Traditional Culture Encyclopedia - Traditional virtues - How to integrate traditional culture into campus culture

How to integrate traditional culture into campus culture

Personal opinion: this question can be from the public and private aspects.

The public side:

This road is basically impossible to go, you can go to the form of a bombardment, but deep into the hearts of the people, it is difficult.

Lao Guo recently said a very good: what kind of art is considered to be really standing? Commercial performance! Why? Because that is the real money ah. So, from the art will also be practical to figure out the hearts and minds of the people. What is art? It's the expression of the human heart in a beautiful form. And what is traditional art? To put it bluntly, it is a form of performance that was once very popular but is now in decline. Why is it declining? First, the times have changed; second, the mainstream population has changed (50.60 and 70.80.90 people's interests should be different, right?), but the traditional arts have not been slow to change on the inheritance of the experience of the industry's predecessors, and! has not continued to integrate into the lives of the audience, and that, in a nutshell, is the problem.

From what I've seen and read, most of the public side of the traditional arts into the campus on these two points can not do well. One, there are no commercial performances. The money is there, of course, on the public side. So the people who see it are careless, and the artists who perform it don't think about it. One is really sincere, come up with a good paragraph, good skills to perform, but detached from the audience's real life; a clubs, student unions to fill the scene, over the task, on the spot called good after forgetting. Such into the campus can only be to the traditional arts life! Of course, there must be students who really like it and start to be fascinated after watching it, but it's always sporadic, three or two.

Private:

There are only two ready-made examples to learn from. Zhao's duo and Guo's comedy. I know that both are a variety of voices, but it is undeniable that these two arts are alive again.

Another example that's a bit off-topic is Jitterbug. We've been exporting our cultural influence abroad for years, but it's always come up a little short. But the explosion of Jitterbug's little videos in various countries has allowed many foreigners to see how rich and interesting China is for the first time (of course, this may be very biased and doesn't stand up to scrutiny). As you can see, sometimes the stone of another mountain can really attack the jade.

My thought is: two roads together may work.

The public side can continue. It's all the best of traditional art, it's classic, it's meritorious, and it shows people what a high mountain really is and how beautiful it is. And the private side really needs to be let loose and pushed. Let these traditional arts figure out how to make their money again? So that practitioners will be solidly pondering the hearts and minds of the people, trying to find ways to melt into the lives of the audience, slowly penetrating, there are always more and more people began to like, began to be fascinated - are once the most popular things, there is no reason to just so decline.

Above, hope to adopt