The white dew is frost, the white dew is not wet, and the white dew is not yet. What does it show?

The Millennium is frost, and the Millennium is not wet. The Millennium does not mean that dew condenses into frost flowers at night, and frost flowers melt into dew because of the rising temperature, and dew evaporates under the sunlight-indicating the continuation of time.

From the pre-Qin anonymous "Guo Feng Qin Feng Jiajian", the original text of the whole poem is as follows:

The Millennium is frost. The so-called Iraqis are on the water side. Tracing back and forth, the road is blocked and long. Swim back from it, in the middle of the water

It's been a long time, and it hasn't changed for thousands of years. The so-called Iraqis are in the water. Tracing back and forth from it, the road is blocked and broken. Swim back from the inside and swim in the water.

Jia Cai, peace and prosperity have not passed. The so-called Iraqis are in the water. Go back and follow, the road is blocked and turn right. Swim back from the inside and swim in the water.

Interpretation of vernacular Chinese: The reeds by the river are blue and gray, and the frost is deeply exposed in autumn. Where is the right person? Just across the river. It's too long to go upstream to find her. Follow the running water to find her, as if in the middle of the water.

The reeds by the river are dense, and the morning dew is not dry. Where is the right person? Just beyond the river bank. Sail against the current, it is hard to go climbs. Follow the running water to find her, as if on a beach.

The reeds by the river are thick and thick, and the dew has not been completely collected in the morning. Where is the right person? It's just beyond the water. It's hard to find a way to find her against the current. Follow the running water to find her as if she were in the water.

Extended data

Feng Jiajian in Qin Dynasty is one of the Book of Songs, a collection of China's ancient realistic poems. The whole poem consists of three chapters with eight sentences in each chapter. This poem was once regarded as a mockery of Qin Xianggong's failure to consolidate the country with Zhou Li, or as a pity for its failure to attract hermits and sages; Now it is generally believed that this is a love song, which is about the melancholy and depression when you pursue what you love but can't get what you love.

Jia Jian's poetic interpretation is a symbol, and On the Water Side is regarded as an artistic paradigm to express all the difficulties in social life. The "Iraqis" here can be talents, friends, lovers, achievements, ideals, prospects, even blessed land, holy land and heaven.

The "river" here can be high mountains and deep valleys, patriarchal clan system and ethics, or any other obstacles that may be encountered in real life. As long as there are pursuits, obstacles and disappointments, it is the world that it reproduces and expresses.

At the beginning of each chapter of the poem, the brushwork of seeing interest in fu is adopted. Through the description and admiration of the real scene in front of me, I drew an ethereal artistic conception that enveloped the whole article. The poet grasps the unique characteristics of autumn, and repeatedly describes and renders the empty and sad atmosphere in late autumn with heavy colors, so as to express the poet's loss and ardent admiration.

The first two sentences of each chapter are inspired by autumn scenery, which leads to the text. It not only points out the season and time, but also renders the desolate atmosphere, which sets off the melancholy mood of the characters and reaches the artistic situation of blending scenes. The three images of "Jiaxu", "Water" and "Arbitrary" complement each other and blend into one, and the things for fun and the things described constitute a complete artistic world.