Basic knowledge of oil painting

1. How to do the foundation of oil painting

Traditional oil painting requires a strong foundation in painting.

China's current situation, including the Central Academy of Fine Arts oil painting program is a set of Soviet teaching system. It has improved in recent years, but the big things haven't changed much, at least the foundation is still the same.

I myself was painted 2 years of sketching contact color (gouache), and painted 3 years before painting oil. With a strong foundation, I feel that oil painting is not as difficult as it is said to be.

But there is no definite way to paint, if you have high talent and do not plan to go to art school, you can start from abstract painting, as for the use of oil paint as you like. You can also use other paints if you are good at it.

Pay more attention to your own aesthetic training, and your works will have an unexpected effect. As for the preparation of oil painting is more troublesome, this point upstairs more detailed.

But when I started oil painting, I used a kind of oil painting paper. If you don't want to buy it on the market, then you can also do it yourself.

The method is to use cardboard coated with latex and then paste a layer of medical gauze can be. Because of the high price of canvas, it is a waste of money for beginners.

2. oil painting beginners should know what knowledge

1, the beginning of the tools oil paint (brand is not limited, the color of their usual habit of using the color on the line), rows of brushes and brush hooks (pig bristle and nylon should have), turpentine (wash the brush with), triad of oil (painting and paint and mixing), the oil painting frame (with a cloth), the pigment spatula (you can shovel the pigment can also be done when you paint), the effect, you can buy a few more models of paint, you can buy a few more models of paint. Effect, you can buy a few more models), easel, palette, other individual tools, according to your usual like to paint the type of painting their own preparation, such as some painters can use towels, sponges, etc. to paint.

2, oil painting is to use fast-drying vegetable oil (linseed oil, poppy oil, walnut oil, etc.) and pigment, in the canvas linen, cardboard or wood on the production of a painting. The diluent used in painting is volatile turpentine and dry linseed oil and so on.

The pigments to which the picture is attached have a strong hardness, and when the picture is dry, it keeps its luster for a long time. By virtue of the pigment's covering power and transparency performance more fully express the depiction of the object, colorful, three-dimensional texture.

Oil painting is one of the main types of Western painting. 3, warm and cold color warm and cold, light and dark are opposites, contradiction with the development of things in the process of the existence of the beginning and end of the movement, color can not be avoided on this law, a good picture must have a good color relationship, color relationship is mainly the picture of the relationship between warm and cold, warm and cold is the soul of the color.

Color *** color cold and warm is not absolute. Lack of warm and cold contrast and change will lack of color jumping sense.

4, notes 1) intention of landscape sketching should first have a clear intention, that is, to create a state of mind, the back will be carried out such as color tone, modeling, brushwork and strength of the treatment are centered on the first this intention. (2) color tone to grasp the color tone is the key to painting a good landscape sketching.

When we paint we also need to carefully analyze the color changes in the scenery, as well as sunshine and rainy day changes, we must incorporate the colors of nature into the picture. 3) levels of space in our landscape sketching should pay special attention to the picture of the levels and spatial relationships.

Generally far, in the near three scenes, the main scene is often in the position of the middle scene, while the near scene more rough treatment. (4) detail drawing landscape sketching for the details of the drawing is very difficult to grasp, to do the right thing.

Because of the limited time outdoor sketching, so we only need to draw the basic shape of the object and the tone can be, mainly to experience the interest of the brush.

The sunlight work is the most and the best to grasp the color tone in the landscape sketching, because the angle of the sunlight is particularly large changes in the tone and spatial relationship of the most easy to grasp, in a very short period of time can be finished.

Expanded information:

Characteristics: 1, the oil paint is used in oil or acrylic paint, the viscosity is high, the coverage is very good. The pigment has a high viscosity, strong covering ability and many magenta colors. In the painting of oil painting also need to use medium: color oil, triad oil, turpentine, varnish oil and so on.

2, oil painting is usually painted on canvas or board, with rich expressive power, can create a three-dimensional picture in the plane of the object, a strong sense of vision. 3, oil painting is the main painting method in the history of Western painting, oil painting has the characteristics of rich color, thick, glossy, etc., which is very suitable for the expression of texture and spatial sense, the pigment covering ability is strong, and there will not be any situation that the base color turns over in the painting.

In the painting of oil paintings generally start from the dark color, and then paint the middle color, and then use the light color or bright color, from deep to shallow layers upward pressure color, so the oil painting, the brighter the place used the thicker the pigment. 4, oil painting is to use oil pigments for painting, dry and wet changes are not big, the color of oil paint is bright and clear, can show a variety of styles, rich color pigments, strong adhesion and drying can maintain the luster for a long time.

5, oil painting preservation difficulty, preservation needs to be stored in a stable environment, humidity and temperature can not have too much ups and downs, the oil painting will be based on the changes in the environment where the color oxidation and shedding of the situation. 6, oil painting techniques for: rubbing, swinging, kneading, sweeping, dragging, point, etc., can be very delicate performance of the relationship between light and dark and exquisite carving details, but also with the rough color to show the texture of the object.

Baidu Encyclopedia - Oil Painting.

3. oil painting what techniques it

1, rub: rub is to put the brush lying across, with the belly of the brush in the picture drum rub, usually rub with fewer colors on a large area, can be formed not very obvious brushstrokes, but also paved the bottom layer of color commonly used methods.

In the dry base color or undulating texture on the brush with rubbing can be painted similar to the effect of Chinese painting flying white, so that the underlying texture is more obvious. 2, suppression: suppression is the bottom side of the knife in the wet color layer gently downward pressure after lifting, the color surface will produce a special texture.

