Section 4: Influence of Yao Yu on Six Methods

Section 5: The Six Methods of Painting in the Preceding Period Influence of the Six Methods

Chapter 6: Works on Painting in the Northern and Southern Dynasties

Section 1: Xie He's Record of Ancient Paintings

Section 2: Yao Min's Continuation of the Paintings

Section 3: Comparison of Xie He's works on paintings with Yao Min's works on paintings, and the dispute over Lu Tanwei's rank

Chapter 7: Zhang Yanyuan's Record of Famous Paintings of All Times

Section 1: Zhang Yanyuan's Ritualism and Scholarly Thought

Section 3: Zhang Yanyuan's Rites and Scholasticism The Rites and Thoughts of the Literati

Section 2: Zhang Yanyuan's Opinions on the Six Methods

Section 3: The Similarity of the Brush in Painting and Calligraphy and the Five Colors of the Ink

Chapter 8: Poems and Discussions on Paintings by Wang Wei

Section 1: Broken Ink Paintings by Wang Wei

Section 2: Poems by Wang Wei

Section 3: Discussions on Paintings by Wang Wei

Chapter 9: The Works of the Tang Dynasty on the Judgment of Paintings

Section 1: Shi Yanjing's Post-Painting Record

Section 2: Pei Xiaoyuan's History of Public and Private Paintings in Zhenguan and Record of Paintings

Section 3: Li Sizhen's Works on Painting

Section 4: Zhang Huaijuan's Painting Breakdown

Section 5: Dou Meng's Record of Paintings and Gleanings

Section 6: Zhang Yanyuan's Record of Famous Paintings of the Past Generations

Section 7: Chu Jingshen Record of Famous Paintings of the Tang Dynasty

Section 8: Comparison of the Works of Various Schools

Chapter 10: Jing Hao's Paintings of the Fifth Generation

Section 1: Six Essentials in the Record of the Brushwork

Section 2: Jing Hao's Discussions on Painting Techniques

Section 3: Jing Hao's Comments on the Painters of the Ancient World

Chapter 11: Song Dynasty Paintings of the Song Dynasty in Relation to the Six Techniques

Section 1: Guo Ruoxu's Views on Charm and Use of Brush Guo Ruoxu's Opinions on Charm and Brushwork

Section 2: Liu Daohol's Six Essentials and Six Lengths

Section 3: Fragmentary Remarks of Various Schools

Chapter 12: Su Shi and Literati Painting

Section 1: Su Shi's Discourse on Painting

Section 2: Su Shi's Influence on Painting in the Song Dynasty

Chapter 13: Reasons for Painting in Song Dynasty

Chapter 14: Guo Ruoxu's Observations on Picture and Painting

Continues from Chapter 15 to Chapter 16 Guo Ruoxu's "Picture and Painting" on the styles of painting

Chapter 15: Dong Di's "Guangchuan Paintings"

Chapter 16: Writings on painting in the Song Dynasty

Section 1: Guo Ruoxu's "Picture and Painting" on the production of models

Section 2: Guo Xi's "Gaozhi, Linquan"

Section 3: Han Clu's "Shanshui Pure Collection"

Section 4: Shi Zhongren's "The Plum Blossom"

Section 5: The influence of Su Shi on the theory of painting Shi Zhongren's Plum Blossom Records

Section 5: Song Boren's Plum Blossom Records

Chapter 17: Song Dynasty Writings on Paintings

Section 1: Huang Huofu's Record of Famous Paintings in Yizhou

Section 2: Liu Daohol's Supplement to Famous Paintings of the Fifth Generation and Commentary on Famous Paintings of the Sacred Dynasty

... ...

Chapter 18: Theories on Painting in the Yuan Dynasty

Chapter 19: Discussions on Painting Methods in the Yuan Dynasty

Chapter 20: Atlas of Painting Bamboo in the Yuan Dynasty

Chapter 21: Theories on Painting in the Ming Dynasty

Chapter 22: Artistic Thought of Li Liufang

Chapter 23: Shih Taoji's "Record of Painting"

Section II.

Chapter 24: Dong Qichang and the Northern and Southern Sects

Chapter 25: Discussions on Landscape Painting in the Ming Dynasty

Chapter 26: Zhan Jingfeng's "Xuanwan Zhi"

Chapter 27: Gong Xian's Landscape Atlas

Chapter 28: Figures of Birds, Plums, Bamboo, Orchids, Flowers, and Birds in the Ming Dynasty

Chapter 29: Works of the Ming on the Judgment of Painting

Chapter 30: Theories on Painting in the Qing Dynasty

Chapter 31: Shen Zongqian's "Mustard Boat Study of Painting"

Chapter 32: The Secret of the Southern Sect of the Hualin

Chapter 33: The Northern and Southern Sects in the Qing Dynasty

Chapter 34: Opinions of Qing Commentators on Western Painting

Chapter 35: Discussions on the Laws of Mountain and Water Painting in the Qing Dynasty

Chapter 36: Fragmentary Remarks on Landscape Painting in the Qing Dynasty

Chapter 37: Wang Yuanqi's School of Landscape Painting

Chapter 38: Zhang Geng's "The Essence of Painting"

Chapter 39: The Landscape Atlas of the Qing Dynasty

Chapter 40: Discussions on Figure Painting in the Qing Dynasty and its Atlas

Chapter 41: The Facsimile Painting in the Qing Dynasty and its Atlas

Chinese Painters' Views on Western Painting

Chapter 32: The Western Painters' Views on the Western Painting

Chapters 43 - Bamboo Records of the Qing Dynasty and Remarks on the Painting of Bamboo

Chapters 44 - Orchid Records of the Qing Dynasty and Remarks on the Painting of Orchids

Chapters 45 - The Mustard Seed Garden Painting Biographies - Chrysanthemum Records of the Ching Jitang Hall

Chapters 46 - Discussions on the Mixed Paintings of Flowers and Birds and Their Drawings of the Qing Dynasty

Chapter 47: Qin Zuyong's Discourse on Painting in Tongyin

Chapter 48: Remainder of the Discussions

Appendix