Explain the classification of calligraphy and painting, such as meticulous brushwork and freehand brushwork, as well as professional terms in calligraphy and painting. The more detailed, the better. T

Explain the classification of calligraphy and painting, such as meticulous brushwork and freehand brushwork, as well as professional terms in calligraphy and painting. The more detailed, the better. Thank you. China's painting, parting strokes and freehand brushwork are two forms of expression. Meticulous brushwork-Meticulous brushwork, with layers of colors and meticulous details, requires extremely delicate brushwork to depict objects. Freehand brushwork-a simple, bold and scattered pen and ink that depicts the shape and spirit of an object and expresses the author's sense of laziness. Freehand brushwork painting uses generalization, exaggeration and rich association in the object of expression. Although the pen is simple, it has far-reaching artistic conception and certain expressive force. You should have high generalization ability, implicit artistic conception that less wins more, accurate writing, skillful writing and handy writing, and write essays at any time. These two styles of painting have existed since the Tang Dynasty. Some people work in between and write at the same time. For example, in a painting, use freehand brushwork for loose lines and meticulous brushwork for pavilions, so that we can combine the two and develop the skills of using ink and color with pens.

Turquoise landscape painting: Turquoise landscape painting is a unique style of landscape painting, which occupies an important position in ancient painting art. This kind of painting is mainly turquoise, with neat brushwork, delicate brushwork, thick color, strong color and full of vitality. Colors are marked with stones, bluestones and green. The deep color is called the big turquoise landscape, and the light color is called the small turquoise landscape. It is very useful to outline the texture of the rock with gold, which makes the picture look magnificent. This kind of landscape is called the golden landscape.

Boneless painting: those who draw the outline with ink strokes are called boneless painting, and those who don't draw the outline are called boneless painting, and they are painted directly with colored ink. Later, the boneless method of painting landscapes was applied to painting flowers and birds, and colors were used directly instead of drawing outlines.

Ink landscape painting: Ink landscape painting is the foundation laid by Wang Wei, a great poet in the Tang Dynasty. Instead of using color, we use the shade and dryness of ink to express the scenery of rocks. Wang Wei is an outstanding poet and landscape painter. He often writes poems about landscapes and paints them into pictures. Later generations said that there were paintings in his poems and poems in his paintings. In the Five Dynasties, ink painting made another leap, and began to express the effect with enamel, making the rocks more majestic. Xu Wei's freehand brushwork in Ming Dynasty developed ink painting techniques. When he splashed ink on the paper, several strokes were finished. His painting methods had a great influence on Shi Tao and Zhu Da (Badashan people) in Qing Dynasty. Both Zheng Banqiao in Qing Dynasty and Qi Baishi in modern times were influenced by Xu Wei.

Midian landscape painting: Midian landscape can also be classified as ink landscape, also known as Mi Jiashan Shuimifei. It shows the landscape with dim tone and dark ink, which is obviously similar to the model lake. Gao Hefang painted better in Yuan Dynasty. Dong Qichang and Lan Ying made outstanding achievements in the Ming Dynasty.

Ochre ink landscape painting: Ochre red is a sauce color, also called pale crimson landscape. In the Yuan Dynasty, Huang painted the scenery in the south of the Yangtze River with pale colors, and expressed soft scenery with shallow landscapes. There are many landscape paintings in Ming and Qing dynasties, especially in Qing dynasty, when ancient paintings are yellow.

Sketch: In Chinese painting, objects are completely represented by lines, which is called "sketching". There are two kinds of drawing lines: single hook and multi-hook. What draws a line at a time is called a single hook. Single hook uses one color ink, and some use two kinds of dark ink according to the object, such as light ink for flowers and strong ink for leaves. Re-hook is to hook it completely with light ink first, and then decide to re-evenly part or all according to the specific situation. Re-ticked lines cannot be rigidly overlapped according to the lines of the original roads. The purpose of re-tick is to aggravate the changes of texture and light and shade, and make the image look more radiant. Sketch is a kind of expression technique with lines, ink lines, thickness, reality, lightness and rigidity. In Song Dynasty, Li played the role of line drawing in ancient traditional painting and created the technique of line drawing. Qian Xuan in Yuan Dynasty and Chen Hongshou's sketch in Ming Dynasty were both successful.

Finger painting: Finger painting, also known as finger painting, has a history of more than 300 years and is a sideline of Chinese painting. Finger painting, generally without or with little brush. It is clearly recorded in the history books that the founder was Gao during the Kangxi period in the early Qing Dynasty. Later, more and more people drew finger paintings, among which Pan Tianshou was an outstanding one. His finger paintings are broad and profound, and the patterns are novel and elegant.

Boundary painting: a painting composed of ink lines drawn on part or most of the painting with a ruler. It mainly displays magnificent buildings, such as palaces, temples and pavilions. Wei Xian in the Five Dynasties and Guo Zhongshu in the Yuan Dynasty reached their peak. In Qing Dynasty, Yuan Jiang and Yuan Yue both painted boundary paintings.

Variety and name of calligraphy and painting

Painters and painters can divide written words or paintings into hand scrolls, album pages, hall pages, banners, screen bars, banners, couplets, fans and so on.

1. Handscroll: refers to the elders who mount calligraphy and painting into scrolls, that is, the banners of calligraphy and painting, which are not suitable for hanging and can only be rolled up. There are large and small papers. Handwritten paper is not only convenient for reading and copying at the desk, but also suitable for preserving and prolonging the life of calligraphy and painting.

2. Album: It is a page-by-page mounting of calligraphy and painting into a book, which is called "album". The number of pages in an album is generally divided into eight, twelve, sixteen, and twenty-four at most, all of which are even numbers. Find an odd number of incomplete, commonly known as the lost album, there are large and small, the smallest album is called pocket album.

3. Hall width: commonly known as "nave", it is called "nave" because its frame is wide and suitable for hanging in the center of the hall.

4. Banner: The straight width narrower than the width of the hall is called "banner", especially the long and narrow banner. If it looks like a piano, it is also called "piano bar".

5. Screen bar: that is, the screen bar of calligraphy and painting. There are four, six, eight, twelve kinds, up to sixteen kinds. You can't just hang the four seasons or copy the paintings of famous artists.

6, horizontal: that is, the words or paintings of the banner.

7. Couplets: commonly known as pairs. The two articles have the same number of words, echoing up and down. So it's called "right". In addition, there is Long Mendui, because there are too many words to be straightforward, so it is written in two lines. The first line goes from right to left, with more words in the first line and less words in the last line. From left to right, there are too many words in the first line and few words in the last line, so it is called "Long Mendui". The first part and the second part are written in the same way from right to left, which is called "Shun Longmen".

8. Fan: It is a word or painting written by a painter on the fan, so it is called "fan".

In the long run, with the development of China's economy and the increasing strength of domestic art collections, the status and value of China's calligraphy and painting will be immeasurable. In addition to the appreciation of the collection, it will also be used as an investment method to preserve and increase the value. There are similarities and differences between calligraphy and painting collection and many investments. The key is to master the five basic skills of collecting calligraphy and painting.