Traditional Culture Encyclopedia - Traditional virtues - Sentences describing the ancient inn,Sentences describing the outlook and scenery of ancient inns
Sentences describing the ancient inn,Sentences describing the outlook and scenery of ancient inns
Sentences describing the ancient inn
1, Zhonghe Hall plane is square, the face of the width, depth of 3 rooms, four sides out of the corridor, gold brick pavement, floor area of 580 square meters. Roof for the single-eaved four corners of the tip, roof covered with yellow glazed tiles, in the copper tire gilt roof. The four sides of the hall open the door, the front side of the three-crossing six-financial finial door 12, east, north, west, three finial door each 4, the door in front of the stone steps east and west of one, north and south of three, in the middle of the relief cloud and dragon pattern imperial road, stamping, draping with shallow engraving of curly grass pattern. On both sides of the door for the brick threshold wall, set on the window. The outer eaves of the temple are decorated with gold dragons and seal painting, the ceiling is leaching powder gold front dragon. Inside the hall set the floor screen throne. Doors and windows of the form is taken from the "Dai Dai Li Ji" described as "Ming Tang", to avoid the three halls of the same.
2, the village of the farmhouse is almost completely covered with snow, leaving only a few black holes in the window, like a pair of wide-open eyes, surprised to survey the world of snow.
3, Wuyishan existing more than a hundred fine ancient architecture is mainly built in the Ming and Qing dynasties of the ancient houses, modeling simple, show clever, elegant, rich. The style is y influenced by the Huizhou school of architecture, the architectural structure of the house is mainly brick and wood, stone wall base, wooden column base, the use of picking beams and reducing columns, expanding the architectural space to sit north-south, leaning against the mountain pillow water, the layout of the central axis symmetrically divided into halls, the side of the two compartments.
4, a good elegant and beautiful courtyard: the east room a hundred rods of bamboo; two pines along the west wall; a dozen pots of autumn chrysanthemums under the south gable, buds waiting to be released; the courtyard in the center of the tree full of jujubes, tired will be harvested.
5, the green trees in the middle, neat tile houses and old grass houses interlaced mixed, just like a game of chess to kill is in full swing.
6, in the vast night sky. Those huge modernized buildings, as if a sea vessel on standby to sail away.
7, here are more modern mood of the building, with their straight lines, silver steel windows, give people a novel, generous and comfortable feeling.
8. The serfs' huts are in a state of decay. The wood is worm-eaten and old to gray. Many of the roofs seem to be sifted on one side. Some are in addition to the rafters, can not see the roof, between which there are a few branches of the transom, as if the skeleton of the ribs. ...... There are no window panes anywhere. Occasionally the window holes were stuffed with pieces of cloth or rags. The small sun deck with railing under the eaves, I do not know why the cause, ...... but all have been tilted, obsolete, and even the paint is peeled clean.
9, walked through the Dacheng Gate, came to one of the three great halls of China Dacheng Hall. This towering heavy eaves nine ridge roof of the huge building, arch interlacing, yellow tile roof, like a golden palace. Side by side in front of ten stone pillars, each stone pillar is carved with two dragons, one on top, one underneath, they circled around the rise, clouds and fog, to the middle of the swim; in the middle, there is a pearl, around some of the flames. The two dragons were fighting over the pearl!
10, two modest Chinese-style apartment room, cleaned up neatly. There is an ancient porcelain vase on the bookshelf and a pot of evergreen asparagus on the desk. On one side of the wall hung a picture of a white-bearded Tolstoy, and on the other side was an eight-inch bust of Lin Daojing and Yu Shuize taken together. The photo was embedded in a refined frame, looking at people with a smile. In short, this old-fashioned hut after they so arranged, warm, elegant, as if the breath of spring.
11, Potala Palace is divided into two parts of the White and Red Palaces, the entire building complex towering, lofty lofty. Five palace roof covered with gold tiles, the appearance of extraordinary momentum, the art of architecture is unique.
12, high-rise buildings, brilliant, jeweled buildings, pavilions, hooks and corners, towering into the clouds, carved bars
13, Bixia Palace is Dai Deng one of the most magnificent architectural complexes, the roof is covered with iron tiles, and the side walls of the main hall are also made of iron-colored bricks.
