Traditional Culture Encyclopedia - Traditional virtues - Information about "Riverside Scene During Qingming Festival". Urgent

Information about "Riverside Scene During Qingming Festival". Urgent

"Along the River During the Qingming Festival" introduces in detail the scroll "Along the River During the Qingming Festival", a genre painting of the Northern Song Dynasty.

A masterpiece handed down from generation to generation and a first-class national treasure.

"Along the River During the Qingming Festival" is one of the most famous works in the history of Chinese painting. It is not only of high artistic level, but also has many interesting stories surrounding it.

"Along the River During the Qingming Festival" records the architecture and people's livelihood on both sides of the Bianhe River in the suburbs of Bianjing (now Kaifeng), the capital of the Huizong era, and in the city in the late Northern Song Dynasty and the Huizong era.

This picture depicts the bustling scene and natural scenery of Bianliang, the capital city of the Northern Song Dynasty, and both sides of the Bianhe River during the Qingming Festival.

The work is in the form of a long scroll and adopts the composition method of scattered perspective to integrate complex scenery into a unified and varied picture. There are more than 500 characters in the painting, with different clothes and expressions. Various activities are interspersed with them, focusing on drama and composition.

It is dense and dense, pays attention to the changes in rhythm and rhyme, and the writing and ink composition are very clever.

The whole picture is divided into three paragraphs.

The first section shows the spring scenery in the countryside of Bianjing: in the mist of the sparse forest, a few huts, grass bridges, flowing water, old trees, and small boats are hidden.

Two porters drove five donkeys carrying charcoal towards the city.

In a willow forest, the branches have just turned green, making people feel that although the spring is cold and harsh, spring has returned to the earth.

There was a sedan on the road, with a woman sitting in it.

The top of the sedan chair was decorated with willows and miscellaneous flowers. Behind the sedan chair were horsemen and load bearers, returning from an outing in the suburbs of Beijing to visit tombs.

The description of the environment and characters highlights the specific time and customs of the Qingming Festival, which is the prelude to the whole painting.

In the middle section, the busy Bianhe River Wharf: Bianhe River was the national water transport hub in the Northern Song Dynasty and an important commercial transportation thoroughfare. From the picture, you can see that it is densely populated and grain ships gather. Some people are resting in teahouses, some are reading fortune-telling, and some are in

Eat at a restaurant.

There is also the "Wang's Paper Horse Shop", where people sweep tombs and sell sacrifices. Boats come and go in the river, connected end to end, either pulled by trackers or rowed by boatmen. Some are loaded with goods and sail upstream, and some are anchored on the shore.

Nervously unloading.

Across the Bian River is a large-scale wooden arch bridge with exquisite structure and graceful form.

It looks like a flying rainbow, hence the name Hongqiao.

There is a large ship waiting to cross the bridge.

The boatmen used bamboo poles to support them; some used long poles to hook the bridge; some used hemp ropes to hold the boat; and a few people were busy lowering the mast to allow the boat to pass.

The people on the neighboring boats were also pointing and shouting something.

Everyone inside and outside the boat was busy with the boat crossing the bridge.

People on the bridge also stretched their heads and sweated at the tense scene of crossing the ship.

This is the famous Hongqiao Wharf area, bustling with traffic and hustle and bustle. It is truly a meeting point for land and water transportation.

In the back section, there are lively urban streets: with the tall tower as the center, there are rows of houses on both sides, including teahouses, wine shops, foot shops, butcher shops, temples, public houses, etc.

The shop specializes in silk and satin, jewelry and spices, incense, paper horses, etc. In addition, there are medical clinics, cart repairs, fortune telling, face shaping and cosmetic surgery.

"Louhuanmen" hangs market banners to solicit business. People in the market are crowded and there is a constant flow. There are merchants doing business, gentry watching the street scene, officials riding horses, hawkers, and family members riding in sedan chairs.

There are walking monks carrying baskets on their backs, tourists from other places asking for directions, children on the streets listening and reading, children from rich families drinking heavily in restaurants, disabled old people begging on the edge of the city, men, women, old and young, scholars, farmers, industry and commerce, all three religions and nine streams, all

Unprepared.

Transportation means: sedans, camels, oxen and horse-drawn carriages, rickshaws, peace cars, flat-head cars, all kinds of things are available.

Paintings and shapes are displayed in front of people's eyes.

In total, in the five-meter-long scroll, *** painted more than 550 people of various colors, 50 to 60 cattle, horses, mules, donkeys and other livestock, more than 20 vehicles and bridges, and 2 large and small boats.

More than ten ships.

Houses, bridges, towers, etc. also have their own characteristics, reflecting the characteristics of Song Dynasty architecture.

Zhang Zeduan's "Along the River During the Qingming Festival" is a realistic genre painting depicting a corner of Bianjing City in the Northern Song Dynasty. It has high historical value and artistic level.

There are many paintings named "Along the River During Qingming Festival" in the history of painting, but after all, there is only one authentic copy.

After many scholars and experts have studied this topic, everyone basically agrees that the painting now in the Palace Museum in Beijing is the original work of Zhang Zeduan of the Northern Song Dynasty.

Other paintings with the same name are all later copies or fabrications made by Zhang Zeduan.

The scroll now in the collection of the Palace Museum in Beijing does not have the artist's seal on it. The author was identified as Zhang Zeduan based on an inscription written by Zhang during the Jin Dynasty in the postscript at the back of the scroll.

There are only a few words in Zhang's inscription: "Hanlin Zhang Zeduan, courtesy name Zhengdao, was born in Dongwu (now Zhucheng, Shandong). He studied in the capital when he was young, and later learned painting. He specializes in boundary painting, and is especially fond of boats, cars, and bridges.

Guo Jing, there are several families. "However, Zhang Zeduan's name does not appear in the "Xuanhe Painting Book" written in the late Northern Song Dynasty. Some people speculate that he may have entered the painting academy late and the editor did not have time to include him in the book.