Popular science: China Music Association is not just a cross talk. What is Tucao Music Association?

Now there is a very bad public opinion tendency on the Internet, that is, as long as there is anything in the cross talk circle, there will always be people complaining about the China Music Association. No matter what the Music Association says, there are always people who make it up out of thin air and implicate individual groups. In fact, in my opinion, at least 95% of these words of Tucao Music Association are nonsense. Most people don't understand Quyi at all, let alone China Quxie. After listening to cross talk twice, they think they are experts in Quyi. As a result, if you spit, you will be speechless and sad.

I am here to talk about popular science. What is the Chinese Music Association? Why is it that most people are wrong?

1. What is Quyi?

To understand China Quxie, we must first understand Quyi.

To put it simply, Quyi is the floorboard of all kinds of "rap art" in China. This rap art does not include drama and drama. Quyi contains many kinds of songs, and the statistics can reach more than 400 kinds at most.

Just to give a few examples, in addition to cross talk, such as Allegro, storytelling, one-man show, various drums (Jingyun, Meihua, JD.COM, Xihe, etc. ), all kinds of piano books (Beijing, Xuzhou, Shandong, etc. ), Henan pendants, Suzhou storytelling, Yangzhou storytelling, Hubei Daoqing, Fengyang Flower Drum, and Northeast Errenzhuan can basically see the tradition.

It can be seen that crosstalk is just one of more than 400 forms of Quyi. Compared with the 350,000 artists in the whole Quyi family, the proportion of crosstalk artists is not very high. In most parts of the country, the proportion of crosstalk artists is even in a backward state, and only Beijing and Tianjin have a higher proportion of crosstalk artists.

In other words, China Quxie is a Quyi Association, not a crosstalk association, and the proportion of crosstalk in Quxie is not high. After all, there are more than 400 kinds of Quyi, which can be seen from every award of China Quyi Peony Award. Basically, each award-winning program is relatively balanced in various forms of Quyi.

2. What is the Chinese Music Association?

The full name of China Qufu Association is China Qufu Artists Association, and its superior unit is China Federation of Literary and Art Circles.

The history of Chinese Quyi Artists Association can be traced back to the Preparatory Committee of China Quyi Improvement Association established by 1949. Chinese Quyi Artists Association was formally established 1958. At present, eight congresses have been held, with 33 group members and more than 3,500 members.

Definition in the articles of association of Chinese Quyi Artists Association: Chinese Quyi Artists Association is a mass organization that combines the national Quyi artists voluntarily, conducts self-education and promotes the creation, performance, artistic innovation, theoretical research and international artistic exchange of Quyi.

Please pay attention to several key words: voluntary combination, self-education and mass organization.

As can be seen from the above text, first of all, the Music Association is a voluntary registration, as long as it has passed the examination of the association, it can join. Secondly, the articles of association are mainly binding on the members of the association. Moreover, Quxie is a mass organization and has no administrative function.

Third, the relationship between China Music Association and crosstalk groups.

The Chinese Music Association has several professional committees for different genres of music, and the Crosstalk Committee is just one of them. There are many crosstalk groups in China, but not every group has joined the Chinese Music Association.

In other words, crosstalk groups have the freedom to join the Chinese Music Association and the freedom not to join the Chinese Music Association. For crosstalk groups that have not joined the Chinese Music Association, the meetings and resolutions of the Chinese Music Association have nothing to do with them. Moreover, the Chinese Music Association can accept or not accept the applications of crosstalk groups, and it is not obliged or necessary for the Chinese Music Association to invite one or several crosstalk groups to join the association.

In other words, no matter what is said at the meeting of the Music Association, whether it is a call or a warning, it is aimed at the internal members of the Music Association. If the non-members of the Music Association insist on blaming themselves, it is unreasonable and there is suspicion of using the topic to play hype.

Speaking of which, if there are still people who can't understand, then the author will make an inappropriate analogy.

We know that there is a federation in the world. This Commonwealth consists of 53 countries and regions, and its members are basically British colonies or dependent countries. These members voluntarily joined the Commonwealth, but they can also voluntarily quit.

