The "harmony" contained in "Dong's Big Song" and the traditional "harmony" in western music are

I would like to ask whether the "harmony" contained in the "Dong people's big songs" is the same as the "harmony" in the traditional sense of western music. This "harmony" is different from the traditional "harmony" in western music.

Dong people's big songs have no accompaniment and command, but their accuracy is no less than the rigorous harmony mode in the west. Western harmony is composed of a variety of musical instruments under the control of accurate music scores. It is precisely because there is no accompaniment that Dong harmony pays more attention to the use of details and rhythm, presenting overwhelming momentum and emotions with extremely strong melodies, and can convey emotions better.

The melody of Dong nationality's big songs is melodious and stretching, which is consistent with the simple life philosophy and open-minded life wisdom expressed by the songs. Harmony is more traditional in China, such as guzheng, pipa, bamboo flute and so on. It has a unique timbre, like life telling, trying to break and connect, and the strings are faint. The traditional harmony of western musical instruments is mainly piano and other western musical instruments. They are different styles.