Zhao Mengfu Spring Festival couplets calligraphy appreciation?

We have entered 20 17, and the Lunar New Year is not far away! Are you still worried about Spring Festival couplets? What is the co

Zhao Mengfu Spring Festival couplets calligraphy appreciation?

We have entered 20 17, and the Lunar New Year is not far away! Are you still worried about Spring Festival couplets? What is the content? How to copy the calligraphy of Spring Festival couplets? The following is the calligraphy of Zhao Mengfu Spring Festival couplets I compiled for you, I hope it will be useful to you!

Calligraphy pictures of Zhao Mengfu Spring Festival couplets 1

Zhao Mengfu Spring Festival couplets calligraphy picture 2

Zhao Mengfu Spring Festival couplets calligraphy picture 3

Zhao Mengfu Spring Festival couplets calligraphy picture 4

Brief introduction of Zhao's calligraphy

τ * * * f * * * *125410/October 20th [1]-1322 July 30th [1] * *. Famous calligrapher, painter, poet, grandson, grandson of Zhao from the late Southern Song Dynasty to the early Yuan Dynasty; His fathers, Zhao and Chen, served as assistant ministers in the Southern Song Dynasty, and also served as the prefect of Lin 'an and the envoy of western Zhejiang.

In the 23rd year of Zhiyuan, *** 1286 * * *, Cheng Jufu, an imperial adviser, "sent a letter to search for relics and fled to the south of the Yangtze River", and introduced Zhao Mengfu to Kublai Khan in Yuan Shizu. Kublai Khan admired his talent and appearance. Two years later, he became a straight bachelor in Jixian County. Zhiyuan * * *1292 * * twenty-nine years, as the general manager of Jinan Road. Zhenyuan *** 1295 * * * years, returned to Beijing to learn from the ancestors. In view of the internal contradictions in the Yuan Dynasty, Zhao Mengfu begged. A tired official, a bachelor of Hanlin and a doctor of Rong Lu, is famous all over the world. In the second year, Zhi Zhi died in *** 1322 * * * at the age of 69. He was named "Zhao" because he was posthumously named as "Wenmin" of Pingzhang Administration in Zhongshu Province of Jiangsu and Zhejiang Province and "Wenmin" of Wei Guogong. He is the author of Song Xuezhai's Anthology and so on.

Zhao Mengfu is well-read, good at poetry and prose, familiar with economy, industrial calligraphy, fine painting, good at epigraphy, fluent in temperament and appreciation. In particular, calligraphy and painting achieved the highest achievements in the Yuan Dynasty, creating a new style of painting, which was called "the crown of Yuan people". Good at seal cutting, official script, authentic works, calligraphy and cursive script, especially regular script and calligraphy. His elegant style of calligraphy, neat structure and skillful brushwork created Zhao Ti Shu, which is called "four masters of regular script" with Ou Yangxun, Yan Zhenqing and Liu Gongquan.

Regular script writing method

Fang Bi originated from legislation, and most of the inscriptions in the Six Dynasties were written by Fang Bi. Regular script in Tang Dynasty inherited the style of Beibei tablet and formed regular script with Fang Bi as its main feature. Fang Bi's sharp pen is the main writing method of regular script, and Fang Bi makes good use of it, which can give people a strong, fresh and profound aesthetic feeling. Fang Bi's pen can start with the contrarian cutting method, also known as the point method. Zhou Xinglian said in "My humble opinion on Linchi": "Every word should be written from the point of view, and it should be written on all sides. Only when the pen is dominant can it be unbiased." The method is to take the pen gesture before writing, and make a reverse motion in the extremely low air, * * * or the pen tip touches the paper, and the sharp point is reversed into * * *, and then make an oblique point when writing a horizontal painting or an oblique point when writing a vertical painting, * * * is like a knife, and when the breakthrough point is reached, the potential is. He really said it. This kind of brushwork, also known as "building the front to write" in calligraphy, builds the soil, tamps it, tamps it to make it solid. Just like a builder building land, the front of a building falls straight down, which means that it is like a stone falling from a mountain peak, meaning to hit it. After cutting against the trend, the pen tip is on the top and the pen belly is on the bottom, which has become a sideways trend. At this time, it is urgent to adjust the nib so that it can deflect. This is the most critical place to write fine print. When adjusting the nib, you can slightly drive the nib to do a spiral action of lifting and pressing once or twice, and quickly rub the nib into the painting. Zhou Xinglian's My Humble Opinion on Linchi said: "When you write a paper, it's like a place where you are alone. Your heels stand up, your waist stretches, your back relaxes, and your bones naturally grow stronger. Turn around a little, and you have to respond on all sides. If you can't use the author well, you have to lie on the paper, that is, crouch on the paper. There is no other way to get rid of this disadvantage. As Sion said, you must start writing before you start writing. " When writing fine print, this kind of pre-tuning action is very small, which is completed in a very short moment, and sometimes it depends entirely on a feeling in the wrist. To practice this pre-tuning action, you should start with block letters. At first, the action was very passive and purposeful, but over time, we will naturally become skilled. After clicking, we can quickly lift the front, such as dragonflies and sticks, and unconsciously complete this action.

Finally, I want to talk about written remedies. Zhao Yiguang said in A Talk on Cold Mountain: "The writer of words is lost when writing, so don't change his way because of his loss. He has his own position on his wrist and can save him. " That is to say, when writing a pen, it is necessary to remedy the defects caused by improper front adjustment or writing errors, and it is not advisable to add traces after writing. There are two kinds of remedies: one is temporary rescue, that is, "make up for what is missing", and restore the front of the pen to the writing place in time. Through reciprocating action, the ink overflows from the middle, and the shape is naturally full. There is no need to change the course temporarily, and the rescue is good and more interesting. Of course, it is best to write smoothly, and those who go against the sky have no ink. Remedial measures are only the last resort. In a word, sending a pen is the most important part of using a pen, and the key point lies in adjusting the front. No matter what pen you use, it is expensive to use it backwards, or falsely, or actually. The reverse movement should be light, and the trajectory of the reverse movement should follow the gesture. When sending a pen, the action should be clean and neat, you can't hesitate, the pen machine is stagnant, and you can't be impatient and timid. All the above three ways can be used to write small letters. Only when time is round, hidden and revealed can the beauty of change be maximized. However, only when one style is dominant can the consistency of the whole work be maintained.