Wen Yiduo's hymn

1. Ode to Wen Yiduo (written the day before the Double Ninth Festival)

In a celadon shrimp bottle with a long neck,

Chrysanthemum in a hexagonal crystal bottle,

Chrysanthemums drilled in the wisteria fairy basket;

Chrysanthemum guards the hip flask,

Chrysanthemum claw cup;

Not put, will put, half put, full bloom.

chrysanthemum

Crimson chrysanthemum in Phnom Penh;

Pink hydrangea with broken petals!

Lazy Jiangxi wax yo;

Hanging upside down like a beehive with a yellow heart,

It looks like a purple sunflower.

Chrysanthemum with long petals and flat top;

White chrysanthemum with soft and bright petals, sharp, with diamond core.

Like a beautiful woman's fist,

Boxing heart gripped a pinch of golden millet.

Chrysanthemums in front of eaves, under steps, beside hedges and at the bottom of nurseries;

Chrysanthemums in the smoke,

A little chrysanthemum washed by rain—

Yellow on gold, white on jade, green in spring, purple in autumn, ...

Cut small red chrysanthemums like autumn roses;

From goose down to bronzed Huang Ju;

A green "true chrysanthemum" with purple stems.

It is controlled by Xiaoyu,

In order to make the little flower god

Steal it at night to play as a sheng.

A chrysanthemum king as big as a peony is more luxurious after all.

His purple petals are like armor,

Everything has changed for the better;

Small star-shaped chrysanthemum bud

I still sleep with a brown calyx.

Ah! Natural beauty always gives in!

The masterpiece of our motherland in late autumn!

Ah! The flower of the East, the flower of poets and scholars!

The Soul of Oriental Poetry —— Tao Liangyuan

Not the embodiment of your soul, is it?

Nine-year-old birthday of the motherland.

Isn't today your birthday?

You're not like the rose that craves here,

That lowly lilac is worse than you.

You are a flower with history and customs.

Ah! 4,000-year-old flower!

You have a superb history and elegant customs!

Ah! The poet's bottom flower! I thought of you,

My heart also blooms in an instant.

As brilliant as you;

I think of you and my hometown,

Our solemn and glorious motherland,

My flower of hope blooms like yours again.

A breezy autumn wind! Blow, blow!

I want to praise the bottom flower of the motherland!

I want to praise my flowery motherland!

Please blow my words into a bunch of flowers,

Yellow on gold, white on jade, green in spring, purple in autumn, ...

Then it was all blown away, so colorful.

Filled the sky and spread all over the earth!

Autumn wind! A breezy autumn wind!

I want to praise the bottom flower of the motherland!

I want to praise my flowery motherland!

2. The poem that best embodies Wen Yiduo's ideological character is Dead Water.

This is a backwater of despair,

The breeze doesn't move at all.

Why don't you throw more rubbish,

Throw out your leftovers.

Maybe copper will turn green into jade,

A few petals of peach blossoms are embroidered on the tin can;

Let greasy weave a layer of Luo Qi,

Mold steamed some clouds for him.

Let the stagnant water ferment into a ditch of green wine,

Full of pearl foam;

Little beads' laughter turned into big beads,

I was bitten by a flower mosquito who stole wine again.

A desperate backwater ditch,

And a little image.

If frogs can't stand loneliness,

Dead water again. It is singing.

This is a backwater of despair,

This is definitely not the beauty,

Why don't we leave it to ugliness to cultivate,

Look at the world he created.

At the back of this poem, there is a writing time:1April, 925. It is the eve that Mr Wen Yiduo, who is studying in Chicago, USA, is preparing to return home early. During his stay in the United States, Mr. Wen's mood has two prominent aspects: first, he was angry and disgusted with the decay and evil of American society under the cover of prosperity because of racial discrimination in the United States; One is the infinite love and yearning for one's motherland. Under the control of this emotion, he wrote many poems full of patriotic and anti-imperialist passion, such as The Lonely Goose, The Ridge of the Sun and Remember the Chrysanthemum. This patriotic and anti-imperialist passion is more concentrated in the poems he wrote on the eve of his return to China, such as Laundry Song, Song of Seven Sons, Wake Up, Dead Water and so on. As the poet said, these poems are "unfair voices shouted because of the extravagance and waste of imperialism for many years".

The poet described the stagnant water like this: a pool of green wine, green jade, red peach blossom, shining Luo Jye, brilliant clouds, full of pearls, singing. The poet reveals the inside of "stagnant water" in this way: there are some "broken copper and iron" and "leftovers", and these filthy things are moldy and fermented here; That jade is green with broken copper and iron, peach blossom is rust with broken iron, Luo Jye is greasy light, mold, green wine is smelly water, and pearls are foam on smelly water. It can be seen that the beauty of the appearance of "stagnant water" is only the mildew of pollution and garbage.

