What is the historical significance of Tang Baoxiang's patterns in Sui and Tang Dynasties?

Baowen is a traditional decorative pattern of Han ceramic products. The flower heads of natural flowers (mainly lotus flowers) are artistically treated to make them patterned and stylized.

Treasure pattern is not a single flower boat pattern of a natural plant in nature, but a pattern formed by kneading flowers of various natural forms such as lotus, stone right and peony. And artistic treatment is carried out in the form of four-directional symmetrical radiation or multi-directional symmetrical radiation, so that it tends to be idealized, patterned and unique in decoration, just like a phoenix in a bird or a magical dragon pattern, which gathers the beauty of all. It is also an auspicious plant pattern with unique national characteristics and a wide range of applications. It is mostly used in bronze mirrors, gold and silver wares, tapestries, murals and ceramic decorations, that is, the application of precious flower patterns on different carriers. Baohua can be said to be a classic of Chinese and Western artists, one of the representatives of flower patterns in the Tang Dynasty, and one of the excellent flower patterns.

It was produced in the elegant Tang Dynasty style background, which not only has the rigor suitable for modeling in the bronze mirror of the Han Dynasty, but also has some characteristics of the flower shape in the patterns of ancient gods in China, as well as the complicated style characteristics from Rome.

Generally speaking, the precious flowers in the Tang Dynasty follow the structural law of "ten" benchmark, but this kind of flowers are ever-changing and colorful in the Tang Dynasty, and also show obvious stage characteristics. There are many open spaces among the flowers, and the patterns are simple and elegant, balanced and beautiful. The layout structure is rigorous and delicate, and the layout and space are kept in a regular and equal state, which is stable and acceptable.

See the process. The composition is balanced and stable, so it looks fine and orderly.

The flower pattern of Baoxiang in Tang Dynasty experienced a process of change from simple to complex and from complex to simple. It has three kinds of petals, namely, the "side-rolled petal" evolved from gold and silver pattern and pomegranate pattern, the "hook petal" evolved from ruyi moire pattern and the "cloud-bent petal" evolved from peony pattern. All kinds of patterns are similar in attributes and appearances, reflecting the rapid development of agriculture and handicrafts and the prosperity of culture and art in the Tang Dynasty during the heyday of feudal society. Its diverse artistic forms bear rich cultural connotations, which are constantly evolving and applied in the process of historical development.

The above discussion is for reference only and I hope it will help you.