A brief introduction to the combination of new beauty and beauty

Introduction to Messina Munji Messina Munji (19 13 ~ 1943) was once as famous as Ogawa Mimei and Hirata Ranji. At the age of 30, he created many children's literature works, but most of them were published after his death. Great emphasis on storytelling, connecting the preceding with the following, twists and turns. His main works include The Son of a Blanket and a Bowl (194 1), Grandpa and a kerosene lamp with a glass cover (1942), The Complete Works of Xinmeihe (1965, eight volumes) and The Complete Works of Xinmeihe (660). Xinmeihe (19 13 ~ 1943) is a famous Japanese children's literature writer. His real name is Masahachi Watanabe. Mei Xin is her mother's surname. Born in Sada-CHO, Zhiduo Prefecture, Aichi Prefecture. She has been interested in literature since the second day of junior high school. She widely read fairy tales, nursery rhymes, poems and novels, and founded the fan magazine Orion with her senior classmates. 193 1 After graduating from high school, I worked as a substitute teacher in primary school and contributed to children's magazine Hong Niao. The novels Founder and Ah Hei and Zhang Honglun were selected by Hong Niao, and the nursery rhymes were appreciated by Kitahara Bai, so they joined the nursery rhymes magazine Milk Tree sponsored by Bai Qiu's favorite pupil Xun Shengge. 1932 entered the English Department of Tokyo Foreign Languages School, and in January of the same year, Hong Niao published A Quan Fox. But because Kitahara Shirahara and Suzuki, the editor-in-chief of Hong Niao, broke up with Hong Niao, Nanji also left Hong Niao with Xunsheng.

1935, because someone wanted to publish a new collection of Nanji fairy tales, he wrote more than 30 children's stories with their own characteristics in one breath, but the publication was fruitless. 1936 After graduation, Nan Ji's desire to teach was not realized, so he went to work in a trade chamber in Kanda, and then returned to his hometown for the second time because of vomiting blood. He worked as a teaching assistant in Hehe Primary School from 1937, and then worked in the Chamber of Commerce. After a miserable life of humiliation and low salary, he finally became a teacher in Ancheng Girls' High School from 1938, and has been writing in a stable life ever since. In May of the same year, Harbin Daily in Manchukuo published stories such as The Last Man Playing the Huqin, The Story of Helping Wang Jiu and Burying Flowers. The following year, he published Qian's works in Women's World and edited Nuo's hymns in New Children's Culture, thus establishing his position as a writer. Mesin Nanji is also very keen on educational activities, helping students publish carved poems and create plays for students to play. From 65438 to 0942, Nanji often coughed up a lot of blood and knew that she was dying. However, in the spring, his condition improved, and he began to create vigorously, publishing the first collection of fairy tales, Grandpa's kerosene lamp. During the trip in August of the same year, his illness recurred and he died young in March of the following year at the age of 30. In September of the same year after his death, Huashu Village and Thief and Camellia sinensis with Cattle were published. Messina Munji's short creative career can be divided into the following periods: the first period (Hong Niao's submission period). Focusing on nursery rhymes and fairy tales, this paper describes the sensibility of ordinary people and constructs stories through the observation of folk story literature.

The second period (foreign language students). While studying novel creation and translation, I concentrate on creating childhood fairy tales. The third period (Ancheng Girls' Middle School). Started writing juvenile novels. The description of the works is rooted in teenagers' psychological activities and local real life feelings, showing a strong autobiographical color. The fourth period (old age). Although he realized that death was coming, he still enthusiastically returned to fairy tale creation. The main works of Nanji fairy tales were created in this period. Looking at all Nanji's works, the characteristic is that while praising and pursuing worldly kindness, there is always a sad life that is difficult to communicate with pure goodwill. Goodwill and humor make Nanji's fairy tales have the kindness, beauty and special feelings of folk art. Reading Nanji's fairy tales, you will find that he has special feelings for animals. A group of animals, happy or sad, sad or happy, dominate the fairy tale kingdom of New Minaki, in which the fox is the "king". Different from the cunning and bizarre images of foxes and raccoons in China's fairy tales, the foxes in his works are as lifelike as those in Pu Songling's Strange Tales from a Lonely Studio. What impressed me the most was that the little fox sent me to buy things, and the little fox bought gloves and matched them with the little fox. The fox described by the former is naughty and lovely, because it can become a child, so the animals discuss sending it to buy oil. As a result, the fox ate up the oil he bought on the road. In Fox Quan, Fox Quan, who thinks he has done something wrong, secretly gives ice to eat chestnuts every day to make up for his guilt.