Beneath the gorgeous appearance is filth and sin. Isn't this "stagnant water" the truest portrayal of American society?

The second meaning: judging from the publication time of stagnant water, "stagnant water" symbolizes the Beiyang government.

Although "Dead Water" was written in Chicago in April 1925, its original intention is the same as above. Then1April, 926, Mr. Wen Yiduo, who was in Beijing, took it out and published it specially. What is the new meaning?

1926 March 18 is what Lu Xun called "the darkest day since the Republic of China". Duan, a patriotic student, petitioned the Beiyang government and created three massacres that shocked China and foreign countries. The eighteenth massacre. Mr Wen Yiduo was outraged and supported the patriotic struggle of students. He chose to publish "Dead Water" at this time precisely to express his deep hatred for the Beiyang government. In other words, this Beiyang government is already "a pool of stagnant water" and "this is definitely not the beauty", so let it go to hell;

It is better to let ugliness cultivate. The attitude is so decisive and fierce!

The third significance: Since the publication of the poetry collection "Dead Water", "Dead Water" symbolizes the dark reality of China.

1927, the vigorous Great Revolution failed. Mr. Wen Yiduo's good hopes for the motherland were dashed. He ended his career as a poet and entered the scholar library.

1928, he edited and published his second collection of poems, Dead Water, as a farewell poem. He personally designed the front and back covers of the poems, using a whole set of black paper, except that there is a small gold label on the top of the cover with the title and author written on it. The whole cover and back cover exude a melancholy and depressing atmosphere. When people see this black poetry collection named after "stagnant water", the poem "This is a desperate stagnant water" will come to mind. At this time, the poem "Dead Water" and the book "Dead Water" have another meaning.

At this time, in Mr. Wen Yiduo's mind, "stagnant water" symbolizes the dark reality of China, expresses the poet's anger and disappointment at this reality, and also shows his uncooperative attitude with the reactionary rulers

3. Wen Yiduo put forward a specific proposition when he created the metrical style of poetry, which is the famous "three beauties": "The power of poetry includes not only the beauty of music and painting, but also the beauty of architecture."

The beauty of music refers to the beauty of hearing in poetry, including the beauty of rhythm, flatness, stress, rhyme and pause. It requires harmony, in line with the poet's mood, fluency without awkwardness-this does not include the use of sound for special effects. The beauty of painting means that the vocabulary of poetry should try its best to express colors and colorful pictures.

Architectural beauty is put forward by the pointer to the free body, which means that every verse should be symmetrical and every line should be of equal length-this equal length does not mean that the number of words is exactly equal, but that the number of scales should be the same, so that metrical poems can have a symmetrical appearance. Song of Seven Sons Author: Wen Yiduo's mother of seven sons is restless.

Seven sons feel sorry for themselves, hoping to return to their mother's heart. The poet wrote "Kai Feng" to praise it.

From the treaty of Nebuchadnezzar Chu to the lease treaty of Luda, our country lost its land, lost the support of the motherland, suffered all kinds of abuse, and suffered its sorrow, which was more than Kaifeng's seventh son. Because it has chosen seven places that have the closest relationship with China, each song has written a chapter to express its loneliness and death, to mourn for the motherland at an early date, and to inspire the people to cheer up. The collapse of national borders is a long-term accumulation, and Chinese people regard it as indifference.

French alsace-lorraine didn't see her husband? "If you are sincere, the stone will open." In fact, the return of China's seven sons is in jeopardy? Macau, do you know that "Ma Gang" is not my real name? I've been away from your children for too long, mom! But what they took away was my body, and you still kept my inner soul.

I've dreamed of my biological mother for 300 years! Please call your son by his birth name and call me "Macau"! Mom! I want to come back, mom! I am like Huang Bao who keeps vigil in front of the phoenix gate. Mom, although I am very young, my situation is very dangerous. Now the fierce sea lion pounces on me, spits my flesh and eats my fat; Mom, I cried and howled, but I shouldn't have called you.

Mom, let me hide in your arms! Mom! I want to come back, mom! Taiwan Province Province We are a string of pearls in the East China Sea, Ryukyu is my brother, and I am Taiwan Province Province. I still have the heroic spirit of Zheng in my chest, and my loyal red blood touched my family.