14, classical, cheerful both, steeple-shaped sloping roof, plastered wooden frame and column decoration, natural building materials and climbing its vines, classic and not fall into fashion.
15, gold brick pavement in the hall, sitting north to south with carved gold lacquer throne. East and west between the two tips of the warm cabinet, two doors, plus wooden relief carvings such as clouds and dragons with gold Vishnu cap. Architecture on the use of columns to create practices, the front gable of the temple gold columns minus six, so that the space is spacious.
Description of the ancient inn sentences (2)
16, building, dense forests generally rising group of buildings, majestic as the southern banyan tree, upright as the northern poplar, cedar generally white, bamboo general fresh green, golden as the late autumn ginkgo, dawn red, and as the twilight of spring flowers full of cottonwoods ...... 20 The twenty floors, twenty floors, forty floors, fifty floors ...... and even those that rocketed upward at the high speed of one floor in three days, as if countless huge exclamation points, the rain splattered down all around me. I rise, fall, rotate, look down, look up, look flat, appreciation, but also accompanied by a sense of dizziness, a sense of weightlessness.
17, Yangxin Hall for the I-shaped hall, the front hall face three, through the face of 36m wide, 3 deep, through the depth of 12m. yellow glazed tiles hysteresis roof, the bright room, the west next indirectly rolled shed holding Xia. Front gable columns, each with two square columns, the appearance of 9. The name of Yangxin Hall comes from Mencius's "keep his heart and raise his nature to serve the sky", which means to cultivate the nature of the sky. In order to improve the lighting, Yangxin Hall became the Forbidden City, the first installed glass palace. The emperor's throne in the center of the bright room, hanging on the Yongzheng imperial pen "in the positive and benevolent" plaque. The east side of the Ming Dynasty "East Warm Pavilion" within the throne, to the west, this was once Cixi, Ci'an two Empress Dowager curtain at the government. The west side of the bright room of the West Warm Pavilion is separated into several rooms, the emperor read the zhangbiao, and ministers of the secret room, said "diligent proximity", the Qianlong emperor's reading place three Xitang, as well as a small Buddha Hall, Mei Wu, is designed for the emperor for the Buddha, the rest of the place.
18, the room is cleaned up very neatly, put a simple bed in the corner, one end of the checkerboard pattern of the tent, the other end but only stucco walls. The ground floor is paved with mud tiles, really spotless, but very damp, as if after the last rinse, never dry. The basement window, which faced the street, was shuttered on one side for fear of children throwing stones, and hung with strange weeds ...... taken from hedges, ditches, and fields. There were herbs hanging all over that house, and the light was impeded; and the herbs, as they dried in the air, gave off a not very pleasant odor with them.
19, the shadows of the trees moving on the carpet, the smoke of a good incense in a large Xuanzhu stove, curling up constantly. The east side of the wall coat bathed in the sunlight, the gold and blue embroidery attached to it, reflecting the dazzling luster. In the center hall hangs an ink dragon by Chen Shouweng, with its teeth and claws fluttering like it is about to fly down. The west wall is a piece of Ma Hezhi landscape, the kind of soft and gentle strokes, want to protrude out of the silk, one forgets to sit in the capital of the mansion.
20. We came to the main bridge, the railings of which are cream-colored. In the bridge stands fifteen poles, each pole installed four cup-shaped Chinese lamps, like an inverted cup of tea. Milky white lampshade and the azure sky reflect each other, looks very harmonious. I think, at night, these lamps emit
21, the big construction, nail head phosphorus, Gui Hall Lan Palace, flying pavilion flow Dan, Hongtu Hua structure, towering into the sky, Dan carving Jiao
22, the serf huts are showing a decaying scene. The wood is worm-eaten and old to gray. Many of the roofs were like a sieve. In some cases, the roof is invisible except for the rafters, between which there are a few branches, as if they were ribs on a skeleton. ...... There are no window panes anywhere. Occasionally the window holes were stuffed with pieces of cloth or rags. The small sun deck with railing under the eaves, I do not know why the cause, ...... but all have been tilted, obsolete, and even the paint is peeled clean.
