How to describe the change of environment (place) when writing a novel is natural.

Generally speaking, the most blunt scene without transition can also be expressed by blank lines. If you are afraid that the reader will not be able to react, you can add a word indicating time or place. For example—

……

Yanyu, as always, showed a gentle smile, but Yajuan felt that she knew nothing about the people in front of her.

Five years later-(table time)

……

Here's a problem. I don't know what causes many adults to have blank lines between paragraphs when JJ posts. This problem prevents adults from using blank lines to express transformation. Then I want to say that this problem must be solved, because this inexplicable blank line will completely destroy the fluency of the article. None of the high-scoring articles I have read have this problem, and even the problem of dividing lines in front does not exist. Therefore, if you want to really write a good article, even if you want to delete it manually, you must solve this problem!

The second method is to change the scene through the eyes of the character.

I don't seem to have tried this way of writing, but I saw a passage quoted by this adult from a famous book in an article about how to write. That passage is the switch between two scenes.

This paragraph goes something like this: A and B are talking in the room, and the conversation is almost over. B is leaving, and meets C who is about to enter the door at the door, and then C enters the room to talk to A. ..

At this time, there is a scene switch from a and b dialogue to a and c dialogue. That paragraph is roughly written like this:

(The first is the scene where AB speaks)

A: "... (Dialogue)"

B: "... (talking), goodbye. "

When B walked out of the gate, he saw a man (that is, C) coming face to face. What about this man (description)? When they approached, the man nodded to B in a friendly way, and B responded with a smile. The man also smiled. What about this smile (description, praise how kind and handsome this smile is). B was attracted by this smile, so she stood there and watched the man enter the room. It was not until the man completely disappeared outside the door that B came to his senses and left slowly.

In the room, C, who attracted all B's attention, looked back at B who had left and said to A, "... (Dialogue)"

A: "... (Dialogue)"

(The scene of the whole AC conversation unfolds)

This is a natural transition.

The third method is to connect two scenes with the same sentence. For example—

Many classes of the prince were taught by the emperor himself. What the prince knows and doesn't know is clear to the emperor, and he can't figure out how the prince found the poison in the medicine.

The emperor frowned for a while and suddenly smiled: "Haha, interesting, this game is getting more and more interesting. But how did he find out? "

"I found it through the water mark on the lid of the cup."

The prince answered questions from his subordinates while writing.

The front is the scene of the dialogue between the Emperor of Liangdian and his subordinates, which is transformed into the scene of the dialogue between the Prince of the East Palace and his subordinates through questions and answers. This method is simple but easy to use.

The fourth method is to use a few sentences or a paragraph to make the transition. For example—

(Xuanmu Rain teaches Che Xuan to play chess in front. )

Xiaochexuan immediately opened his eyes and glared at Xuanmuyu, but Xuanmuyu obviously ignored this vision and pulled the finger of Xiaochexuan to bite it.

Poor Xiaochexuan, that's how tofu is eaten.

But before Xiaochexuan could get angry, he found that kissing his face and biting his fingers was just a piece of cake. If he accidentally touches something, takes a shower and changes clothes, it's innocent. So that in order to get rid of a man whose brain seems abnormal, Xiaochexuan violated the law of children's development and rushed to the bright road of self-care early.

In the war between Xiao and Xuan Muyu, in order to defend his "innocence", it is time to seize the week.

(Let's talk about grasping the week first)

From "Poor Car Garden" to the last sentence, it was written for the transition. If I just write—

Car porch immediately opened his eyes and glared at XuanMuYu, but XuanMuYu obviously ignored the eyes, and pulled the car porch finger bite.

A few months later, it's time to grasp a week.

This is very abrupt, combined with my previous article, the whole article is taken out of context from time to time, even if this part is slightly general, it should not be so sloppy.

The fifth is to use one word to undertake. This is similar to the fourth one, but slightly different. For example—

XuanMuYu put the book on one side of the table, tucked Che Xuan in, and quietly left, thinking that if Che Xuan asks for leave tomorrow, he will definitely go.

However, Che Xuan didn't ask for leave the next day and limped to class.

