Read Liu Yong's article "Reading Liu Yong" and talk about the beauty of reading words.

Reading Liu Yong is a biography of historical figures written by the famous writer Liang Heng. By summarizing the life experience of Liu Yong, a famous poet in Northern Song Dynasty, this paper makes a rational judgment on the characters under the background of historical development, and highly affirms Liu Yong's unique position in the history of China literature. And it is concluded that "everyone has his own ambition, talent, time and use, no matter how big or small, there is no distinction between high and low." As long as his heart is not dead, it will be used. If he doesn't waste his time, he will become famous for the people, and he won't waste his life. "The incisive conclusion reveals the truth of being a man and doing things.

"Reading Liu Yong" and "Reading Liu Yong" are biographical essays of historical figures written by the famous writer Liang Heng. By summarizing the life experience of Liu Yong, a famous poet in Northern Song Dynasty, this paper makes a rational judgment on the characters under the background of historical development, and highly affirms Liu Yong's unique position in the history of China literature. And it is concluded that "everyone has his own ambition, talent, time and use, no matter how big or small, there is no distinction between high and low." As long as his heart is not dead, it will be used. If he doesn't waste his time, he will become famous for the people, and he won't waste his life. "The incisive conclusion reveals the truth of being a man and doing things.

Brief introduction of the author

Liang Heng Liang Heng, the author of Reading Liu Yong, is from Huozhou, Shanxi. Born in 1946, graduated from China Renmin university 1968. He has been a reporter of Inner Mongolia Daily and Guangming Daily, and deputy director of the State Press and Publication Administration. Currently, he is deputy editor-in-chief of People's Daily, doctoral supervisor of School of Journalism, Renmin University of China, member of the National Committee of Chinese Writers Association, executive director of the National Committee of China Journalists Association, and general consultant of primary and secondary school textbooks published by People's Education Publishing House. He is a famous news theorist, essayist, popular science writer and political commentator. He has won many honorary titles such as National Youth Literature Award, Zhao Shuli Literature Award, National Excellent Popular Science Works Award and "Five Ones" Project Award of the Propaganda Department of the Communist Party of China.

The main works are the novel "Popular Romance of Mathematics and Physics" written by Zhang Hui in the history of science; News trilogy "Corner without News", "The Vein of News Green Leaves" and "Reflections on News Principles"; In terms of prose creation, in the past 20 years, he has won the tradition of classical landscape articles by focusing on landscape prose. His works are herbaceous and elegant. In recent years, he has devoted himself to character prose, especially the writing of great historical figures and celebrities, "Find a ferry, find a ferry, and where to cross?" "Red Hair, Miki Sayaka" and so on have aroused great repercussions in the society. There are collections of essays, such as Summer Sense and Qiu Si, Searching for New Places, Perceptions and Reflections on Famous Mountains and Rivers, Outstanding People, Liang Heng Volume, etc., which are excellent libraries of contemporary prose masters.

His works have won the Youth Literature Award, Zhao Shuli Literature Award and National Excellent Popular Science Works Award; From 65438 to 0996, the essay "Suddenly Listening to the West" published in Foshan Literature and Art won the Excellence Award of "Heart is China" jointly organized by Mei Wen, Literature Freedom Talk and Foshan Literature and Art. Three essays, Golden Ci, Seeking Crossing, Seeking Crossing and Where Crossing, and Summer Feelings, were selected for middle school textbooks.

Work guide

Reading Liu Yong was included in the book Looking for Crossing. This biographical essay "Reading Liu Yong" was written in February 1997, and was based on the ancient historical figure Liu Yong. This article is not only an excellent material for readers to know about Liu Yong, a famous poet in the Northern Song Dynasty, but also arouses readers' deep thinking about the fate of life, inspires people to keep themselves in adversity, and inspires people to look at success or failure from multiple angles. The article was included in Liang Heng's first anthology "Looking for the Crossing", and later in many anthologies, such as "Shoot the railing all over" and "Collected Works of Liang Heng", and was reprinted by newspapers and magazines, which became a must-read work that many people could not put down.