Mom, the cool summer is killing me; Give me an order and I can still attack the city. Mom! I want to come back, mom! Ahava, let me guard the oldest sea in China, where there are primitive sages.

Mom, don't forget that I am an expert in preventing the sea. I have a Liu Gongdao as my shield. Come back, it's time.

The remains of saints are buried behind me! Mom! I want to come back, mom! The East China Sea and Guangzhou in Guangzhou Bay are E5a48de588b6216964757a68696416f3133361326264. I am an iron lock at the back door of China. Why did you lend me to a thief? Mom, you should never abandon me! Mom, let me come back to you quickly. I want to hold your ankle tightly.

Mom! I want to come back, mom! My brother Hong Kong in Kowloon is complaining about his pain. Mom, do you remember your little daughter Jiulong? I haven't shed a tear since I married the demon king of Zhenhai! Mother, I count the auspicious days of mothering every day, and I am afraid that my hope will become an empty dream. Mom! I want to come back, mom! Dalian Lushun We are the twin brothers of Dalian Lushun.

How should our destinies be compared? Two strong neighbors kicked me back and forth, and we were two pieces of mud at the foot of the mob. Mom, it's time to go back. Bring us back quickly.

You have no idea how much our children miss you! Mom! We'll be back, mom! This is a set of poems written by Wen Yiduo 1925 during his study in new york, USA in March. The poet personifies these seven "lost lands" into seven children who are far away from their mother's arms, and cries with their children's voices about their strong feelings of being forced to leave their mother's infancy, suffering from foreign bullying and longing to return to her mother's arms.

When writing this group of poems, Wen Yiduo was studying in new york Art Institute. After living in the United States for nearly three years, he has personally experienced the humiliation of racial discrimination many times, and what he saw and heard aroused his strong national pride.

Coupled with the experience of leaving his hometown for three years, he became more attached to his motherland and hometown, and also deepened his understanding and love for national traditional culture. Therefore, during this period, he wrote a lot of patriotic poems, on the one hand, remembering and praising the motherland, on the other hand, expressing the curse to the imperialist powers.

This group of songs of Qizi was born under this background. The day after writing Song of Seven Sons, Wen Yiduo called it "the voice of nationalism" in his letter to his good friend Liang Shiqiu. Less than two months later, in May, 1925, Wen Yiduo embarked on a journey back to China.

In order to join the ranks of serving the motherland as soon as possible, he finished his studies early. On June 1 day, the ship he took docked at the Shanghai pier, and Wen Yiduo set foot on the land of the motherland.

However, what he never expected was that the "May 30th Massacre" that shocked China and foreign countries happened here just two days ago, and the roads in Shanghai were still covered with blood. A young man who returned to China with enthusiasm to realize his ideal was thus shrouded in great disappointment and even despair.

On July 4th, Modern Review published Wen Yiduo's first group of patriotic poems after his return to China, including this group of Songs of Seven Sons. The publication of Song of Seven Sons coincides with the climax of the anti-imperialist and anti-feudal struggle of the people of China.

Therefore, when it came out, it caused a strong bristle. What the poet himself did not foresee was that "Song of Seven Sons of Macao" had a great influence today more than 70 years later, and it was also composed as a song, which was widely sung as the theme song of199865438+February 20th to welcome Macao's final return to the embrace of the motherland.

Alsace-lorraine is translated as Lorraine, which is located at the foot of Faust Mountain in eastern France. It was ceded to Germany in the Franco-Prussian War and returned after the Treaty of Versailles.

4. Wen Yiduo's information and brief introduction to the author of his poems: Wen Yiduo (1899— 1946), formerly known as Wen Jiahua.

Poet, scholar and democracy fighter are called his triple personality. The new poetry collections "Red Candle" and "Dead Water" are the classics of modern poetry.

The study of the four ancient books, Zhouyi, Shijing, Zhuangzi and Chuci, was called "unprecedented, and no one came after" by Guo Moruo. He is healthy and upright, and has struggled for eight years.

/kloc-0 was assassinated in Kunming in the summer of 946. In the first half of the 1920s, Wen Yiduo, who just graduated from Tsinghua University, crossed the ocean to study in the United States.

Since 1922, he has studied fine arts at the Chicago Academy of Fine Arts, the University of Colorado in Kequan and the new york Art Institute successively, and has continuously devoted a lot of energy to the creation of new poetry and literary research that started several years ago. Living alone in a foreign country, Wen Yiduo has a deep attachment to his motherland and hometown; In the western "civilized" society, I personally experienced the humiliation of many racial discrimination and aroused a strong sense of national pride.