23, that is a low and dilapidated south room, the house does not see the sun all year round, dim and damp, the wallpaper has long fallen off, the wall is uneven.
24, this is an adobe structure of Tibetan-style flat-roofed buildings. The hall is very dim, adding to its mysterious color, there are many large pillars, I and a few students curiously counted, but there are one hundred and sixty! Look closely, each pillar is wrapped in colorful blankets, embellished with embroidered ribbons, there are a variety of cut and paste Buddhist stories on it. Inside the hall is a wooden floor, the top carpet, is the place where the lamas meditate and chant. The roof of the hall is unique, a variety of inverted bells, delicate and chic pagoda and ingenious **, golden deer, etc., the hall is richly decorated and rich in religious atmosphere.
25, the Huizhou school of architecture **** there are gray tiles and white walls and tall gatehouse, gatehouse walls have exquisite carvings, the roof of the carvings are more exquisite and beautiful, the whole building has a set of through the water system, coupled with the green trees, mountains echoing, so you have a kind of sense of being in a fairyland.
26, romantic and solemn temperament, high foyer and grand door, round arched windows and corner stone masonry, show the elegance and luxury.
27, however, after moving in, I saw the balcony with iron railings, painted light green, a kind of oil joy suddenly filled my heart, as if a child got a long-awaited toy. Yes, I like the balcony, in the middle of the increasingly crowded city, a balcony as if protruding in the vast ocean on a small island, from here, you can look at the turbulent sea with a calm mood, overlooking the feet of the uneven roofs, overlooking the middle of the house in the people running to and fro. In front of a lamp, a bamboo pole clothes, an old man sitting in the doorway to rest his eyes, and that in a window flickering red corner, will cause you a kind of mysterious reverie.
28, Uyghur homes, more into the courtyard, the general door avoid opening towards the west. Houses are square, with a deep front porch, the courtyard more flowers, grapes, fruit trees, cleaned very clean. Indoor kang, wall tapestries, open niches, and decorated with a variety of floral motifs.
29, fresh and unconventional, white stucco walls combined with light red roof tiles, continuous arches and corridors, high-ceilinged large windows in the living room, so that the soul.
30, the Forbidden City's architectural splendor, majestic. Layout is strict and neat, reaching the peak of art in the history of China's architecture.
Sentences describing the ancient inn (3)
31, the house is also very different from the general farmhouse. The general farmhouse, are when the house put a broken bed, the bed is placed on the board ladybird pots and other miscellaneous things. Here is a bit of the landlord's style, the center of the bar table, the eight immortal table, each side of a master chair, the chair is also covered with a red cloth chair cushion. On the table, there was a big self-tuning clock, polished to a bright shine. Both sides of the partition door are hung with snow-white curtains, the furnishings of the inner room is obscured.
32, looked up and saw a red gold and nine dragons on the face of a large plaque, the plaque is written on the bucket of three big words, is "Rongxi Tang", after a line of small letters: "a certain year, month and day, the book of Duke Rongguo Jiyuan", and there are "Wanguo Chen (chén) Han's treasure". Large purple sandalwood carved chi dragon case, set up three feet to high green bronze tripod, hanging to be leaked along with the dynasty ink dragon large painting, one side of the gold 蜼 (wěi) Yi, one side of the glass (hǎi). Underground two slips of sixteen nanmu chairs, and a pair of couplets, is ebony joint plate, inlaid with burin (zàn) silver handwriting.
33, Jiaotai Hall plan for the square, face width, depth of 3 rooms, single-eaved quadrangular pointed roof, copper gilded roof, yellow glazed tiles, double anon five step on the arch, beam square decorated with dragons, phoenixes and seals color painting. The four sides of the open door in the bright room, three intersections of six lozenges, dragon and phoenix skirt board partition door each 4 fans, the south side of the second room for the sill window, the rest of the three sides of the second room for the wall. The top of the hall is the algal well with dragon and pearl, and the floor is plastered with gold bricks. Hall in the bright room set throne, hanging on the Kangxi Emperor's imperial script "Wu Wei" plaque, throne after a board screen, on the book of the Qianlong Emperor's imperial "Jiao Tai Hall inscription". East of the second set of copper pots drip, Qianlong years later no longer used. In the Jiao Tai Hall in the west side of the second room, there is a self-tolling bell, which is made in the third year of the Jiaqing.
