What does it feel like to see "Thousand Hands of Goddess of Mercy," which was nationally publicized as traditional culture 16 years ago, now?

Poetry, books, rituals and music have always been sought after by us Chinese, and the dance part of it is even more so. In the ancient imperial palace, whether it is a draft or the daily practice of the young princesses, almost all of them can not get around the dance. It is true that dance is the ancient women's evening skills, just like our modern technology, the more exquisite the more people will love. And dance is the same, a good dance makes people reverie, moving dance often make people intoxicated.

The respondent also remembers watching the Persian dance at Hengdian, where the yellow-clad beauties danced in rows and rows, dancing to the music, and the lighting rendering made them even more dynamic and beautiful. The new dances are still like this, let alone the classic dances! When enjoying the Thousand-Handed Goddess of Mercy again, the shock in our hearts will still naturally burst forth.

This work belongs to the category of Chinese classical dance. There are many kinds of Chinese dances, and we have all heard of folk dances, while classical dances are refined, organized, processed, and created by generations of professional workers on this very basis. We often say that classics stand the test of time, and "Thousand Hands of Goddess of Mercy" is even more so for such an unforgettable dance. By and by we can boldly say that he has gone through a longer period of artistic practice test, with circulation and exemplary significance.

"Thousand Hands of Goddess of Mercy" is a traditional beauty, but also the power of modern dance works. Precisely because his content is taken from our traditional culture, so it is not difficult to find that this work is very original, with the simple and unadorned to describe that is not too much. Although the content of the material is very simple, the image of a thousand-handed Buddha as the basis for the creation, but he has a very modern flavor of artistic expression, in the lighting and stage rendering, showing the exquisite charm of the Orient, this kind of dance can be called a feast for the eyes.

What was most moving, however, was that the performers were a group of deaf-mutes. Despite being a group of deaf-mutes, they are not as inferior as we might think, but instead shine brightly on stage with great charisma and confidence, as well as the beauty of dancers. This kind of spirit is worth learning from every one of us. After all, as the old saying goes, people are poor, although physically flawed, but there is no lack of beauty of the heart, to bring love to a person.

In fact, later, the Thousand Hands of Goddess of Mercy is also a lot of versions, but we will all find that still the most original version of the most flavor, because that kind of shock comes from a beautiful heart, but more importantly, a new visual feeling in the Spring Festival Gala stage bloomed that year.