Understanding of poetry

Ancient poetry has its immortal essence. As descendants of the Chinese people, each of us should cherish this priceless national treasure, pass it on from generation to generation and carry it forward.

1, China's ancient culture and ancient poetry are unmatched by any country in the world. It has formed its own glory in the long historical process. His broadness, profundity, exquisiteness and beauty are the bright pearls in the world cultural treasure house! Not only China people love their own culture. Even in the world, more and more people cherish and study the culture of China. Among them, ancient poetry is the core of this pearl, constantly flashing its dazzling light.

2. China's ancient poems have been circulated for thousands of years, which are unprecedented in the world in terms of the number of poets and writers, rigorous meter, beautiful rhythm and thousands of different words and tones. It can be seen from this that China's poetry has a profound foundation and strong vitality.

3. Poetry is beautiful because of its beautiful rhythm and deep artistic conception. Only by going deep into it can we gradually understand the meaning and produce * * * sounds. The so-called poetry means that there is a natural internal connection between poetry and songs, and they are interlinked, and the rhythm of poetry itself is a melody. Homophonic music is like running water, characterized by ups and downs of yin and yang and rapid response. Give people a beautiful enjoyment. At the same time, it also awakened your * * * and inspiration.

4. In China's ancient poems, you can not only appreciate its beautiful rhythm and exquisite words, but also feel the poet's broad mind, profound thoughts and their erudite talents. It shows a great spiritual feeling condensed in a very small space. Amazing and unforgettable. Especially those poems full of lofty sentiments are really refreshing, open-minded and powerful to read, which makes you have an interaction in your heart. There are many famous sentences that are very strict. If you want to change a word, it loses its original meaning, and one or two words are often used to express a situation or complex feelings that you can experience.

View of ancient poetry and ci

To tell you the truth, I don't think it is good for us to learn ancient poems and knowledge.

First of all, antiques dating from 108 years ago are incompatible with modern people's thinking.

Secondly, this is a problem for China people: they always look to the past.

Don't we all have to look to the future? Why do you have to look at the ancient times?

In addition, the concepts in ancient poems have greatly bound people's thoughts and are not conducive to the healthy development of people's body and mind.

In addition, people hundreds of years ago, after all, were not open-minded and the society was underdeveloped, which is totally beyond our power now.

Method comparison.

Moreover, everyone knows "Tang poetry, Song lyrics, Yuan songs, Ming and Qing novels", which means that each era has its own most prosperous civilization. And if we only study ancient literature to create our present works, it means that we have lost our own thoughts. We can only say that our new era is an era of failure.

The above is just my personal opinion.

How can we have a more comprehensive understanding of ancient poetry?

