What is the current situation of China's calligraphy?

The present situation of calligraphy in China is shown in the following aspects:

1. The ecological environment of calligraphy has changed: the brush has withdrawn from the field of practical writing, and the writing activities of hard pen have become increasingly scarce, resulting in the loss of its natural state. At the same time, the disappearance of the literati class also had an impact on the development of calligraphy.

2. Contemporary calligraphy education is not standardized: the learning situation of calligraphy in society is mixed, and many training classes blindly pursue efficiency. They hope that students will produce their works as soon as possible, give an account to their parents, be eager for success, and not pay attention to the foundation of calligraphy, which leads many beginners to go astray and directly affects their in-depth art learning.

3. There are many schools of contemporary calligraphy: there are also chaotic phenomena in the calligraphy industry. The inheritance and innovation of calligraphy art has always been a topic of concern in the industry. How to highlight the pain in innovation? A series of problems are hotly discussed and collided in the industry. There are different schools of contemporary calligraphy, and at the same time, some calligraphers think that the singularity and strangeness are calligraphy art, and they completely ignore the inheritance of art in order to win social attention. This seriously deviates from the aesthetic appreciation of calligraphy.

Therefore, the present situation of China's calligraphy has both positive aspects and some problems. In order to promote the further development of China's calligraphy, we need to innovate and explore constantly on the basis of maintaining the tradition, and at the same time, we need to strengthen calligraphy education, standardize the calligraphy market, and improve the level and quality of calligraphy lovers.