What are the characteristics of the Jingpo Kam case?

Brocade patterns are mostly composed of points, surfaces and lines. The dots on the brocade pattern can be dots of various shapes. Lines can also be thick, thin, straight, curved, folded, arc and other diverse lines, with many twists and turns and few bends. All kinds of lines are used at the same time, coupled with the change of interval and the contrast of color, the shape of lines is changeable and ever-changing. Similarly, the surface changes are also different in shape, generally square, triangle, folded, polygonal, diamond, arc (rare), fan-shaped and so on. The geometric pattern arrangement is very clever, the proportion and size are coordinated, and the corresponding relationship is emphasized. Some of them are interrelated and interrelated. Most of the patterns are concrete and vivid, while a few are abstract, and the content and meaning expressed by the patterns are invisible. It is worth mentioning that the diamond and water chestnut patterns are the shading patterns of almost all traditional brocade works, surrounded by broken lines, with 3, 4, 5, 6 and 7 folds, all of which belong to Rasma Library patterns. The four branches of "Zaiwa", "Lashi", "Lange" and "Bora" mostly use 70% discount, and the Jingpo branch mostly uses 40% discount. Similarly, this diamond and water chestnut pattern is also used to weave decorative patterns with contrasting colors.

In the childhood of human society, people's understanding of nature is more perceptual and intuitive, and the patterns and contents depicted are relatively simple. With the deepening of human understanding of nature, people combine abstract decorative modeling with concrete objects and images beautifully, and the pattern effect is perfect, and the content is more colorful and varied.

The traditional brocade patterns of Jingpo nationality are unique, which only appear in their original brocade works. Through research and analysis, it is found that in traditional brocade, there are few patterns of other works of art, including bamboo and rattan weaving patterns and Jingpo carving patterns, and there are no patterns that are the same or very close to other ethnic groups. Only the "Geshun" (Pteridium aquilinum young leaves) pattern on the tapestry is the same as the "Geshun" pattern on the east pillar of the wooden brain, and these patterns are strictly configured, and there is absolutely no difference or deformation, which is different from this.

Modern brocade patterns are mostly nested, generalized, disassembled and combined with traditional patterns. The pattern is elegant, the lines are concise, concise and general.