Chengdu is a charming cultural city, what are the characteristics of Sichuan Opera in Chengdu compared with Peking Opera?

Peking Opera belongs to the national essence, is a big kind of theater, his popularity is very wide. Chengdu's Sichuan opera belongs to the local theater, with strong local characteristics, is a representative embodiment of Sichuan culture, has a very good dramatic tension, but the popularity is not as wide as Beijing opera.

Many local Sichuanese like to watch Sichuan opera, and it is a very important form of entertainment for people after tea and dinner. In Chengdu, you can watch traditional performances at the Shu Feng Ya Yun, Hibiscus Guoxi, and Tianfu Jinxiu Pear Garden, all of which are representative Sichuan opera performance theaters in Chengdu. The Hibiscus National Artists performs in the prestigious Jinjiang Theater, which is home to the Sichuan Opera Troupe. It is a collection of famous actors and actresses from Chengdu's Chuan Opera industry, and carefully arranges the best plays of Chuan Opera.

Sichuan opera is also a very early repertoire, which has been passed down through the years with great difficulty indeed. As early as the Tang Dynasty, there is "Shu opera crown the world". In the Qing Dynasty, Qianlong in the local Chelong opera on the basis of absorption and integration of Su, Gan, Anhui, Eu, Shaanxi, Gan around the sound, the formation of containing high cavity, Huqin, Kun cavity, lamp play, play five kinds of sound sung in Sichuan language "Sichuan opera". Sichuan Opera is sung in five different vocal cadences, including Gaoqiang, Huqin, Kunqiang, Lamp Opera, and Bouncing Opera, in the Sichuan dialect.

Sichuan Opera is also very rich in content, instrumental music to help accentuate, full of distinctive local colors. Sichuan Opera is divided into five lines: Wensheng, Danjiao, Shengjiao, Huafang, and Choujiao, each of which has its own system of gongfa procedures, and the performances of Wensheng, Choujiao, and Danjiao are the most distinctive ones. They are excellent in terms of theatrical expression and performance techniques, and fully embody the aesthetics of the Chinese Opera in which the virtual and the real are intertwined, and the shape is left out of the imagination.