It is against this background that Wen Yiduo created many patriotic and homesick works, such as Song of Seven Sons. The full text of Song of Seven Sons is: The mother of seven sons is restless.

Seven sons feel sorry for themselves, hoping to return to their mother's heart. The poet wrote "Kai Feng" to praise it.

From the treaty of Nebuchadnezzar Chu to the lease treaty of Luda, our country lost its land, lost the support of the motherland, suffered all kinds of abuse, and suffered its sorrow, which was more than Kaifeng's seventh son. Because it has chosen seven places that have the closest relationship with China, each song has written a chapter to express its loneliness and death, to mourn for the motherland at an early date, and to inspire the people to cheer up. The collapse of national borders is a long-term accumulation, and Chinese people regard it as indifference.

French alsace-lorraine didn't see her husband? "If you are sincere, the stone will open." In fact, the return of China's seven sons is in jeopardy? Macau, do you know that "Ma Gang" is not my real name? I've been away from your children for too long, mom! But what they took away was my body, and you still kept my inner soul.

I've dreamed of my biological mother for 300 years! Please call your son by his birth name and call me "Macau"! Mom! I want to come back, mom! I am like Huang Bao who keeps vigil in front of the Phoenix Pavilion. Mother, my position is small, but it is very dangerous. Now the fierce sea lion pounces on me, spits my flesh and eats my fat; Mom, I cried and howled, but I shouldn't have called you.

Mom, let me hide in your arms! Mom! I want to come back, mom! Taiwan Province Province We are a string of pearls in the East China Sea, Ryukyu is my brother, and I am Taiwan Province Province. I still have the heroic spirit of Zheng in my chest, and my loyal red blood touched my family.

Mom, the cool summer is killing me; Give me an order and I can still attack the city. Mom! I want to come back, mom! Ahava, let me guard the oldest sea in China, where there are primitive sages.

Mom, don't forget that I am an expert in preventing the sea. I have a Liu Gongdao as my shield. Come back, it's time.

The remains of saints are buried behind me! Mom! I want to come back, mom! Guangzhou Bay East China Sea Hungary is my double key, and I am the iron lock at the back door of China. Why did you lend me to a thief? Mom, you should never abandon me! Mom, let me come back to you quickly. I want to hold your ankle tightly.

Mom! I want to come back, mom! My brother Hong Kong in Kowloon is complaining about his pain. Mom, do you remember your little daughter Jiulong? I haven't shed a tear since I married the demon king of Zhenhai! Mother, I count the auspicious days of mothering every day, and I am afraid that my hope will become an empty dream. Mom! I want to come back, mom! Dalian Lushun We are the twin brothers of Dalian Lushun.

How should our destinies be compared? Two strong neighbors kicked me back and forth, and we were two pieces of mud at the foot of the mob. Mom, it's time to go back. Bring us back quickly.

You have no idea how much our children miss you! Mom! We'll be back, mom! This group of poems was written in March 1925, when Wen Yiduo was in new york. In its preface, alsace-lorraine is translated into Lorraine region, which is located at the foot of Faust Mountain in eastern France. It was ceded to Germany in the Franco-Prussian War and returned after the Treaty of Versailles.

In the poem, Wen Yiduo compares seven pieces of "lost land" plundered by foreign powers to seven children who are far away from their mothers, crying about their strong feelings of being bullied by foreign countries and eager to return to their mothers' arms. On the one hand, poetry expresses nostalgia and praise for the motherland, on the other hand, it expresses the curse to the imperialist powers.

Less than two months after writing Song of Seven Sons, Wen Yiduo ended his study abroad career ahead of schedule with the ideal of serving the motherland as soon as possible. He left for home in May of that year and arrived in Shanghai by boat in June 1. However, what Wen Yiduo, who just set foot on the land of the motherland, never expected was that he was greeted by wet blood stains on the street. Two days ago, the "May 30th Massacre" in which imperialism slaughtered our demonstrators took place here.

Wen Yiduo, who was shrouded in disappointment and even despair, angrily went north and met Yang Zhensheng, editor-in-chief of Modern Review, who had just returned from the United States. The same experience, the same feelings and the same anger brought them together. Wen Yiduo decided to publish several poems originally intended for Dajiang Quarterly magazine, such as Song of Seven Sons, Wake Up and Patriotic Heart, to Modern Review in advance.

On July 4th 1925, The Song of Seven Sons was published in the 30th issue of Modern Review, Volume 2. 1 October 25th issue of Dajiang Quarterly1Volume 165438 also published this poem, and Wen Yiduo made some modifications to some words in the poem.