This article, like Liang Heng's other prose works, describes people who are familiar to everyone, but it gives readers a different understanding and profound shock because of its unique cut-in perspective, passionate narrative and rational speculative conclusion after searching up and down. This is another masterpiece of Liang Heng's prose series.

Liu Yong (about 97 1- 1053), originally named Sanbian, was named Jingzhuang, ranking seventh, and was also named Liu Qi, a native of Chong 'an (now Chong 'an County, Fujian Province). The famous graceful and restrained poet in the Northern Song Dynasty is known as the "Ci School".

Liu Yong was born in a Confucian family. Liu Yi, assistant minister of the Ministry of Industry, is the youngest son and Jing You is a scholar. He was an official and foreign minister in wasteland, so he was also called Liu wasteland. Liu Yong is bohemian and his career is even more bumpy. At that time, people recommended it to Injong, but they had to comment in four words: "Go write lyrics." When his career was boundless, he claimed to be "Liu Sanbian", lingering in karaoke bars and dance halls, addicted to music and lyrics, and was down and out all his life, but was buried by a group of prostitutes.

Liu Yong, a graceful poet, was depressed politically, had a special experience in life, was knowledgeable and experienced in understanding temperament, which made this prodigal son "shallow singing" and "strange and bold madness" become a "gifted poet" who devoted himself to lyrics. Because Liu Yong is widely exposed to social life, especially urban life, prostitutes and citizens. The prosperity of urban life, the joys and sorrows of prostitutes, their wishes and love between men and women, their own resentment and disappointment, their feelings of parting and their mental journey are all important contents of her ci. In addition, there are some works that reflect the miserable life of workers, such as chanting things, chanting history, wandering immortals and so on. Greatly expanded the theme content of the word. Influenced by folk music and folk words, he produced a large number of slow words, which made them mature and kept pace with Xiao Ling. In the expression of words, he is good at sketching; He is good at incisive narration and description; Good at finishing touch, blending scenes, and strong lyrical color; The language is simple and natural, and does not avoid vulgarity, which makes its words unique and widely circulated.

Liu Yong made a new exploration in the content and expression of Ci, which marked a major change in Song Ci and had an important impact on the development of Song Ci. His writing rhythm is harmonious and graceful, simple and light, and he is better at blending scenes. Ye Mengde's "Tale of Summer" said: "Anyone who has a well can sing Liu Ci", which shows its prosperity, while Ji Yun praised in "Summary of Si Ku Quan Shu": "Poetry should learn from Du Fu's poems and Ci should learn from Liu Ci." He wrote nine volumes of the Collection of Movements, and there are still three volumes today. His famous poems include Yulinling, Wu Fengqi, Klang Ganzhou and Wang Haichao. Liu Yong's life can be found in Zhang Zongbian's Chronicle of Linz and Ding Chuanjing's Tales of Song People.

Artistic features 1. Choose a unique comment point to cut in.

Liu Yong's ci collection is about setbacks, success or failure, and Liu Yong's involuntary experiences and achievements. Liang Heng has his own dialectical truth: "the individual is just a bead on the social abacus, manipulated by fate;" But in his own abacus, he is a pearl hand. Talent, time, energy, will, knowledge and environment have all become your dominant beads. It is difficult for a person to choose the environment, but he can make use of it. Probably everyone has his basic conditions and talents. Whether he can succeed depends entirely on how he handles the relationship with the outside world. "

Second, turn abstraction into image, expand association and imagination, and depict image.

