Yuan Qinghua vase in the collection of why it will later come to the fore, what is its unique charm?

Yuan blue and white vase in the collection why will later on, what is its unique charm? Yuan blue and white vase unearthed in Nanjing Jiangning Development Zone General Hill Muying tomb vase for the late Yuan and early Ming dynasty blue and white porcelain in the rare treasures, now collected in the Nanjing Museum, is the museum? The treasure of the museum? , one of the three masterpieces of Chinese porcelain.

The blue and white porcelain for the yuan jingdezhen kiln representative porcelain, which is two very characteristic and valuable category. Qinghua strong coloring power, color stability, decoration never fade, and the style of the beautiful and elegant, pure and beautiful. Glossy and translucent blue and white glaze and elegant and clean tires with clever, set each other off, quite a Chinese ink painting characteristics, and marks the change from plain porcelain to the arrival of a new era of colored porcelain; Yuan blue and white with its multi-layered, full picture, the main and secondary distinctive decorative features and to the main painting and engraving, scratching, stamping decorative techniques for the development of ceramic art in China has opened up a new pathway.

Yuan blue and white plum vase for the Yunnan late yuan and early Ming dynasty blue and white porcelain in the rare treasures, has a very unique blue and white decorations, reflecting the very high level of firing. Plum vase is the Ming Dynasty high-grade burials, have the role of the tomb to ward off evil spirits. In addition to being a status symbol, there are also feng shui considerations, non-princes and dignitaries, shall not? enjoy? This burial goods. This porcelain small mouth, rich shoulder, oblique abdomen, convergence of shin, flat bottom, beautiful shape, rounded lines, smooth, graceful and luxurious, giving people a sense of beauty of gravity. The blue-and-white decoration painted on the vase is varied and unique.

Yuan Dynasty? Blue and white? Survival is rare, only one hundred pieces of domestic, the value is incalculable. 2005,? Ghost valley downhill figure? Porcelain jars auctioned at a sky-high price. And related yuan blue and white plum vase, porcelain texture, blue and white color, are better, and painted flowers, figures and other episodes of realism. And like this Yuan Qinghua vase only five pieces around the world, the other two have been handed down to foreign countries. Yuan Qinghua features how to identify:

(a) look at the shape

The bottle, cans and other shapes to look at its mouth, neck, shoulders, abdomen, foot, to see if there is a Yuan Dynasty features of the shape, but also to identify the shape of the weight of the carcass, the shape of a comprehensive analysis. Yuan dynasty bottles, jars and other vessels generally thicker and heavier tire, tire hard.

(2) look at the glaze

yuan blue and white porcelain glaze color white slightly glittering green, glistening and translucent, but there are also blue and white porcelain or green. Yuan dynasty in the early (yanyou period) of bottles, jars and other blue and white porcelain Shi transparent glaze, touch the glaze like glutinous rice sense, sometimes glaze shows matte muna color, close look at the green show light blue-gray, far look at the yellowish-brown, look at the glaze glazed glaze sticking with sparse white dots, a small number of body glaze can be seen in a fine crust layer, oblique light to see through the tire glaze slightly irregular glaze wire streaks, from the tozheng years began to burn the White glaze, pivot glaze and ovoid glaze celadon, tire color is mostly white, slightly glittering green, for the white glaze with green, showing a transparent glassy texture.

(C) look at the blue and white

yuan blue and white porcelain color is not stable, blue and white color fainting, blue and white material is divided into two kinds: a hair color is heavy and bright verdant and colorful, thick at the black rust spots, commonly known as the black blemish? Black blemish? The thick place with the hand touching the blue and white glaze was uneven feeling, this is the use of imported? This is the effect of using imported Su Nai Bo Qing? The material is unique to the color effect; another domestic material, domestic material blue blue color was gray, some of the color was blue and gray or blue color blue flash gray. Yan You period of blue and white color peony pattern deep into the bone was cloudy block, like lurking in the bone, was three-dimensional sense seems to have flickering. Cyanotype floating and glaze close, halo scattered cyanotype was blown up, floating cyanotype glaze surface shows a thick black silk and dots, cyanotype decoration close to the glaze, slightly concave, which is also the basic points of identification of Jingdezhen yuan blue and white porcelain.

