Little Dictionary of Intentions in Ancient Poetry

The term "imagery" is an important concept in ancient Chinese literature. Ancient Chinese people thought that intention is the inner abstract mind and image is the outer concrete object; intention originates from the heart and is expressed with the help of the image, and the image is in fact the support of the intention. Traditional Chinese poetic theory actually refers to the artistic treatment skills of putting feelings into the scenery, supporting feelings with the scenery, and blending the scenes. The process of poetic creation is a process of observation, feeling, brewing and expression, a process of reproducing life. When the writer feels something about the outside world, he or she puts it into a selected figurative image, which integrates the writer's own emotional color and creates a specific artistic world, so that the reader can make a second creation in his or her heart according to this artistic world, and penetrate his or her own emotional color on the basis of what the poet has seen and felt.

In fact, ...... and symbolism are the same thing

Here are some detailed examples, too long to copy

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Moon - triggers feelings of separation and homesickness.

Egret - freedom, upward mobility.