The author develops association and imagination, and the description of the image makes the article read vividly and smoothly. It's an old theme, but it's not boring at all. For example, when writing about the feelings of reading Liu Yong's poem "Eight Sounds of Ganzhou", he wrote: "As soon as I read these sentences, I think of the feeling of visiting Jiuzhaigou for the first time. At that time, you didn't need to choose scenery to take pictures. As soon as I raise my hand, it is a wonderful landscape. Now you are faced with this word, and any sentence is endless beauty. How many people can there be in this kind of kung fu ancient and modern ci? "

When talking about how people should look at their environment, they also made such an image description: "Just like the welcoming pine on Huangshan Mountain, standing on the cliff, after being soaked by frost, snow and rain, it gradually becomes as dry as iron, and the leaves are as thick as clouds, so visitors should respect it." However, if this seed has a spirit and lets it choose its own place to live, it will definitely choose the sunny plain below the mountain, but a helpless mountain wind will bring it here, or birds will carry it here and send it to the cliff on the high mountain. It cries every day, but it has no effect. After a burst of crying (maybe there are complaints like Liu Yong's), it also took a picture of the rock and made up its mind to live like this. It desperately absorbs the essence of heaven and earth, sticks out branches and leaves to chase the sun, sticks out roots to find water, fights with the snow and finally achieves itself. "

This writer highlights the background of literary and political entanglements, and makes good use of rational analysis and image expression. Therefore, the article has a broad vision and is magnificent. The work is a collection of "great events, great feelings and Dali", which has a strong sense of reality and the atmosphere of the times, and also gives the work a very high artistic aesthetic value.

Liu Yongsan, make good use of analogy, horizontal and vertical contrast, and show personality in comparison.

In order to highlight Liu Yong's unique position in the history of literature, as a special representative of China feudal intellectuals, this paper compares Liu Yong's life experience with Li Bai, Bai Juyi and Su Shi, and shows his distinctive personality and uniqueness in comparison.

When writing about Liu Yong's contribution to Ci, he compared his achievements with Newton and Einstein: "Liu Yong's contribution to Ci can be said to be as landmark as Newton and Einstein's contribution to physics."

On the success or failure of fame: "Liu Yong was admitted to the Jinshi only after Song Zhenzong and Injong took four big exams. These four times * * * selected 9 16 people, and most of them successfully became officials. Some of them may be outstanding, but they have long been forgotten by history, but Liu Yong still enjoys this honor. "

The article contains a lot of cultural background and common sense, such as this horizontal and vertical contrast, a distinctive and unique Liu Yong stands in front of the readers, which makes people sigh and sigh, and makes people think deeply.

Appreciation of Works (Excerpt)

Liu Yong's masterpiece Dead Hua Lian and Reading Liu Yong (Liang Heng)

Liu Yong's contribution to Ci can be said to be as landmark as Newton and Einstein's contribution to physics. Formally, he developed the short sequence of only a few dozen words into a long tune of more than one hundred words. In terms of content, words are liberated from official words and boldly introduced into citizens' life, feelings and language, thus creating their own words sung by citizens. In art, he developed narrative techniques, basically without comparison, and created an unprecedented artistic conception simply by narrative techniques. Just like ultrasonic testing, just like scanning with an electron microscope, you have to admire how his pen can reach such a wonderful level. He often only uses a few words, even if we mobilize a full set of photographic equipment, it is difficult to achieve this scene. For example, this famous song "Klang Ganzhou", which has been sung for 900 years, washes the autumn in a drizzle. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound. Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sighing where these years have gone, why do you have to stay in a strange land for a long time? Want to tidy up your house? I hope I miss it a few times, and God knows the boat. Fight for me, lean on the dry place, I am in a hurry. As soon as I saw these sentences, I remembered the feeling of visiting Jiuzhaigou for the first time. At that time, there was no need to choose scenery for taking pictures. As soon as I raise my hand, it is a wonderful landscape. Now you are faced with this word, and any sentence is endless beauty. How many people can there be in this kind of kung fu in ancient and modern ci circles?

