Traditional Culture Encyclopedia - Almanac inquiry - In history, who are the poets named Huang?
In history, who are the poets named Huang?
Song Renzong Jiayou eight years (1063) and Yingzong Zhiping three years (1066), Ting Jian went to the countryside twice and won the first prize. In the second rural examination, candidates were asked to write poems on the topic of "There are no sages left in the wild". When the examiner read the sentence "Wei Shui hides the moon in the air, Yan Fu locks the smoke in the air" in Ting Zhang's poem, he clapped his hands and said, "This man should be famous for his poems in the future!" In the fourth year of Pingping's reign, Tingzhang went to the Ministry of Rites to try, and was given the title of Ye County Commandant by Jinshi Dengdi. The following year, he went to Yexian County. In the fifth year of Xining (1072), he took the official exam, and all of them passed the exam with excellent results, except Professor imperial academy of Jingshi (now a famous name in Hebei). Wen Yanbo, the minister who stayed in Beijing at that time, took special care of him. He stayed in Beijing for two years, that is, eight years.
In the third year of Yuanfeng (1080), the court built and changed Taihe County (now Taihe County, Jiangxi Province) to the official knowledge. He went from Bianjing to Jiangnan as an official, stopped in Zhou Shu and visited the Shi Niu Cave in Sanzu Valley Temple. The beautiful scenery there fascinated him, so he took the name of Gu Temple as his nickname and called himself "Gu Taoist" from now on.
The juvenile court is full of pride and hesitation. In his poems, he expressed his great ambition to make contributions to the feudal court, and also wrote many poems reflecting the sufferings of people's livelihood. For example, in The Sigh of Refugees, he expressed heartfelt sympathy for the refugees who fled from famine and disaster, and lamented deeply, "How can human life continue after a period of time?" In Ode to the Customs of the South of the Yangtze River, he interweaves the simple local customs, the hard work of farmers and the heavy feudal exploitation they suffered, and gives a true and vivid reflection of rural life at that time.
His poems at this time, especially the seven laws, are also quite mature in artistic expression, with rigorous and meticulous composition, flexible and changeable use of allusions, and attention to the refinement of words and sentences, striving to avoid outdated and superficial customs. They are full of a fresh, vigorous and peculiar primitive style, which is somewhat similar to Du Fu's poems, but they are self-contained. Please see:
Silly children don't do official business, and they rely on yat sen villa for quick things. Qian Shan has a vast sky, and Chengjiang has a bright moon. Zhu Xian is already a beauty, and her young eyes are chatting with wine. Wan Li returned to the boat to play the flute, and this heart was allied with Bai Ou! -"Climbing the Express Pavilion"
I live in Junnanhai, Beihai, and I can't send geese to deliver books. Peach and plum spring breeze, a glass of wine, ten years of night rain. Housekeeping, but with four vertical walls, does not cure diseases. I think my reading head turned white, and the ape across the stream cried. -"A few yellow replies"
The above two poems, one describing the joy of coming to the cabinet and the other expressing the sadness of friends, can combine beautiful scenery, sincere feelings and deep affection for life in harmony. Almost every sentence in the poem has a source, but no trace can be found; The use of allusions such as "four vertical walls" and "three folded arms" is good at change and innovation; The whole poem spirals down in one breath, cadence, and three sighs in the middle. Because of his true feelings, the poet successfully practiced his creative ideas of "reinventing himself" and "turning the stone into gold"
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