In some of the need to carve a special texture of the place with the suppression technique can achieve the desired effect. 3, row: row refers to the blade of the painting knife in the color is not dry on the carving out the Yin line and shape can sometimes reveal the underlying color.

Different knives can produce different shades of thickness of the change with the brush strokes and knife sharp technique to produce the color surface to form a point, line, surface of the undulating texture changes.

4. What are the techniques of oil painting

Want to know what are the techniques of oil painting? I'm going to help you answer this question! If there are different views, welcome to point out! 1, erase: erase is to put the brush lying down, with the belly of the brush in the picture drum rub, usually erase a large area with fewer colors, can form a less obvious brush strokes, but also lay the bottom of the color of the common methods.

In the dry base color or undulating texture on the brush with rubbing can be painted similar to the effect of Chinese painting flying white, so that the underlying texture is more obvious. 2, suppression: suppression is the bottom side of the knife in the wet color layer gently downward pressure after lifting, the color surface will produce a special texture.

In some places where special texture needs to be carved with the suppression technique can achieve the desired effect. 3, masonry: masonry method is to use a knife instead of a paintbrush, like a mason with a clay knife to ring the mud ash like the color to the canvas, leaving direct knife marks.

The method of laying can have different levels of thickness changes, the size and shape of the knife and the direction of the knife will also produce rich contrasts. Using a knife to mix different colors without too much blending, and letting them mix naturally on the screen can create subtle color relationships.

Layers of color that fluctuate too much can also be smoothed out by tiling. If used properly, this will give a strong sense of shaping.

5. What should a beginner know about oil painting

1, the beginning tools

oil paint (brand is not limited, the color of their own habitual use of color on the line), rows of brushes and outlining brushes (hog bristles and nylon should be available), turpentine (wash the brush with), triad of oil (painting and paint and mixing), painting frames (with a cloth)

The paint spatula (can be spatula paint can also be used to paint). Can shovel paint can also be painted when doing the effect, you can buy a few more models), easel, palette, other individual tools, according to your usual like to paint the type of painting their own preparations, for example, some painters can use towels, sponges and so on to paint.

2, oil painting

Oil painting is to use fast-drying vegetable oil (linseed oil, poppy oil, walnut oil, etc.) and pigments, in the canvas linen, cardboard or wood on the production of a painting. The diluent used in painting is volatile turpentine and dry linseed oil and so on.

The pigments to which the picture is attached have a strong hardness, and when the picture is dry, it keeps its luster for a long time. By virtue of the covering power and transparency of the pigment performance more fully express the depiction of the object, colorful, three-dimensional texture. Oil painting is one of the main types of Western painting.

3, warm and cold colors

Cool and warm, light and dark are opposites, the contradiction exists along with the development of things in the process of the beginning to end of the movement, the color can not be avoided on the law, a good picture must have a good color relationship, the color relationship is mainly the picture of the relationship between warm and cold, warm and cold is the soul of the color.

Color *** color cold and warm is not absolute. Lack of warm and cold contrast and change will lack of color jumping sense.

4, notes

1) intention of landscape sketching should first have a clear intention, that is, to create a mood, the back will be carried out such as color tone, modeling, brushwork and strength of the treatment are centered on the first this intention.

2) color tone to grasp the color tone is the key to painting a good landscape sketching. When we paint we also need to carefully analyze the color changes in the scenery, as well as the changes in sunshine and rainy days, we must incorporate the colors of nature into the picture.

3) levels of space in our landscape sketching should pay special attention to the picture of the levels and spatial relationships. Generally far, in the near three scenes, the main scene is often in the position of the middle scene, while the near scene more rough treatment.

4) details of the painting landscape sketching for the details of the painting is very difficult to grasp, to do the right amount of time. Because of the limited time outdoor sketching, so we only need to draw the basic shape of the object and the tone can be, mainly to experience the interest of the brush.

5) sunlight work sunlight work is the landscape sketching in the most, the best grasp of a tone, because the angle of sunlight is particularly large changes in tone and spatial relationship is most easy to grasp, in a very short period of time can be painted.

Expanded Information:

Characteristics:

1. The use of oil paint or acrylic paint, the pigment viscosity is high, the ability to cover the strong and more magenta. In painting oil painting also need to use medium agent: color mixing oil, triad oil, turpentine, varnish oil and so on.

2, oil painting is usually painted on canvas or wood, has a rich expressive power, can create a three-dimensional picture on a flat object, strong visual sense.

3, oil painting is the main painting method in the history of Western painting, oil painting has the characteristics of rich color, thick, glossy, etc., which is very suitable for the expression of texture and spatial sense, the pigment coverage ability is strong, and there will not be any undercolor color flipping in the painting.

When painting oil paintings, generally start from the dark color, and then paint the middle color, and then use the light color or bright color, from deep to shallow layers upward pressure color, so the oil painting, the brighter the place used the thicker the pigment.

4, oil painting is to use oil pigments for painting, dry and wet changes are not big, the color of the oil paint is bright and clear, can show a variety of styles, the pigment is rich in color, strong adhesion and drying can maintain the luster for a long time.

5, oil paintings are difficult to save, the preservation needs to be stored in a stable environment, humidity and temperature can not have too much ups and downs, oil paintings will be located in the environment according to changes in the color oxidation and shedding of the situation.

6, oil painting techniques for: rubbing, swinging, kneading, sweeping, dragging, pointing, etc., can be very delicate expression of the relationship between light and dark and exquisite carving details, but also with the rough color to express the texture of the object.