The artistic peak of Liu Yong Memorial Hall, like the beautiful scenery of famous mountains in nature, is independent of human will. Liu Yong himself never thought that he would occupy such an important position in the history of China literature. Just like the stone tablets we are copying as models now, many of them are ordinary stones engraved with the life of the tomb owner, and most of them don't even have the author's name. All artistic achievements are accidental mistakes, and various conditions meet to form a special climate, in which an artistic seed naturally takes root. Liu Yong didn't want to be a famous writer, so he went to Waxi Goulan. But his literary talent and artistic talent immediately resonated with the noisy life, beautiful orchestral music and affectionate and graceful women here. He didn't fall here. He jumped into a consumption trap and became a creative giant. This once again proves the dialectical truth of success. A person is just a bead on the social abacus, manipulated by fate; But in his own abacus, he is a pearl hand. Talent, time, energy, will, knowledge and environment have all become your dominant beads. It is difficult for a person to choose the environment, but he can make use of it. Probably everyone has his basic conditions and talents. Whether he can succeed depends entirely on how he handles the relationship with the outside world. Just like the welcoming pine on Huangshan Mountain, standing on the precipice, bathed in frost, snow and rain, it gradually withered like iron and leaves like clouds, which visitors should admire when they see it. However, if this seed has a spirit and lets it choose its own place to live, it will definitely choose the sunny plain below the mountain, but a helpless mountain wind will bring it here, or birds will carry it here and send it to the cliff gap on the mountain. It cries every day, but it has no effect. After a burst of crying (maybe there are complaints like Liu Yong's), it also took a picture of the rock and made up its mind to live like this. It desperately absorbs the essence of heaven and earth, sticks out branches and leaves to chase the sun, sticks out roots to find water, fights with the snow and finally achieves itself. At this time, it thought, fortunately, I stayed here. If I was born at the foot of the mountain, I would be mediocre forever. What is life? Life is creation. It is carrying a little bit of information left by his mother, which makes Liu Yong's statue combine with the outside world to create a new life to the greatest extent. Adversity can become a great talent because under adversity, you think of one world in your heart, but God insists on giving you another world. As a result of the conflict between the two worlds, you get a newer and more perfect world outside these two worlds. In good times, everything comes to you. You have no contradictions, no expectations, no other new world, and of course you will not strive for and create. This will only waste your life. Liu Yong was admitted to the Jinshi after four big exams when he was in Song Zhenzong and Renzong. These four times * * * selected 9 16 people, most of whom successfully became officials, and some of them may be very prominent, but they have long been forgotten by history, but Liu Yong still enjoys this honor.

Alas, life is alive and heaven and earth are fair. Everyone has his own ambition, his own talent, his own time and his own use, big or small, high or low. As long as his heart is not dead, he can be used. If he has made contributions to the people, he will be remembered by future generations, and his life will not be wasted. This is why history will remember Qin Huang Hanwu and Liu Yong.

One of the thoughts after reading,

Liu Yong's Seven Methods Collection "Reading Liu Yong"

Humble willow wind, describing sketching as fantastic.

Endure the contempt for fame and fortune and flow eastward along the running water.

I don't want to come to Wasi, my talent is fruitful.

Don't sigh that the weather is lightning, and adversity makes heroes.

Second,

Reading Liu Yong expounds a truth of success in adversity, but it contains sympathy and praise for those who succeed in adversity. Reading Liang Heng's articles is very enjoyable; I am addicted because I quench my thirst. Liang Heng's prose is in the true sense. I never think that what is piled up with gorgeous words is real prose, and I don't like to read those words that have some connotations but are extremely boring. For Liang Heng, the use of language and the mastery of material selection are no longer problems. He reached a higher realm, that is, pursuing the realm. "You Concentrate All Your Existence on a Silk" is not satisfied with the general excavation of connotation, but seeks the realm of a person, a feeling and a situation, which is full of philosophical beauty.

Every time I read Liang Heng's article, I get something. I think this is an excellent example of the integration of landscape travel notes and characters. Reading Liu Yong is well written, which not only increases historical knowledge, but also has a new understanding of the poet Liu Yong and feels the artistic beauty of one of the words. "Yang Liuan, Xiaofeng is dying." How poetic. And Liu Yong's bumpy life path and his depressed feelings are all so sympathetic. It is because of his frustration that his "writing words in sequence" is even more tragic. In short, after reading it, I was deeply impressed.

