Who can explain the playing way and matters needing attention of the double reed?

You must have a stage and a chair to play the double spring. In addition to the wooden wake-up call, handkerchief and folding fan used in cross talk, there is also a kind of headdress with double springs: a small round brace tied to the head with a rope ring, a single braid tied with a pestle, and other styles. When Zhao Yiru played the double spring, she made up two lambs made of moss on her head and two lambs on her ears. This can be designed according to different face shapes.

When double-reed actor A (performer) puts on makeup, he first sits in the chair behind the desk, and actor B (rapper) nests his coat collar to show his neck, and then paints three pieces of white on his eyes and mouth with a big white sheet, so as to see clearly his head movements, facial expressions and language patterns. While putting on makeup, Party A said that in the collar of the nest, Party A regarded Party B as a barber and said, "Just one person? I shave! " When I began to whitewash, I said, "People are clothes and horses are saddles; West Lake scenery, with foreign movies. People don't look good if they don't fall down, and then look down-"B:" Good-looking! " A: "poorer!" Put on white, put on braided hair and start the performance.

There are also different ways to make up. For example, Zhao Airu's double spring makeup is to crush white powder into powder and rub it on her face with her hands. This may be because his face is thin and his eye socket is deep, and some places can't be wiped off with flat white pieces.

Double reed performance

The double reed in Quyi is mostly performed by crosstalk performers. Performed by A and B, the front one is made up to simulate the mouth shape, which is called "front face". B is knocking at the back and calling "Come back". Traditional cross talk is all a bluff, but playing double reed is the opposite, and most of them suffer. When a double-reed actor comes out, he will use cross talk to pave the way first. A will find the baggage and B will hold it. Sometimes, Huang, the founder of Shuanghuang, is introduced, saying that his father is performing in front and his son is rapping in the back, thus finding the advantage of B. At the beginning of Shuangchun performance, the front face sits in the chair behind the table, squints at the audience silently, then suddenly converges his smile, looks serious, pats wood to give a signal, rappes in the back, and learns the movements of the front face. This term is called "selling images with hair supports". Play a little more, deliberately reveal flaws and find jokes to catch the baggage. A stands up and leaves the table to reveal B, say a few words to each other, and then learn the double spring.