34, a residence living like the shape of a bird, two big round eyes, is its window.
35, Suzhou city, there are a lot of such chic small streets and alleys: long, thin, winding and curved. Stone pavement, after the evening dew sprinkled, washed by the spring rain, looks smooth, shiny. Next to it often lay a small river, also long, thin, curved and bent. The surface of the water was alive and slippery, and when the wind blew, it rippled gently, as if some one were quietly shaking the turquoise silk. Every twenty to thirty steps, there is a small bridge. There are small bridges with shrugged shoulders, clear and delicate stone bridges, as well as small brick bridges and small wooden bridges with painted railings.
36, pavilions and pavilions, pools and pavilions, reflected in the pines and cypresses; rockery, flower beds and bonsai, vines and bamboos, dotted between.
37, the temple is vermilion, wall white. Pine and cypress green. The whole building is beautiful and elegant, solemn and dignified.
38, in front of the Qianqing Palace terrace on both sides of two stone platforms, stone platforms are set up a gilt copper pavilion, called as the Jiangshan Jikji Golden Hall, the colloquialisms are also known as the Golden Pavilion. Golden Hall depth and width of a room, each side of the four partition doors, heavy eaves. Rounded pointed upper eaves with casting on the ancient elegant roof, symbolizing the emperor in the hands of the Jingshan Jikji. Tiger Hole in the Qianqing Palace terrace along the southern edge and the Royal Road, step ah articulation, there are three culverts, nearly two meters high, about one meter wide, named "Tiger Hole".
39, a huge white marble ballroom: red curtains, shiny mosaic floor, green columns in the middle of a lot of tables, white tablecloths above the gold, silver, glassware glittering. On the raised platform was a long table, about a hundred feet long from one end of the hall to the other, and the rest of the tables were lined up at right angles to the raised platform. Two huge, gilded chandeliers hung down from the high, red-gold ceiling, and were illuminated by countless round lamps of burr-glass. On the walls there were also ornate wall sconces glittering brightly.
40, elegant and refined without lack of comfort, porch, foyer to the north and south stretch, living room, bedroom, etc. set low windows and hexagonal viewing convex windows, dining room north and south, indoor and outdoor scenarios blend.
41, room corners of the alabaster columns, all around the walls are white stone brick carving and become, gold carved orchids in the white stone between the demonic bloom, green curtains with the wind and ripples, the brake green traces of standing in this up to ten meters in the building, as if it is not the killer's unique calm, it has long fainted, the mind has always been floating in the two words: luxury.
42, the house is full of sunshine, and there are gorgeous furnishings, windows are set with diamonds on all kinds of clocks. Each room has a gorgeous bed, bedding folded neatly; table and a white candle, the candle is carved with a dragon with teeth and claws. The houses were all furnished as they had been before.
43, the beautiful two-story small white building, stood abruptly in the center of the village, such as a crane.
44, the whole building is magnificent, the layout is rigorous. Building pavilions warehouse, left and right symmetry, paste gold color, painting, decorative delicate.
45, the building's exterior are all white and cream-colored tiles covered, from a distance, the whole building is like a white sail racing, volatile, giving a person a feeling of static in motion.
Sentences describing ancient inns (4)
46, The whole room was hung with crimson Turkish brocade embellished with gold flowers. In the recesses of the room there was something like a long couch, on which were placed several Arabian swords, with gilded scabbards and hilts inlaid with a single crystalline jewel; from the ceiling hung a Venetian glazed lamp, fascinating in form and color; under the feet stepped Turkish carpets that could be sunk up to the ankles; several curtains were draped over the door, and another door led into a second room, which seemed to be illuminated with richly illuminated.
47, tender cold lock dream because of the spring cold, the aroma of people is the fragrance of wine. Set on the case with Wu Zetian that day in the mirror room set up the mirror, one side of the set Fei Yan stood dancing over the gold plate, the plate is filled with An Lushan thrown over the papaya hurt too real breast. Above the set of Princess Shouchang in the Hengzhang His Highness lying couch, hanging with the Chang Princess made of pearl tent.
