Traditional Culture Encyclopedia - Traditional virtues - What is the meaning of chorus
What is the meaning of chorus
Singing, a major component of traditional opera music. It can refer to a general term for the singing method of Chinese opera that requires the interspersing of tunes (e.g., ballad style, song style). In heavy metal music, there are general popular song chants, the low growling hissing chants of death metal or black metal, and so on.
The vocals are dominated by the slab-textured Xippi and Erhuang. Xipi is a relatively bright and lively tune, long for lyricism, narrative, reasoning, material. There are the original plate, slow plate, fast three eyes, guide plate, back to the dragon, scattered plate, rocking plate, two six, running water, fast plate. There is also the Anti-Xi Pi, a traditional singing style of Beijing Opera that appeared later (rumored to be created by Tan Xinpei), with only the two-six, scattered boards, and shaking boards.
Expanded:
Classification
1, Xipi
Opera cadence, one of the main cadences of Beijing opera singing, generally believed to be out of the clapper chamber, the end of the Ming and the early Qing dynasty, the Qin cavity spread to the area of Xiangyang in Hubei Province, and with the combination of the local folk tunes evolved into the Xiangyang tune, which is later known as the Huguang cavity, also known as Xipi.
2. Anti-Erhuang
Peking Opera tunes. On the basis of Erhuang, a lot of use of tonal alternation and temporary transfer, the formation of double tonality or directly into the upper fifth of the palace tone system, until the formation of an independent tonal singing structure, known as the anti-Erhuang. Huqin fixed strings from the Erhuang sol, re into the anti-Erhuang do, sol, pitch unchanged, the name of the song changes, the former internal strings of the name of the song into the latter external strings of the name of the song, so the name of the anti-tonal.
3, four flat tone
Opera cadences, also known as Erhuang flat in Beijing opera. The structure of Sipingtong is marked by the first words of three phrases in seven or ten sentences, the upper sentence is Yangyi Yangge, the lower sentence is Yangyi Yangge, and the rhythmic intersection of the words within the phrases, which combines the structural characteristics of Xipi and Erhuang. In terms of tonal patterns, the upper phrase falls in re and the lower phrase falls in do, the same as Xipi.
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