The position of traditional Chinese characters in Chinese painting

Xu Beihong is a master in China painting.

Xu Beihong's strength lies in the integration of China and the West! If you want to get through, you must first master it, which is the most difficult place! After Xu Beihong returned from studying abroad! Vigorously promote art education! His contribution to education is enormous. In modern times, everyone is more famous than Xu Beihong, but they are all self-taught! Don't move Or painting and selling money! No more than three or two sons! Xu Beihong is promoting, which is unmatched by others.

I have seen many works by Mr. Hong Bei. However, judging from his works alone, I don't think highly of his works as a whole. Simply put:

First, as far as human body sketch is concerned, Mr. Hong Bei is a typical academic, advocating classical realism, and adhering to the rules and regulations. During the Republic of China, his sketching ability ranked first in the country. Even compared with the top foreign painters of the same period, it is not weak. However, compared with the sketches and sketches of Degas, Matisse and Rodin, we can see their lack of recognition, inspiration and passion.

Secondly, oil painting, which was just introduced to China in those days, is a brand-new painting for our people. Xu's oil painting level is not high. The color system is very ugly, regardless of the theme of the current big painting, the visual perception makes people feel dirty.

Third, Chinese painting, Xu has some small paintings with good results, such as Tagore's portrait. Large-scale Chinese painting seems to have no representative works. As far as Chinese paintings handed down from ancient times are concerned, the overall collection level of Bao Dao History Museum is higher than that of Beijing XuBeihong Memorial Hall.

Fourth, calligraphy, Xu's calligraphy has its own face, high recognition, and it can be regarded as its own.

Since ancient times, Mr. Hong Bei has made great contributions to the modern art education in China, especially to the realistic and realistic art education. It is precisely because many disciples have made contributions, made achievements, or held high positions that Mr. Hong Bei has long been a banner of socialist art in China. In artistic creation, he is far behind Pan Tianshou and Lin Fengmian of his contemporaries, Qi Baishi and Huang of the older generation, and Wu Guanzhong and others of the younger generation.