Does anyone know the specific information of the painter "Moda"?

Mo Da, whose real name is Kong Xiangcheng, was born in Baoqing, Heilongjiang Province in 1965. He was born in No.6, Liujuju, Mo Weng, Holly, Snow Fox and Lonely Cloud. In 1980s, he was a member of the creative group of "Northern Wilderness Prints". In the late 1990s, he taught creative writing in Normal University. 2/KLOC-Since the 20th century, he has been employed by a research institute in Peking University as deputy director and professional painter. A large number of works created from the early 1980s to the early 1990s have participated in national exhibitions, published in newspapers and periodicals, and collected by Chinese and foreign friendly people and some institutions, covering dozens of countries and regions.

achievements of art

1987, he held successful exhibitions in Taiwan Province province and Singapore, and published a large number of paintings. 1989 won the only gold medal in the French "International snow sculpture Competition", winning glory for the motherland! 199 1 held an exhibition in the Central Academy of Fine Arts and CCTV Evening News. Since then, he has quit all groups, exhibitions, publications and social activities, and devoted himself to learning painting except teaching.

In the meantime, 1998, the "more than 500 square meters" project entrusted by the college to undertake the task of "museum sculpture" was successful, and CCTV news broadcast featured a special report.

Experience and sentiment

Forty or fifty writers, musicians and artists, including Zhang Quan, the first president of the Central Conservatory of Music, study literature, music and painting. When I was in middle school, I went to Sichuan to study landscape flower-and-bird painting with Li Qiongjiu (Li Keran once praised him as the first person in China) and He Zhaoming (the master of flower-and-bird painting), and I had a deeper understanding and reverence for the art of Chinese painting. After I joined the "Northern Wilderness Printmaking" creative group, I had a deeper understanding of artistic creation. Any artist is inseparable from the inheritance and nourishment of regional culture! Looking at the development of Chinese painting, it is the epitome of thousands of years of traditional culture in China! Strictly speaking, a real Chinese painting artist should have knowledge of traditional literature, painting, calligraphy (seal cutting), folk art, music and religion. And traditional literature (Chinese studies) is very important. The study of Chinese painting should also be all-round. Chinese painting is embodied in the picture, paying attention to poetry, calligraphy, painting and printing, which is perfectly displayed and has a voice beyond painting (that is, "context"). Where does context come from? It is the "literacy" that everyone often mentions! The level of "literacy" determines the success or failure of artists! Personally, I still made some achievements in painting until I was in my twenties, but the deeper I went, the more I felt the lack of knowledge. The reason is the problem of cultural "literacy"! So I decided to concentrate on studying Chinese studies and other knowledge! Now I feel that the art of Chinese painting is not weak without forty or fifty years of labor! !

Mr. liuchu always thinks that painting is a long lonely road! This road is full of thorns, mountains and rivers, so you should move forward step by step with your feet. ...