Traditional Culture Encyclopedia - Traditional virtues - Teochew Opera Singing in a Foul Tone
Teochew Opera Singing in a Foul Tone
It is a frequently occurring technique in Teochew Opera singing. Teochew opera singing tone is more careful, generally do not mix with each other, such as [light three-six tone] to avoid the 74 main tone, [heavy three-six tone] to avoid the 63 main tone, if the mixing, it is a violation of each other. In the traditional drama "Yang Ziliang's Marriage Plea", the tune [Soul Stirring] is made up of [Light Three-Six Tones] [Heavy Three-Six Tones] [Live Three-Five Tones] [Inverse Tones], which is commonly known by artists as [Four-Dou Stinks (Minato)], and it has a witty and amusing mood. The [lock south branch] tune and the [quail] tune are also guilty of the tune, but its son and mother cavity sentence is more stable.
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