(D) see decoration

yuan dynasty blue and white porcelain decoration can be divided into two categories. A class of imported material painting decoration, with a composition full of dense, rich layers, painting characteristics of neat. Such as the large plate pattern by three to five layers full of dense patterns, bottles, jars pattern by three to eight layers of pattern decoration, pattern has the main coordinated, busy but not chaotic features, pattern themes are rich and varied, to the story of the characters, entwined flowers, fish, algae, lotus pond, double phoenix flowers, open light folding, bamboo and stone flowers and fruits, etc. pattern composition, flower pattern has a large flower and large leaves, which entwined with the petals of the leaves of the lotus flower painted into a gourd, the edge of the peony pattern painted into a gourd shape, and the peony pattern painted into the edge of the peony pattern. The peony motifs have a white pearl-shaped rim, and the auxiliary variant lotus petal motifs are mostly spaced and decorated with blue and white flowers within the border. Another type of blue and white to domestic material painting, its pattern has the characteristics of smooth and unrestrained, pattern composition is simpler, painting is more rough, to a variety of floral motifs for the most common. (E) look at the inner wall < p> yuan blue and white porcelain vases, jars, more than unglazed, the inner wall of the sand tire, the body is generally made of segmented production bonded together, so the belly and the bottom of the often leave a clear tire joint marks. Plum vase and shoulder joints more than not repair tire, so there is a sense of roughness. The inner wall of the tire joint marks are mostly raised about 1 to 2 millimeters of tire joint marks, irregular thickness and size, hand feel a rounded and delicate texture. The inner wall of the bottle sand tire slightly yellowish, tire wall sand eyes and the inner wall of the sparse Lang small grains of stone is clearly visible, the upper part of the abdomen is generally not repair tire processing, the lower part of the abdomen to the bottom of the more repair tire spinning mark pattern, the inner wall of the bottle sparse Lang sand eyes are clearly visible. Strong light oblique look at the inner wall of the rare sand eyes flashing starlight points, emitting bright light, also known as yin and yang light points.

(F) look at the bottom

yuan dynasty blue and white porcelain bottles, cans and jars of the bottom of the more concave foot, foot wide, a small amount of the bottom of the foot was the outside of the diagonal cut, digging the foot is shallow and deep, mostly digging shallow feet. Bowls and dishes class ware foot is mostly outside the oblique cut shape, but whether it is faceted or rounded ware, the foot has a more regular and irregular sense. Bottles, jars and so on, some of the bottom of the sand tires show a sense of solidity, but also some of the tires slightly loose sense, small sand eyes and black paste spots clearly visible, some of the bottom of the foot slightly raised chicken heart-shaped. Bottles, cans and jars on the bottom of the foot more spinning mark pattern, flint red and ochre red, some of the bottom of the circle and the bottom of the foot sparse Lang small stone is clearly visible, sticking with sparse Lang the size of the block varying black glaze mark, and there is a natural blowing up the shape.

(7) look at the color and bubbles

yuan blue and white color is also very important, bottles, jars, the outer foot circle is generally thicker polyglaze watery green, but also show duck egg green color, the body glaze will often show a greenish-white, light blue, or yellowish-brown and other colors. Yuan dynasty in the early blue and white porcelain bottles, jars and such obvious color, color is with the dryness of the air, humidity, temperature, seasonal changes to show the glaze a different color. Early Yuan dynasty bottles, jars and other blue and white porcelain glaze will sometimes appear faint sweating phenomenon, generally for the hot season, there is the early Yuan dynasty in the blue and white glaze and pivot glaze on most of the blue and white glaze is no bubbles. From the to Zheng years began to fire the blue and white porcelain, white glaze and ovoid glaze on the blue and white glaze there will be bubbles, but there will be the size of the two bubbles, small bubbles, the Yuan dynasty blue and white porcelain glaze mostly appears to be dry and transparent glaze.