One day, when he sneaked into the ice room to deliver chestnuts, he was found by the ice room. I don't know what happened. Ten soldiers thought Ah Quan was making trouble again, so they crept forward with matchlock guns and shot Ah Quan who was about to make a dash for the door. The two foxes in fairy tales have different life trajectories in the works of the new century, giving readers different feelings. All kinds of words in the world are a mirror of the writer's mind. Through the writing of the new beauty, we see a colorful picture, and also feel the author's feeling and helplessness about the world. The natural scenery in my hometown has created the extraordinary sensibility of Xinmeida and Nanji. The complex family environment and special background such as poverty and physical weakness make him deeply sympathize with life in his works. Because of this, there is always a faint sadness in his words, just like Ah Quan who fell under ten bullets. But this is not the whole story. On the other side of sadness, he also tried to convey happiness in life to readers. In "Goose's Birthday", the author tells a story: Goose's birthday is coming, because every time the weasel farts, it is smelly and loud, and everyone hesitates to invite him. After repeated discussions, it was finally decided to let the weasel come, on condition that he could not fart. The party went well and everyone was happy. Surprisingly, the weasel actually fainted on the ground. Diagnosed by the doctor, it turned out to be caused by a fart that had been suppressed for a long time. The wit and humor in this passage are different from the sad style in the past. As the author said, "My works contain my nature and lofty ideals.

"This is a new beauty, with its own color, personality, language, laughter and sadness. Mei Xin Nanzhi is regarded as the most important Japanese fairy tale writer in the first half of the 20th century, as well as Kenji Miyazawa and Ogawa Mimei. Known as "Andersen of Japan",/kloc-began to create nursery rhymes and fairy tales at the age of 0/4, and many works were selected into primary and secondary school textbooks. Japanese children's literature researcher Taozi Ishii once commented: "There are Kenji Miyazawa in the north and Nanji in the south. "Like Kenji Miyazawa, he was single all his life and died young. Only compared with Kenji Miyazawa, his writing is more vivid and refined, and his short writing contains profound philosophy. Maybe this is a jealous genius. 1943, Mei Xin Lan Zhi died of tuberculosis. At that time, only 30 authors said, "If my work can be recognized by people hundreds or thousands of years later, then I can get a second life from it! How happy it is at this time! "Decades later, his works were not only widely circulated in Japan, but also exported overseas. I wonder if the new beauty Ji, who is now far away in heaven, feels what he calls happiness? The Dandelion Literature Museum's series of books include Japanese writer Nan Zhi's Little Fox with Gloves, Huamu Village and Thief, Last Year's Tree, Crossing the Snowfield and Windy, and Thousand Cranes, all of which were translated by Zhou. Baihuazhou Literature and Art Publishing House published a three-volume collection of Kenji Miyazawa Fairy Tales.

Zhou, graduated from Japanese Department of Harbin Normal University, is a famous translator and expert in children's literature and research, and now lives in Japan. Its translation style is beautiful, fluent and charming. In order to introduce Kenji Miyazawa's works to domestic readers, translation is unpaid. Last year's Tree was the text of lesson 1 1 published by People's Education Publishing House. Story: A bird and a tree are good friends. Birds sing to trees every day, and trees give birds a warm home. When winter comes, birds will fly to the south for the winter. They made an appointment to meet again next spring. A year later, the bird flew back. By asking about the roots, the factory gate and the little girl, it learned that the tree was cut down by workers, made into matches, lit and burned in kerosene lamps. The bird sang a song of last year to the kerosene lamp and the tree, stared at the flame for a while, and then flew away sadly.