Who doesn't belong to the northern painter?

Hao Jing, Guan Tong, Li Cheng and Fan Kuan are four representatives of Northern Landscape Painting School. The northern landscape painting school is characterized by drawing magnificent valleys and hard mountains with hard nails, raindrops and stripes when writing magnificent panoramic landscapes. Guo said in "Pictorial Knowledge": "Only Qiu Li Cheng, Chang 'an Guan Tong and Huayuan Fan Kuan are fascinated by their wisdom and above the class. Three schools stand out, and EMI marks the course. "

The division between Southern School and Northern School was put forward by Dong Qichang in Ming Dynasty, which mainly refers to landscape painting.

Dong Qichang: "Literati painting began in Wang Youcheng, followed by Dong Yuan, monk Ju Ran, Li Cheng and Fan Kuan. Li Longmian, Wang Jinqing, Min Nangong and Tiger are all Dongju people. In the Yuan Dynasty, four masters, Huang Zijiu, Wang Shuming, Ni and Wu, all got down to business. When I was in deep sorrow, I picked up my cloak from a distance. If Ma, Xia, Liu Songnian were sent by General Li, they would not be my Cao Dangxue. There are two schools of Zen, the North and the South, which were divided into different schools in the Tang Dynasty. There are two paintings in the north and south, also from the Tang Dynasty, but their people are not in the north and south ears. Li Sixun and his son painted northern landscape paintings, which spread to Zhao Gan, Zhao Boju, Zhao Bosu and even Ma Xia in the Song Dynasty. Sand King, the Southern Zong Mo, began to use the method of shading and changing hooks, which spread to Zhang Noise, Jing, Guan, Dong, Ju, Guo Zhongshu, Mijia and his son, and even to the four great masters of the Yuan Dynasty. After learning the wisdom of the six ancestors, Lin Ji has ponies, cloud gates, children and grandchildren, and the northern faction is very small ... "