Liu Yong's "Holding hands to see tears" under Wuyi Mountain is the third.

Reading this work has given me many wonderful feelings and extraordinary insights. When reading Liu Yong, he told me that "the peak of art, like the famous mountains and rivers and beautiful peaks in nature, is independent of human will." Liu Yong himself did not expect that his death would occupy such an important position in the history of China literature ... Liu Yong experienced the Song Zhenzong and Injong Dynasties before he was admitted to the examination, and the two dynasties * * * got 9 16 people, most of whom succeeded in becoming an official, perhaps even did a good job, but they were forgotten by history, and only Liu Yong still enjoyed the honor of the second place ... That is why history remembers the Hanwu in Qin Huang. "

Mr. Liang Heng's motto is: Worry is politics, and the real feeling is writing. From this article, I can better understand the author's serious thinking and the true feelings of the article.

Fourth,

Today, I read Liang Heng's article Reading Liu Yong published in the overseas edition of Prose. I've seen it many times and I still want to see it. Liu Yong is not a great man in the history of China, but his impetuous achievements reveal the truth of being a man.

Liang Wenzhong said: "Like most intellectuals in feudal times, Liu Yong always took politics as his first goal in life. In fact, there is some truth in this. Who doesn't want his limited life to play a greater role in light and heat in life? With a job, you have the right to display greater ambitions, transform the world and make a name for yourself. At that time, there was no such diversity as it is now. You can be an entrepreneur, a writer, a singer, a star and a rich man. There is only one way to become famous. So there are all kinds of distorted people trudging on the political road. Like Li Bai and Tao Yuanming, they can't seek officials but mountains and rivers; Stone harmony, political heart is not smooth, literary heart is seeking; Rainbow Wei, hiding in the capital; Just like Zhuge Liang, although he didn't want to read, he worked hard on clothes, but secretly preserved his internal strength. When he met a wise man, he came out to make contributions. Liu Yong is another character. He devoted himself to politics with great enthusiasm at first. After hitting a nail, he didn't turn to mountains and rivers like most literati, but turned to the depths of the street and plunged into the crowd of citizens, where he achieved his literary fame and position in the history of China literature. He is a unique type of China intellectuals and a special representative. "

The diversification of China intellectuals' aspirations is a great progress, but the road to politics is still too crowded, because in the real society of China, being an official in politics will show more achievements and gain more personal interests. So people with selfish desires, whether ambitious or ambitious, are eager for it. I can't say that I am too noble to be an official. I just want to be an official with pursuit, taste and independent personality. Half-official and half-literate is a pursuit. The official should be correct, the text should be detailed, and the official and the text should complement each other. Moreover, my current position is also a cultural officer, and literary administrators need to be proficient in writing to be competent. For me, literature is a way of life, and I like it. I admire the author's superb insight, and everyone has a good eye-he won by "knowledge".

Appreciation of Liu Ci is a masterpiece handed down from generation to generation.

The masterpiece "Yulinling" Yulinling

Notes on the title or background of a book.

See movement assembly. According to legend, the author was frustrated in the examination room, and when he left with his lover, he wrote a farewell speech. Lin Yuling, inscription. When Xuanzong was in the Tang Dynasty, it belonged to Jiao Fang Daqu. In the Song Dynasty, it was composed of new songs and inscriptions.

original text

The cicadas in autumn are so sad and urgent, facing the pavilion, it is in the evening and a sudden rain has just stopped. All the accounts are in no mood, and the blue boat in homesickness is urging. Holding hands and looking at each other, tears swirled in my eyes until there were no words at last, and a thousand words stuck in my throat and I couldn't say it. Missing thousands of miles of smoke and waves, the evening is heavy.

