Famous plum blossom traditional Chinese painting works

The famous plum blossom traditional Chinese painting is as follows:

1, Three Friends in Cold Years

Mei, one of the four gentlemen in the flower, is proud but not vulgar. Its color is white with green, and there is a kind of Chimonanthus praecox, which is as yellow as wax and has a strong aroma. Although it belongs to its own family and genus, its charm is similar to that of Mei. Mei shou can be over a thousand years old, with crooked branches and ancient postures. The colder the fragrance, the more charming it is. The cold wind made her stand proudly, and when she reached the ice and snow, it added to her charm and was loved by literati of all ages.

In the Ming Dynasty, Li Yu once talked about the helplessness of enjoying plums: "The wind sends incense, and the incense comes to the cold; Snow helps flowers, and snow freezes flowers. "I think: Mei is not afraid of cold because it comes from nature, and the combination of cold and fragrance is even more amazing. Walking through the snow in Xun Mei, she is full of beautiful colors and elegance!

2. Mo Mei

Plum blossom is a kind of tree, unique to cold ling, and a gentleman is better than virtue. Deeply loved by literati and ordinary people. Wang Anshi's famous sentence "It's not snow from afar, but it has a faint fragrance" in the Song Dynasty and Wang Mian's painting "Mo Mei" in the Yuan Dynasty "Don't make people admire lewdness, just fill the air with dry Kun", which fully shows people's reverence and love for the noble character symbolized by plum blossom.

3. "Magpie Painting Axis"

This picture is made of silk and woven according to the picture. Small shuttles with colors of 15 and 16 are used as ghostwriters, with clever collocation and harmonious picture colors. The method of "warping and weft breaking" is adopted for weaving, and various reeling techniques are skillfully used.

The used silk thread has a warp density of 20/cm and a weft density of 44-46/cm, which is fine and precise. This silk painting well reflects the sparse interest of the original painting, and the picture is vivid, beautiful and elegant. It is one of the few works handed down by Shen Zifan, and it is an outstanding masterpiece of silk drawing technology in the Southern Song Dynasty.