Classic ancient poetry running script brush calligraphy works?

Running Script is a form of calligraphy font in China, which has unique font style characteristics and has a great influence on the development of calligraphy in China. Here is what I have organized.

Pictures of ancient poems in Running Script Brush Calligraphy

Running Script is a generic term that is divided into two types: Regular Script and Cursive Script. It was developed on the basis of the Regular Script, and is a font between the Regular Script and the Cursive Script. It was created to make up for the slow writing speed of the Regular Script and the difficulty of recognizing the Cursive Script. The word "xing" means "walking", so it is not as scribbly as cursive, nor as upright as regular script. In essence, it is the cursiveization of regular script or the regularization of cursive script. Those with more regular script than cursive script are called "Xing Kai", and those with more cursive script than regular script are called "Xing Cao". Running script is high in practicality and artistry, while regular script is a textual meta-number, high in practicality and relatively low in artistry; in contrast, cursive script is high in artistry, but relatively low in practicality.

Appreciation of classic ancient poems in running script calligraphy

Running script is a style of writing between regular script and cursive script, which appeared in the late Western Han Dynasty and the early Eastern Han Dynasty. The name of Running Script was first seen in the Western Jin Dynasty in Wei Heng's article "The Four Styles of Calligraphy": "At the beginning of the Wei Dynasty, there were Zhong ***Care*** and Hu ***Zhao***, both of whom were practicing Running Script, and they all learned it from Liu De Sheng." Tang dynasty Zhang Huaiguan "book break" records: "line book, Liu Desheng made also. That is, the book of the small pseudo, business from simple, between the popular, so it is called the book of the line." Zhang Huaiguan in its "book discussion" and cloud: "the line of non-grass non-true, away from the square recluse round, care about the quarter between the Meng, both the real one is called the real line, with grass is called the line of grass." In the Ming Dynasty, Fengfang in the "book know-how" has a more graphic description: "the line of pens and non-stop, the paper and not carved, light turn heavy press, such as the water flow cloud line, no less intermittent, and always exist in the business also." Running script is because of its flowing clouds, writing fast, easy to recognize the unique artistic expression and broad practicality, from the beginning of the generation will be favored, widely spread. After the golden period of the Wei and Jin Dynasties and the development period of the Tang Dynasty, the running script reached a new peak in the Song Dynasty, and gradually occupied a mainstream position in various styles of calligraphy. Throughout the long history of calligraphy, there have been changes in the development of seal script, official script, and regular script, while the running script has always flourished and remained an obvious study in the field of calligraphy. Calligraphic masters of all generations*** have written a brilliant history of the development of the running script.

Characteristics of the structure of the running script

The size of both. That is, each character presents different sizes, and there exists a link between the strokes of a character and the strokes of a character, a link between characters, both real and intentional, with a break and a link, looking forward and echoing.

Combination of collection and release. Generally, the short lines for the collection, the long lines for the release; back for the collection, the side for the release; most of the left and right, the top and bottom, but also can be converted to each other, do not rule out the left and right, the top and bottom.

Sparse and dense. Generally, the upper and lower sparse, left and right sparse, inner and outer sparse. The center of the palace tight knot, where the box into the white space the smaller the better, the circle of the stroke white space is also the smaller the better. Layout of the word spacing tight pressure, line spacing pull open, fell pouncing and leaping, strong and colorful.

The color of the writing should be light and lively. Running script should be easy, lively, swift, and master the combination of speed and delay, movement and static. Ink color arrangement should be the first word for the thick, the last word for the dry. The lines should be long, thin, short, thick, light and heavy, thick and light. It is similar to cursive writing, but not as cursive.