Traditional Culture Encyclopedia - Traditional virtues - Peking Opera composition "Nezha" 200 words! Just 200 words!

Peking Opera composition "Nezha" 200 words! Just 200 words!

Postscript on the View of Nezha, a Mythical Peking Opera

Postscript on the View of Nezha, a Mythical Peking Opera

The first time I walked into the theater to watch the whole Peking Opera, I just wanted to experience the atmosphere of the live performance of Peking Opera. I didn't expect this to be a real surprise. In last night's performance, there was an aria of Cheng School, and one of the five golden flowers in Zhejiang and Beijing fascinated me. Nezha was played by Weng Guo Sheng, the head of Zhejiang and Beijing. He looks like a child, which actually means a baby face.

Yesterday was the 40th anniversary celebration of Zhejiang-Beijing. Before the opening ceremony, there will be a 20-minute celebration and ribbon-cutting ceremony. A director of the Art Department of the Ministry of Culture read a congratulatory letter from the Art Department of the Ministry of Culture, and Yang Jianxin, director of the Zhejiang Provincial Department of Culture, also made a long speech, which was nothing more than a glorious course of Zhejiang and Beijing and a congratulatory speech.

Then the curtain opened, the first is the prologue, which tells the story of the dragon king raging in the East China Sea and the suffering of the people of Tang Chen.

The first scene was born. Nezha's acting skills are impeccable, but when it comes to singing, it is not necessarily good. It is inevitable to compare the forests of Zhejiang and Kunming with Weng. They are not only martial arts students, but also leaders and plum blossom award winners. They think that Lin's martial arts and singing skills are slightly better than Weng's, but different operas may not have this comparability, but it is understandable to compare them privately as opera fans. There are not many Beijing operas. Besides CCTV 1 1, I especially like listening to Cheng Pai, and I don't like listening to it the least. However, the Cheng School of Mao played yesterday was not as mellow as Chi Xiaoqiu and Zhang, but it was intoxicating enough. After all, in the martial arts drama, your singing skills are very skillful, and Mao's singing skills are not bad.

In the second act, it seems that Nezha killed the third prince of the East China Sea Dragon King with one punch, which caused an uproar.

The third act is to sacrifice one's life for righteousness. In order to avenge his son, the Dragon King of the East China Sea asked Chentang Town to defend Li Jing and cut the child down for public display, which led to a long time of naysayers. Jing Li dresses well and sings Bao Gong's voice. I can't tell which school sent him. Generally speaking, rap is ok, and the free conversion of high notes is a bit too heavy. Zhang Laohan's old voice was in place and the applause was the most. Nezha saved the people of Chentang in from the mire.

The name of the fourth act has been forgotten, to the effect that relatives and people deeply miss and recall Nezha. Li Jing and his wife Zhang Laohan, Bao Xiao and Xiaoling each sang a song, expressing their condolences to Nezha from all angles.

The fifth act is to make waves again. The Dragon King of the East China Sea plundered Bao Xiao and Xiao Ling for the death of the three princes, and continued to harm the people. Nezha, inspired by Taiyi, is determined to continue killing people and finally let them return to the world.

In the sixth act, Nezha returns to Yang and goes straight to the Dragon Palace in the East China Sea to rescue He Xiaoling and surrender to the Dragon King. The ending is sealed, and the curtain call is quite creative.

The general plot is as above, and then focus on the audience's evaluation of the play:

The overall styles of Zhejiang School and Beijing School are quite different from traditional Peking Opera. No matter comparing the Beijing School with the Shanghai School, I feel that the rules are not enough, but I also admit that if they are all old-fashioned, they will not attract young people. Yesterday, I observed that the proportion of young people was much less than when I watched Shaoxing opera, and the proportion of Kunqu opera was even lower. It can be seen that there are more fans of Kunqu Opera in Zhejiang than Beijing Opera, at least in Hangzhou.

An aunt in the back row saw "Qingfeng Pavilion" by Hebei Bangzi in May this year and said it was great. She said that after watching such an enjoyable play, watching today's play is really boring, which is also worth thinking about. I also went to the scene to watch Qingfeng Pavilion, but there were very few people watching it, about 300 people. I don't think there will be more than 30 fans except the students organized by the art school and a group of armed police soldiers. The whole play is very compact and wonderful from beginning to end, and the music and orchestration make people shine. What is even more rare is that the props of the play are as simple as a table and two chairs except a pavilion in Qingfeng Pavilion, but this does not prevent the play from being a masterpiece, and it is a kind of vigilance and irony for the current million-dollar production. Practice has proved that mass production may not produce fine products.

There is also a discussion on the plot of the play. For example, it may be better to explain Nezha's return to Yang with subtitles, which is a good grafting of the Yue opera Ashoka. Of course, this kind of exploration is also a bold attempt in Taohua Village, a tin opera. At least the audience feels novel, and I feel that what the audience said is also in place.

Seeing Peking Opera is a layman, and I feel a little touched after saying so much, which is probably a layman's talk. It is regarded as a memorandum after watching the opera: Mythical Peking Opera praises Nezha, relieves violence and people's worries, sacrifices one's life for justice and parents' pain, and endless grief comes to mind. Being in heaven, caring for the people, returning the sun and getting rid of ghosts and worries. I worship God and drink to celebrate my success and live and work in peace and contentment for the Spring and Autumn Festival.