Since ancient times, feelings have hurt and left, and the autumn season is even more worthy of being left out! Who knows where I am when I am awake tonight? There is a breeze and a waning moon on the bank of Yangliu. This is a long time, people who love each other are not together, and I even expect to be satisfied with the good weather and scenery in name only. Even if it is full of emotions, who can enjoy it together?

Wu Fengqi

Notes on the title or background of a book.

See movement assembly. Wu Fengqi is another name for Liang Zhu. This word is the work of Huairen.

original text

Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. In the afterglow of grass and smoke, no one can rely on the meaning of silence.

I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.

Boolean operator (slow)

Interpretation of Liu Yong's stone statue

The word sad autumn hurts people, and there is affection in love and scenery in love.

original text

The maple leaves on the river bank are getting old, the water is dying, and the eyes are withered green leaves. Chu Xiangke, climb high and look far, just like this yellow flower weather. The sparse sound of changing lanes came, and the echo echoed in the sunset. In the face of this night scene, my sad embrace, missing people far away, new sadness and old hatred, one after another.

Acacia people are thousands of miles apart. The two places miss each other's feelings and are separated by Qian Shan. The rain stopped, the sky was high and the clouds were light, and the twelve Qingfeng peaks could not be seen in the distance. Without words, who will rely on high intentions? Even if you write tens of thousands of painful emotions, who can control the cloud to send me love letters?

Ding Fengbo

Notes on the title or background of a book.

See movement assembly. This word expresses frank love in simple and vulgar language. A young woman in a boudoir lives alone, and her leisure is unbearable, but she wants to be with her husband. Strong feelings, ups and downs.

original text

Now that spring has come, it is green and red, and the heart is like cocoa. In the morning, flowers are spent on the tip, and the warbler wears a willow belt, but she still lies on the musk. Warm and crisp, tired of clouds, tired of combing all day long Without that, when hatred and fickle feelings are gone, there is no news.

Is it known? Regret not locking the saddle. When I arrived at the phoenix window, I was only concerned with that person, like a pipe, and I was rigidly attached to teaching chanting lessons. Follow the town and don't give up. Needle and thread are idle. Sit with Yi. And I, avoid committing juvenile yin deficiency.

Running grass "Wang Chao Hai" Wang Chao Hai

Notes on the title or background of a book.

See movement assembly. According to legend, this word was written to meet Sun He. What is the relationship between Liu Yong and Sun? Sun Guan lived in the history of transshipment in central Zhejiang and was stationed in Hangzhou. Access control is very strict. Liu Yong's fame was frustrated and he wandered the rivers and lakes. He wants to see Sun He for no reason. He wrote the word "Looking at the tide of the sea". Beggars and geisha sang at the banquet to reach Sun He, who greeted Liu Yonghe at the banquet today.

original text

Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the bank and sand. The raging waves roll with frost and snow, and the natural hazards are endless. The city is full of jewels, and every household in Luo Qi is competing for beauty.

Thick lakes overlap and are clear. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky in Wan Li, night, enjoy the lotus. A thousand riders have high teeth. Drunk to listen to the flute and drum, enjoy the haze. The map of the future will be good. I will go back to Fengchi to boast.

Klang Ganzhou

Interpretation of Klang Ganzhou

See movement assembly. This word expresses homesickness and homesickness. Klang Ganzhou, the name of epigraph. "Dictionary" Volume 25: "According to this tune, the first and second paragraphs are eight rhymes, hence the name eight tones, which are slow characters." This inscription is also called Ganzhou and Yu Xiaoxiao.

original text

Sprinkle the drizzle on the river to wash away the autumn. The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings. Red flowers wither everywhere, and all the beautiful scenery gradually disappears. Only the gushing water of the Yangtze river flows eastward without sound.

Without the heart to climb the distance and overlook the distant home, it is difficult to gather the desire to go home. Sighing where these years have gone, why do you have to stay in a strange land for a long time? If you want to be a beauty, you have to miss a few days and know your boat. Fight for me, lean on the dry place, I am in a hurry.