The key word is "tomorrow", and the scene jumps from that night to the next morning. If I don't write about Xuan Muyu's psychological activities, it becomes-

XuanMuYu put the book on one side of the table, tucked Che Xuan in and left quietly.

The next day, Che Xuan limped to class.

This is boring. There is a place behind me that uses this kind of jump. If you use it twice in a row, it will be repeated into words, which will make the article look dull. In addition, the former can better reflect Che Xuan's strong personality than the latter. I think that adults have indulged him, but he has not indulged himself. It is conceivable that this is a very strict person.

The sixth is to write a paragraph in a tone similar to narration, separating the two scenes and causing the transformation. For example—

What Che Xuan said didn't take many rounds, but it made Xuan Muyu understand.

Che Xuan is not don't understand, but too understand, know how to make him not detached.

If Hyun Ho really dies, Che Xuan will cry, hurt and be sad, but he won't be so depressed and confused. Xuanhao begged for death, but Su Xing understood, so he was desperate to stop the news.

Che Xuan really smiled, but he blamed himself very much: "I am such a fool." I think I am smart, I think I am strong, but I have escaped again and again ... I should have thought of it, but I forgot. No, I haven't forgotten, but I don't want to think about it at all ... "

"Stop it, car, this has nothing to do with you ..."

XuanMuYu hugged Che Xuan hard, don't want him to go on.

Che Xuan actually nodded and smiled at the unseen place of Xuanmuyu. It is extremely beautiful: "Yes, it has nothing to do with me. This is the road that Hao chose. He made me remember him all my life. I remember him, never forget, never forget ... "

There is only silence outside Xuanwu Gate. Only in my dream, a crow broke through the dust on the spacious avenue, and the sun was forced back three feet by his light. The dark horse who stepped down screamed and stood up. Handsome boy's back is straight, bright star eyes mixed with endless ink, hidden in deep eyes, quietly looking at his love, and then a beautiful smile, said:

"Fourth brother, I'm back!"

Only in the dream, a cry of four elder brothers, lifelong attachment.

Xuan Hao was buried in the imperial garden, and Che Xuan came to see him with a pot of wine and a column of incense.

Su Xingzhi took the place of Hyun-ho in military affairs and left. After several generals went out, he looked back at Che Xuan, as if trying to determine something, but only saw a jade man who was shrouded in sadness but calm and indifferent.

Su Xingzhi suddenly said, "Your majesty's condolences are good and also your master's wish."

Che Xuan nodded, and he understood.

Two days later, Su Xingzhi committed suicide at home.

I am late in this life, and I will accompany you in the afterlife.

Don't say that people are dead. The unnamed palace in the palace is always empty. This is a black hole of memory, watching and loving from a distance, but it is true. No one in the world turns like this, the court, the palace, and the big man is still with him after the funeral. Even if they leave, there is still one point that makes all this turn.

Che Xuan fainted in front of Xuanke, and his blood was red like a shower. Xuanke only had time to reach out and touch a corner with his fingertips. That man is already in another man's arms. Xuanke waited for a while to watch, so the little hand stopped in mid-air, and there was nothing in it except air. As soon as the wind went out, the sweat on the palms became cold. Although it is a sunny July day, people can't help shivering.

Xuanke silently followed a group of people around his father and grandfather. There was a doctor who had been waiting for a long time. He returned to the palace in a panic. The medicine in the pavilion has been fried.

This example is longer. To put it simply, at the beginning, Xuan Muyu and Che Xuan were talking about the death of Xuan Hao, and the feelings brewed in this dialogue reached a climax, inserting a memory of Che Xuan for Xuan Hao (the role is also to render feelings), and then Che Xuan did something and heard something about Xuan Hao's death in this memory, and finally made a transition, switching the whole perspective to Xuan Ke.

This passage turned into three scenes, and many people cried when they saw it. It can be seen that the transformation was quite successful.

The narrative paragraph I want to say is "don't say that people die and lights go out ... and one more thing makes everything turn around." This is the biggest change. Generally speaking, the front is the perspective of Che Xuan, and the back is the perspective of Metaphysics. It is more natural because of the buffer.