Countries like Australia and Canada that we are familiar with are all members of the Commonwealth, but there are also some countries that we think should be members of the Commonwealth but are not, such as Myanmar and Ireland, and they are not members of the Commonwealth either.

The Commonwealth holds regular meetings. Suppose that the Commonwealth is meeting now, the Secretary-General of the Commonwealth points out that some members of the Commonwealth have various problems and these problems must be corrected. In fact, since most of the member countries are sovereign countries, it is ok to attach importance to or not attach importance to the spirit of this speech by the Secretary-General of the Commonwealth, and the Commonwealth does not have much binding force on it.

However, if, at this time, there are "enthusiastic" netizens who have nothing to remind Ireland and Myanmar, and the Commonwealth accuses you again, you should fight back. On the other hand, some "enthusiastic" netizens who supported Ireland and Myanmar began to vomit on the Internet that the Commonwealth was too lenient and cursed the Secretary-General of the Commonwealth, giving people the impression that the Commonwealth meeting was aimed at Ireland and Myanmar.

If this happens, who is right or wrong between the Commonwealth and Ireland and Myanmar? Or are those "enthusiastic" netizens wrong?

Fourth, the status evolution of crosstalk industry in China Quxie

In fact, the crosstalk industry did not have a high position in China Music Association at first. Through the efforts of at least three generations and the joint efforts of post-Ma Ji and three generations of crosstalk performers, crosstalk industry has occupied an important position in China Quxie today.

Zhao Shuli was the chairman of the first Chinese Music Association Congress in 1958. It should be noted that Zhao Shuli is not only a novelist, but also writes drums and ballads. He also plays and sings folk music.

Gao Yuanjun was the only vice-chairman who was a crosstalk teacher, but he mainly represented Shandong Kuaishu at that time, and the other vice-chairmen were also storytellers and storytellers.

1979 the second China music association congress was held. The chairman is Tao Cong, a music art researcher, and the vice chairman is Gao Yuanjun. With the addition of a representative drummer, there is finally a vice-chairman in the phonograph circle, that is, the queen of the sun.

From 65438 to 0985, Luo Yusheng was elected as the chairman of the Third Congress of the Chinese Music Association. Among the vice-chairmen, the storyteller was elected as the vice-chairman, and on behalf of the phonograph circle, he was elected as the vice-chairman and retired as an adviser.

1996 at the fourth congress, Quyi writer Luo Yang served as the chairman, storyteller and crosstalk performer still served as the vice chairman, Quyi research expert Xue was elected as the vice chairman, and Ma was hired as a consultant.

In the fifth congress in 2002, Liu Lanfang, a storyteller, was elected as the chairman, and the crosstalk industry began to exert its strength. Feng Gong, Hou, and were elected as vice-chairmen.

At the sixth meeting in 2007, Liu Lanfang continued to serve as Chairman, while Feng Gong, Jiang Kun and Huang Hong remained as Vice-Chairmen.

At the 7th Congress of 20 12 and the 8th Congress of 20 17, Jiang Kun was elected as the chairman of China Music Association, and Feng Gong served as the vice chairman for four consecutive terms.

From 1958 to 20 17, the crosstalk industry has gradually become the chairman of the Chinese Music Association from scratch, which also reflects the development course of the crosstalk industry in the past 60 years. From throwing the ground to the theater and then to the temple, the development of cross talk industry can be described as one step at a time, and the achievements are obvious to all.

It can be said that the achievements made by three generations of crosstalk performers, represented by Hou, Ma Ji, after liberation, are based on many crosstalk predecessors in the old society. Nowadays, the booming cross talk market is the result of the efforts of three generations of cross talk artists, represented by Hou, Ma Ji and Wang.

At present, all crosstalk practitioners and crosstalk lovers are enjoying the dividends brought by crosstalk predecessors. It is not easy for the cross talk industry to draw pots from the ground. We should do it and cherish it. It is not advisable for the ignorant to speak fearlessly and blindly.