48, only to see the beautiful trees and lush, strange flowers burning, a clear stream, from the depths of the flowers and trees in the stone gap under the zigzag. A few steps further, gradually to the north, flat and wide open, both sides of the flying buildings in the air, carved roofs and embroidered thresholds, are hidden in the mountain pass between the limits of the trees. Looking down, it is a clear stream of snow, stone steps through the clouds, white stone for the fence, surrounded by the pool edge, stone bridge, three ports, animal face spit.
49, nestled in the trees of the palace, revealing a glass tile roof, just like a golden island.
50, further along, the road separates up and down, the center lane slowly down, reaching across, from south to north, like a rainbow, high in the sky. Below the long bridge, there are 12 pairs of concrete piers on each side, like a giant, forked powerful legs, guarding the bridge. Dragging two braids of trolley buses running at its feet.
51, to the south, to see the scene of the reconstruction of Tangshan: a piece of debris was removed, a building covered up, a road repaired. A new city has taken shape ...... Finally, I came to the west, a new city in front of the eyes of the world, completely shattered some Western countries, "Tangshan disappeared on the map of China" nonsense.
52, in the quiet mountain forest a set of European-style villas came into view, a closer look is made of a piece of wood planks, the tip of the fresh and unconventional, white stucco walls combined with light red roof tiles, continuous arches and corridors, picking up the living room of the large windows, let the mind swing.
53, the fountain is really a variety of fountains, there are uprooted water columns; there are clusters of water columns around the rhombus-shaped mesh curtains; there are clouds of water ball, but also accompanied by a pleasant, beautiful music, with the pitch of the sound of the trembling of the twenty-four trumpet-type water flowers.
54, just in the eternal rest of the lake, surprisingly bloomed with a large swath of golden flowers, like a golden star lying between the turquoise leaves, but there is no kind of star, can be so bright and dazzling, streaming, bewitching as if it can take away the breath of man.
55, the Hall of Supreme Harmony, also known as the "Hall of the Golden Emperor", the Forbidden City, the most majestic, the most magnificent building, the face of 11, 5 deep, heavy eaves hipped, yellow glazed tiles, towering over the three-storey alabaster Sumeru pedestal (05 meters high). Hall area of 2,377 square meters, is China's existing, but also the world's largest existing wooden palace buildings.
56, the guests were welcomed into a light green villa. In front of them showed some of the world's heads of state once lived in the room - comfortable and comfortable bedrooms, magnificent living room and grand parlor. The floors were made of ashlar, covered with a large red carpet with dark flowers, and the walls were inlaid with exquisitely crafted siding. Through the room, there is a crystal transparent warm corridor, look out of the window, the splendid and colorful scenery of the garden like an oil painting into the eyes ......
57, into the Yuyuan Garden, face to face to see the "Three Spike Hall", in front of the hall planted a few Sutian trees, and some famous trees, around the point that the green leaves, in the drizzle of the hair clear and bright. Along the "three Sui Hall" path through the "Yangshan Hall", across the stone gate, really as written on the plaque "into a better place": more than ten meters high, the large rockery is lofty and upright, majestic. Below the lotus pond paths, small bridges and water "Dingdong, Dingdong" sound of water mixed in bursts of laughter, interwoven into a moving "spring song"; mountain peaks and turns, winding twists and turns, perennial trees and spring flowers, yellow and green, appearing exceptionally moving. Standing at the top of the "Wangjiang Pavilion", overlooking the Yuyuan Garden, green hills, pavilions and pavilions picturesque scenery, as far as the eye can see, Yuyuan Garden, ah, your exquisite garden architecture is really attractive to people, and your resident spring scenery, more people are mesmerized!
58, song and dance pavilions, gold and jade, Huayu Autumn Market, Huayu Qiu Hui, pavilions, jade carvings, God's workmanship
59, outside is a small yard, there are a few branches of bamboo, and a cover full of green moss flower beds; altar side of the two or three dilapidated purple clay pots, messy growth of some wild grasses.
60, Liu's small courtyard is very elegant. Hanging full of squash, pods on the fence, green leaves shower in the warm sunshine, giving people a kind of beautiful, quiet feeling. Three bright north house, cooking smoke slowly from the roof lightly floating up.
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