In recent years, the examination of poetry content focuses on understanding, focusing on the interpretation of key words, the overall understanding of poetry, the perception of poetic artistic conception and the understanding of poetic theme and intention. The test of language and expression ability focuses on evaluation and appreciation. The language of poetry is implicit and concise, with outstanding lyrical and vivid characteristics, and the focus is on the effect of language use. There are many expressive skills of poetry, and the focus of the examination is on expressive techniques, expressive techniques, rhetorical techniques, allusions, writing ideas, work styles and so on. First, grasp the vision of poetry, grasp poetry as a whole, be good at concise language, pay attention to vivid words, express as much content as possible in a very short space, and achieve the realm of "conciseness". Conciseness is not simplicity, but a glance, and conciseness is literal. In other words, speech understanding has an end, but the understanding of the meaning of expression can vary from person to person. Thus, there is a "poetic eye." The so-called eye of poetry is the key word that can best reflect the theme, development intention and the strongest expressive force, and it is also the window for readers to spy on the content of poetry. Grasping the eye of the poem, we can basically grasp the poem as a whole, and then we can know the emotional context of the poem. By analyzing the poetic vision, we can enter the artistic conception, feel the interest, understand the will and express the will. When reading poetry, we should grasp the eye of poetry as much as possible in order to grasp poetry correctly. This point was not paid enough attention in the past, but it is necessary to emphasize it now, although it is suspected that it is wise after the event. Generally speaking, the poetic eyes of five-character poems are mostly in the third word, and those of seven-character poems are mostly in the fifth word. Of course, not all poems have poetic eyes, and some are not in poems, but hidden in titles and poems. We should all grasp the key words of poetry. The ancients refined words from the form, and we should grasp the vision of poetry in combination with the understanding of content. Generally speaking, the vision of poetry is not on nouns, but it must be flexible on nouns. In most cases, the eyes and keywords of poetry are often verbs, adjectives and flexible numbers. If we simply look at the third and fifth words, sometimes mistakes will inevitably occur. If we combine verbs, adjectives and numerals, we will have a better grasp of the meaning of poetry. Verbs: When appreciating poetry, we should pay attention to verbs, especially verbs with "multiple meanings". (2) Modifiers: mostly adjectives, which are also the focus of attention in poetry appreciation. ③ Special words: In poetry, some words are different in themselves. Readers can quickly find: a. Reduplication: Reduplication has two functions: enhancing the sense of rhythm of language or playing an emphasis role. B onomatopoeic words: some onomatopoeic words are reduplicated words, so they are listed separately because of their high frequency. Function: make poetry more vivid and make people feel immersive. C. Words expressing colors: These words are sometimes used as predicates and sometimes as attributes. Enhance the color sense and picture sense of description and render the atmosphere. Second, experience the artistic conception and understand the word "image" in poetry from a micro perspective. It has a long history in China, and it has developed and changed in many dynasties, with different meanings. But there is also a consistent expression: image is the fusion of meaning and image, the unity of mind and things, and the fusion of emotion and scenery. "Image is a concrete feeling" (Ai Qingyu). Successful poetry. It is also one of the important contents of the college entrance examination to examine students' appreciation ability of ancient poetry. For example, in the national unified examination in 2002, the questions related to images in Li Bai's poem "Smelling the flute in Luocheng on a spring night" were put forward. The problem of "folding willow" originally refers to "folding willow branches", which is a traditional image with rich meanings. Both "image" and artistic conception are composed of emotion and scenery, but "image" mostly refers to a smaller part that constitutes the artistic conception of the whole poem. Artistic conception, the traditional understanding refers to the artistic realm formed by the combination of the subjective feelings of the author (sometimes including the reader) and the objective physical environment reflected by the work. Emotion and scenery are the two most basic factors that constitute artistic conception. "Landscape is the medium of poetry, and emotion is the embryo of poetry" (Xie Zhen's Four Poetic Styles, Volume III). They interact, penetrate each other, touch the scene, and feel the scene with emotion. Wang Changling believes that poetry has three realms: the realm of objects, the realm of scenes and the realm of artistic conception. Wang Guowei believes that the artistic conception formed by the fusion of true scenery and true feelings is the enduring artistic charm of China's classical poems. "The word takes the realm as the top", "it is unique in the realm", and "it is refreshing to write feelings, but it is refreshing to write scenes". In order to fully express, students only talk about the situation, not the artistic conception, and it is easy to go astray and answer irrelevant questions. Therefore, in poetry reading, it is difficult to understand the connotation and appreciate the artistic charm of poetry without deeply understanding the artistic conception. It is necessary to guide students to make full use of various favorable factors, grasp the characteristics of poetic language, remove obstacles of emotion, time and space, and logic, and strive to expand the meaning of poetry condensation and supplement the reduced components. Weld up the process of omission, connect the jumping emotions, make up the inner feelings between lines and sections in the poem, reproduce the image and picture of the poem, naturally enter the deep artistic conception of the poem and appreciate the unique artistic charm of the poem. Third, inspect the environment and appreciate the description of poetic scene in all directions, including the description of natural environment and social environment. This is the main content of ancient poetry. The main function of scenery description is to explain the background, set off the artistic conception, express the feelings of * * *, use scenery description to set off feelings, or as a symbol of feelings, to achieve the height of scene blending, so that poetry is profound, implicit, refined, meaningful and endless. Grasp the scenery description in the poem, determine the tone of artistic conception, and understand and feel the scenery at this time. Feel the thoughts and feelings expressed in poetry. Feeling emotion is the psychological reaction activity of readers after entering the artistic conception of poetry, and it is an important link in appreciating reading. To appreciate poetry, we must really enter the life scene depicted in the work and feel the artistic conception in the poem with the characters or authors in the work.