What are some of the national comics with a strong Chinese flavor?

I think there is Fox Demon Little Red Queen. Qin Shi Ming Yue which is arguably a classic work of national literature. Those who care a little about secondary dimensions think they've seen this kind of work before, to a greater or lesser extent. Inspired by Stoneman's original novels, this series launched with six animations. Beginning with the Qin Dynasty's annihilation of the six kingdoms, it tells the story of a young man who grows up to be a hero and influences the course of history. It is filled with martial arts fantasies. At the same time, it incorporates many ancient Chinese elements, such as history and the Hundred Schools of Thought, as if it could lead people to experience the raging times.

"Junior Jinyiwei". The first attraction of this work is the amazing drawing style. Currently, 3D animation is not uncommon in Kuoman, but not much has been accomplished. However, the scenes in this work are so elaborate that the lines can be matched to the shape of the mouth. The texture of the clothes is very realistic, and the characters are so detailed that even subtle expressions can be seen. It is not an exaggeration to say that it is Guo Man's Yan value. In terms of subject matter, this work chooses the unique culture of the Royal Guard of the Ming Dynasty as its vehicle. The overall style is equivalent to martial arts, and the foreshadowing clues are ups and downs. Those interested in Ming history will naturally have a strong sense of substitution.

The Peking Opera Cat. The style of painting may seem low for a small child, but this does not mean childishness. On the contrary, the conscience of this work can be a surprise. As you can see from its name, this work is centered on the essence of Peking Opera with the cat as the main character. Overall, the plot is simple, like every hot-blooded young man we are familiar with. It tells the story of four Peking Opera cats with different personalities who grow up and have adventures along the way, eventually driving away evil and defending their home. Despite the fact that Peking Opera is at the center of it, it's not as obscure as traditional Peking Opera, but rather translates elements of Peking Opera into all sorts of cool artistic tricks, which obviously makes the sci-fi more accessible.

The first phase of the One Man anime was a Sino-Japanese collaboration, and the second phase was handed over to Shanghai Painting Culture Communication Co. for animation production. The seemingly ordinary but super-powered hero Zhang Chulan has been ordered to "live an ordinary life" since he was a child. However, in order to solve the problem of his grandfather's death, he enters the world of "strangers".

When he meets the powerful and mysterious young girl Feng Bao Bao, the story takes a different turn... Of particular note, in addition to the traditional elements of kung fu, Taoism, the sun, folk songs, and the mountain village setting, the production team creatively used dialects to dub the voices of the characters that appear in the work, as well as the beautiful and wild sister Bowers from Sichuan Province. So I think these anime are considered national style, and the above is just my personal opinion.