What period is the porcelain group crane pattern

The Porcelain Crane Pattern is from the Qing Dynasty.

Generally speaking, the center of the porcelain painted in blue with two lifelike cranes, the cranes painted in an oval circle, known as the "group crane", is a symbol of longevity. This group of crane pattern in the Qing dynasty throughout the period prevailed. It is also a typical traditional pattern, which is in line with Chinese people's preferences.

Tuanhe Crane Pattern Introduction:

Tuanhe Crane Pattern is a typical porcelain decorative pattern. Ancient people used the crane as an immortal bird, a metaphor for longevity.

The crane pattern was first seen in the Tang Dynasty, until the Qing Dynasty, the crane pattern through a variety of interpretations into a new way of expression, habitually known as the "Crane pattern". In Taoism, the crane is a symbol of longevity, so there are cranes, and the ancestors of Taoism are mostly cranes or deer as the seat steed. In China, Korea and Japan, cranes are often painted together with tall, strong pines as a symbol of longevity.

The crane is not only elegant, beautiful form, and looks immortal, in Chinese culture occupies a very important position, the vase to "regiment crane" as the theme of decoration, very auspicious and elegant, very much loved by the world.