I don't understand what Izu's dancer Kawabata Yasunari is saying.

Izu's dancers can make people get rid of the stubborn impression of dancers and see the image of pure, elegant, shy and sad dancers. Kawabata Yasunari got the theme of Nobel Prize in Literature because of his articles, which was expressed through the subjective consciousness of the hero's young students. An orphan-born pre-university student, accompanied by wandering artists, traveled to Izu, during which he fell in love with a dancer of 14 years old. In the subjective feelings and experiences of young students, there are mainly the following impression series: (1) the impression of the elderly with stroke; (2) the impression of wandering artists; (3) Impression of proprietress of tea shop and hotel; (4) the impression of orphans and grandmothers. These impression series are organically unified by the subjective consciousness of young students. The pain of the old man's stroke, the pity of the three orphans whose parents were killed by the flu and the widowed grandmother who lost her son and daughter-in-law; The impression of the discriminated wandering artists can be divided into: down and out Yung Ji, Chiyoko, the wife of Yung Ji who wanders around and her children die during the journey, and Yuriko who has no choice but to become a dancer because of her brother's refusal. This impression of suffering and sadness has a strong * * sound with the lonely and melancholy mind of young students who are "distorted by the roots of orphans" and "travel to Izu with suffocating melancholy". Their gestures, voices and smiles have all splashed on the lake of young students' hearts, and their souls have been baptized and sublimated again and again. Kawabata Yasunari's creativity comes from the sadness and loneliness of life.