Poems with paintings by Du Fu

The poems with paintings of Jie Si Du Fu are as follows:

Ancient Poem:

"Jie Si" Du Fu.

Two yellow orioles sing in the green willow, and a line of egrets goes up to the blue sky. The window contains a thousand snowy autumns on the West Ridge, the door is moored to a ship of ten thousand miles on the East Wu.

Du Fu (《绝句》).

The rivers and mountains are beautiful in the late sun, and the flowers and grasses are fragrant in the spring breeze. The mud is melting and the swallows are flying, the sand is warm and the mandarin ducks are sleeping.

Du Fu (2).

The river is blue and the birds are white, the mountains are green and the flowers are burning. The spring of this year has passed, when will it be the year of my return?

Interpretation:

One of them is: How beautiful the rivers and mountains are bathed in spring light, and the gusts of spring wind send the fragrance of flowers and grasses. Flying swallows are busy building their nests in the wet mud, and beautiful mandarin ducks are sleeping on the sand and basking in the sun.

The second: the river's turquoise waves, set off the snow-white feathers of waterfowl, the mountains are lush, red flowers, then to burn. This year's spring is about to pass, what year and month will be the date of my return home?

Works Appreciation:

One: This poem describes the beautiful and touching scenery of spring. The first and second lines are broad and describes the environment of nature. The beginning of the poem highlights the "late sun", which unifies the whole poem. It is because of the arrival of spring that the phenomena of "fragrance of flowers and grass", "mud melting" and "sand warming" appear.

The last two sentences vividly depict two lovely animals, writing about the dynamics of the swallows, showing the bustle of spring; mandarin ducks static appear to be leisurely. The dynamic and the static match each other. This poem has a beautiful mood, a fresh style, and a natural flow.

Tao Yukai, a poet and commentator of the Qing Dynasty, pointed out in his book "Speaking of Du" that there were a number of works in Du's collection that were "paintings of poems". This five-character stanza, written in Chengdu's Cao Tang, is a masterpiece of poetry and painting. At the beginning of the poem, it starts with a big picture, depicting a clear and gorgeous spring scene along the Raccoon River under the bright sunlight in early spring, with simple strokes and rich colors.

The phrase "late sun" means spring, which comes from the poem "Bin Feng - July", "Spring is late". It is used here to emphasize the sunshine of early spring to unify the whole piece. At the same time, the word "Li" is used to color the "rivers and mountains", showing the beautiful scenery of spring sunshine, green fields and streams reflecting the sun. This is a rough sketch, but the bottom of the pen is spring myrtle.

The second line of the poet further to the warm spring wind, the first release of flowers, such as Yin grass, rich fragrance to show the bright and beautiful spring. Because the poet put the spring wind, flowers and grass and their fragrance organically organized together, so through the association, can have the wind and smooth, hundreds of flowers bloom, the wind to send the fragrance of the feeling of flowers, to receive the artistic effect of being there.

On top of the bright and far-reaching picture, the third and fourth sentences turn to the specific and vivid depiction of the early spring scenery.

In the third line, the poet chooses the most common and the most characteristic dynamic scenery in early spring to sketch. Spring flowers are blooming, the mud is melting and the soil is wet, and the swallows, which have returned in the fall and spring, are busily flying to and fro and building their nests in the mud. This vivid description makes the picture more full of vitality, spring, and a dynamic beauty.

Du Fu's observation of the swallows is very meticulous. "Mud melting" closely follows the first sentence, as spring returns to the earth and the sun shines, so "mud melting"; the purple swallows are newly returned to the earth, and they keep flying to make nests of mud, which reveals the bustling situation of spring.

The fourth sentence is to outline the static scenery. The fourth sentence is to outline the static scene. The spring sun is melting, the sun is beautiful and the sand is warm, the mandarin ducks also want to enjoy the warmth of the spring, in the sandbar by the stream, sleeping quietly. This is also closely related to the first sentence, because the "late sun" before the sand warmth, sand warmth to attract pairs of mandarin ducks out of the water, bathing in the brilliant sunshine, is so relaxed and comfortable.

From the point of view of the description of the scenery, and the third sentence of the dynamic swallow relative to each other, dynamic and static, and contrasting. These two sentences to work fine description of the mud swallow, sleeping mandarin ducks, and the first two sentences of the rough sketch of the distant and beautiful scenery to match, so that the whole picture is harmonious and unified, constituting a picture of bright colors, business, with a sense of beauty of the early spring scenery.

In terms of the thoughts and feelings contained in the poem, it reflects the poet's comfortable mood of settling down in the Cao Tang temporarily after "a year of four lines of service" and "three years of hunger and walking on the barren mountain road", as well as the poet's joyful feeling of the natural world in the early spring, It is also the expression of the poet's joyful feelings for the natural world in the early spring, which is full of vitality and prosperity.