What are the four major voices of Yu opera

Xiangfu tune, West Yu tune, East Yu tune, Shahe tune.

1, Xiangfu tone

Xiangfu tone, is originated in Kaifeng, Henan Province, a Yu opera genre, named after Xiangfu County, Xiangfu tone is the mother of the Yu opera, for the standard Zhongzhou rhyme, is the most authentic Yu opera singing.

As the mainstream of Yu opera, Xiangfu tune has gradually formed its own simple and mellow, euphemistic and subtle, playful and elegant style after centuries of development. Xiangfu tune is a star in the bright star of Chinese theater art, and it is an odd flower in the hundred gardens of theater.

2, West Henan tune

West Henan tune, is a genre of Yu opera, also known as Xifu tune. In the early years, it was performed in the mountainous areas of western Henan and the Luoyang area, and was called the "mountain roar" by the people. It was rumored that the tune was passed down from a group of Jiangmen in Zhuxian Town during the Qianlong period of the Qing Dynasty.

Before the Qing dynasty Guangxu years, Yu Xi tune and Xiangfu tune in the board road, singing is basically the same, until the end of the Guangxu only changed to sing the "lower five tone", and the Yu Dong's "on the five tone" singing style has a clear difference.

Since then, the artists in order to distinguish between the Kaifeng and other places on the five notes of the singing method called "Yu Dong Tune", Luoyang area of the lower five notes of the singing method called "Yu Xi Tune", "Xifu Tune "

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3, Yudong tone

Yudong tone, the Department of Shangqiu as the center of a branch of the Yu opera, and Shandong Bangkok (high tone Bangkok) is extremely close. The traditional repertoire is basically the same, and the singing style is mostly changed from Da Ben Cavity (real voice) to Er Ben Cavity (fake voice). It is also known as "Lower Road Tuning" or "East Road Tuning".

4. Shahe Tune

Shahe Tune's transmission area is located in the plains, fertile soil and water, and before the liberation of the rich and wealthy people, so the performance groups teach more, performances are also more frequent, in the long-term artistic practice, the achievements of a large number of famous artists, the 1930s and 1940s, Shahe Tune is comparable to the Yu Dong Tune, Yu Xi Tune, Xiangfu Tune, the Yu Opera regional genre one of the same.

Around the fifties, because the Shahe tune was not enough, and most of them were located in the unregulated area, very few people participated in the first opera performance, which made them lose the opportunity to enter the state-run troupes directly. This is one of the reasons for the slow development of Shahe Tunes.

Expanded Information:

Yu Opera is characterized by differences in the speech of different regions, and the formation of artistic genres with regional characteristics in music. At the end of the Qing Dynasty and the beginning of the Republic of China, the Yu opera in Luoyang and other places used the lower five tones, while the Yu opera in Kaifeng and other places used the upper five tones, forming a sharp contrast.

In order to differentiate, the Yu opera artists called the singing voice of Luoyang and other places as West Yu Tune (also known as Xifu Tune), and called the singing voice of Fengqiu all over the world as East Yu Tune (also known as Xiangfu Tune). After the founding of new China, Yu opera experts subdivided into Xiangfu tune, Yu Dong tune, Shahe tune.

This division is widely recognized, that is, Xiangfu tune centered on Fengqiu; East Yu tune centered on Shangqiu; West Yu tune centered on Luoyang; Shahe tune popular in the southeast of Henan around Shahe, also known as "local bang".

The Xiangfu tune, Shahe tune and Yu Dong tune are mostly in upper pentatonic, and Yu Xi tune is mostly in lower pentatonic; nowadays, Xiangfu tune and Shahe tune have been declined, and Yu Dong tune and Yu Xi tune have shown their tenacity and vitality.

During the flourishing period of Yu opera, actors and actresses engaged in the profession of Yu opera were not only Han Chinese, but also Hui, Manchu, Korean, Mongolian, Alpine, Jewish and other ethnic minorities. Yu Opera is rooted in the Central Plains, the grandeur of Angfeng Baofa,

the aesthetic effect of elegance and vulgarity **** appreciation, high-pitched and exciting, simple and fast singing tunes, both ancient and modern, young and old suitable for the style of performance, humorous and witty, optimistic and upward language interest, is not difficult and not astringent, North and South understandable rhyming tone of the Middle Kingdom, simple and unadorned, generous and vast cultural outlook, to reflect the reality of the public pattern, close to life and flesh and blood.

The Chinese opera is the most popular of its kind in China.

The art of Yu opera is both ancient and modern, strong and soft, open and generous, and has the beauty of "neutralization". First of all, the Yu opera singing voice is powerful, majestic, with a degree of modulation, passionate and unrestrained masculinity, with a great deal of emotional strength.

Secondly, Yu Opera has a sound voice, clear diction, natural color, flesh and blood, and is good at expressing the inner feelings of the characters. Furthermore, the rhythm of Yu opera is strong and distinctive, the conflict is sharp, the storyline has a beginning and an end, plus the tune is witty and cheerful, which makes Yu opera not only suitable for the performance of light-hearted comedy, but also suitable for the performance of the emperor and generals of the big scene.

Yuxi Opera is very suitable for tragedy because of its melodious and sad singing style. Yu opera in the key plot are generally arranged to have a big board singing, singing smooth, rhythmic, challenging, generally clear words, easy to be heard by the audience.

Baidu Encyclopedia - Yu Opera

Yu Opera is the most popular form of opera in China.