Who is the star of China?

Chen Tianjia, Liu Huan, Na Ying, Sun Yue, Wang Leehom, Han Hong, Stephanie, Emil Wakin Chau, Liang Yongqi, Yu Quan, Jackie Chan, Ren Xianqi, Jolin Tsai, Sun Nan, Zhou Bichang, Wei Wei, Huang Xiaoming, Han Geng, Wang Feng, Karen Mok, Tan Jing and Eason Chan.

, Jane Zhang,, Chen Kun,,, Bai Daixue Lan, Tang Can, Eileen,,,, Christine, You Hongming, Zhou Xiaoou, Sha Baoliang, Man Wenjun, Jin Haixin.

A star generally refers to many (usually more than three) stars or artists doing the same thing together. A star is also a music group, with music names, anonymous singers and so on.

Generally speaking, more than three artists or performing stars announce or produce programs together.

Stars generally refer to a group of stars. The main recorded songs are: Welcome to Beijing, 20 10 waiting for you, ipartment, where is Dad going?

Real stars are first remembered for their roles, and their light source comes from profound artistic accomplishment. If the "traffic star" only has traffic and no acting skills, it will eventually become a "meteor" that flashes by.

I don't know when it started, "traffic star" became a buzzword in the entertainment industry. Often used to refer to those performing stars who have a large number of fans on the Internet.

For a time, a TV series or a movie, if there is no "traffic star" to join, seems to only accompany the last seat. However, it is the works that these "flow stars" join, which are often associated with words such as "lack of acting skills" and "special effects of 30 cents", and almost go to the opposite of "conscience drama" and "fine works".

Compared with the stars before the Internet era, the "traffic star" is characterized by the word "traffic" as its name implies. To evaluate the popularity of a work and an actor, traditional film and television talk about attendance and ratings, while the Internet era talks about traffic. An actor's social popularity and attention can be directly quantified.

For example, how many fans does he (she) have in Weibo? How many posts are there in each Weibo? How much to forward? A lot of data is an intuitive expression of an actor's popularity.

There is no original sin in traffic. The problem is that many traffic stars now only have traffic and no acting skills. Actors are stars, so they are called the capital of stars. Stars are important creative resources and market elements of mass film and television products, and are the core link of performing arts brokers.

In the hundred-year history of the traditional film and television industry, the method of "making stars" has developed quite maturely and perfectly, but in any case, the acting skills of stars are still the first. Behind the glamorous image of a star, talent, self-study, promotion and training are the basis of his fame.

In the star factory of Hollywood, the stars who left their mark on the Avenue of Stars are selected year after year.

Whether an actor can win the highest honor is not simply determined by the number of audience who eat popcorn, nor by his appearance, but by a jury composed of thousands of authoritative people with profound artistic experience, according to their artistic performance level.

For another example, in Hongkong, Chow Yun Fat, Andy Lau, Liming and Jacky Cheung, the film and television "red stars", are all students of TVB TV artist training class. Before they became famous and the stars shone, they did walk-on and body double. In this long process of growth, the active self-discipline of actors is the fundamental help to push them to the Avenue of Stars.

Nowadays, the "traffic star" who is highly sought after and gradually wants to become attractive is often not tempered by the above hardships. It is fair that such a star can't leave any real works.

Real stars are first remembered for their colorful roles. Nowadays, when people talk about "traffic stars", they always mention "small fresh meat", "high value" or gossip or even scandal, regardless of one's artistic accomplishment. If we really evaluate the role-building level of traffic stars, the views of "no acting" and "poor acting" are almost conclusive.

Out of ignorance of acting skills and one-sided pursuit of traffic, some traders even use "attention economy" as the driving force and brush traffic as a means to create so-called "traffic stars", regardless of whether the "traffic stars" have acting talent or not and whether the content of "traffic" conflicts with social public values.

At the same time, some media organizations, including some TV stations, focus on their own corporate attributes and profit purposes, pursue short-term interests in the market, and get quick success in "hot spot development", and are quickly attracted by "traffic", thus contributing to the accumulation of "traffic" bubbles.

Film and television program is a comprehensive art integrating editing, directing and other elements, and the works presented to the audience are a unified organism of story, structure, role, personality and values. With "meteor" as the decisive factor and "meteor" as the vision, the producers have actually simplified the reproduction factors.

At the same time, under this production mode, because of the need of "flow" value-added, young artists have no time to take care of the improvement of performance quality, so that "flow star" eventually becomes a "meteor" that suddenly disappears. In addition, the short-term profit of some "traffic stars" works will have spillover effects on the whole performance ecology, creative ecology and broadcasting ecology, leading to a series of ecological disorders such as sky-high film pay.

Film and television performance is a technical activity with a high threshold. Those attempts to increase the brightness of works with the help of "external light sources" are not only short-sighted, but also naive and harmful to their artistic life. Those "flow stars" who fantasize that they can be very popular without acting skills are destined to become short-lived "meteors".

The above contents refer to Baidu Encyclopedia-Stars.