A composition that carries forward the past into the future

A composition that carries forward the past into the future

● Xu Chenxi of Hebei Wuyi Middle School

"I will smile and face the flowers all the way. The scenery in the rear has always been there, and the dawn in front has already ushered in!" On the way forward, we should not only remember the scenery behind us, but also have the wisdom to open up the front. In this way, we can sing songs and enjoy flowers all the way.

The two apprentices of "Tofu King" combine traditional crafts with modern innovations to gain a foothold in the market competition. In fact, there is no contradiction between tradition and innovation. Tradition is a profound accumulation, and innovation is a smart move forward. Tradition is a firm and lofty mountain, and innovation is the running water of change. Tradition adapts to the needs of the times because of innovation, and innovation has a clear direction because of tradition.

Tradition and innovation coexist, writing Chinese characters charm.

Wang Xizhi, an ancient calligrapher in China, devoted himself to the research and development of calligraphy. He kept the original structure and composition of the running script, and combined it with the changing brushwork that reflected people's mentality at that time, creating a new chapter in the running script.

The traditional word-making skills endow the running script with dignity, and Wang Xizhi's timely innovation gives it a stronger sense of life. Therefore, Preface to Lanting Collection has written the eternal charm of Chinese characters so far, and even if it spans thousands of years, it also exudes refreshing ink.

Tradition and innovation coexist, singing the China voice of Peking Opera.

Mei Lanfang's inheritance and innovation of Peking Opera is particularly important for the development of Peking Opera art. He knows the importance of traditional singing and fingering, but he also knows that if Peking Opera wants to go further, it must incorporate new elements that conform to modern aesthetics.

So Peking Opera went to the world, and the voice of Peking Opera, which has China national characteristics and permeates people's spiritual strength, resounded all over the world. Beijing opera shines like a dazzling pearl on the land of the East. If Peking Opera is a dusty record, then Mei Lanfang's innovation in it is like a player. Records contain rich cultural connotations, and only players can present them to the outside world.

Tradition and innovation coexist, the way of the future.

A nation with many years of history, a nation with a huge accumulation of times, and a nation that has witnessed for thousands of years, if in the new era, we close our eyes, lock our legs, hesitate, only look back, fear, fear, and dare not move forward, then no matter how long the history is, it will only be a few pages of yellowed paper, and no matter how profound the culture is, it will only be a tree species that has lost its vitality.

Only by keeping pace with the times and innovating in inheritance, the pages of history will be more attractive because of yellowing, and dormant tree species will glow with vitality and soar in the sky with irresistible momentum.

Looking back, the scenery is always there, looking forward to the future, the dawn is coming, let's take history, embrace the future, and watch all the way to bloom.

comment

The style of writing is steady and powerful, with the trend of change, meticulous argument and the power of reeling.

The examples are accurate, typical and convincing. The examples of Wang Xizhi and Mei Lanfang are thorough in reasoning, which arouses readers' * * * and universal recognition, thus achieving rich words, rich meanings and far-reaching effects.

Parallel prose language, elegant dictionary, natural metaphor, rich literary talent and touching heart.

Clear thinking, rigorous structure, and unified argument format are worth learning.

(Teacher's comment: Hu Shuangfeng)