Farming Poems in The Book of Songs

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The so-called farming poems refer to the poems describing agricultural production activities and political and religious activities directly related to farming in the Book of Songs.

Secondly, please understand the value of agricultural sacrificial poems. Agricultural sacrificial poems refer to the poems in The Book of Songs that describe agricultural sacrificial activities such as begging for grain in spring and summer, and reporting competitions in autumn and winter. The so-called praying for the valley is to sacrifice to the gods and pray for a bumper harvest when sowing in spring and summer; The so-called competitive signing is to make sacrifices after the harvest and repay the gifts of the gods. Agricultural sacrificial poems are of great value: (1) records the religious activities and related customs and ceremonies of Zhou people praying for a bumper harvest; (2) Described the agricultural production mode and scale of Zhou people in detail; (3) It shows that the ruling group attached importance to and advocated agricultural production, which promoted the agricultural development at that time.

The focus of this paper is the agricultural life poems in The Book of Songs.

The so-called agricultural life poems are poems that directly describe agricultural production and life. July is the most typical poem describing agricultural life. First of all, we must master "Qian Feng? Creation time and author in July. There are always different opinions about the author and creation time of the poem July. According to the materials provided by the works and related ancient books, it can basically be concluded that the embryo in July came from the hands of serfs in the Western Zhou Dynasty, and the final finalization was completed by Yue Guan in the Zhou Dynasty during the Spring and Autumn Period.

Secondly, we should grasp the social value, historical value and artistic value of agricultural life poems in The Book of Songs.

Social value: The agricultural life poems represented by July 1st truly reproduced the disparity between the two classes at that time. For example, the serf himself "had no clothes and no brown", but he wanted to "I am Zhu Kongyang, my son's clothes" and "take the fox and my son's fur". This makes us more deeply aware of the social essence of class opposition in Zhou Dynasty, and more truly feel the misfortune and sorrow of serfs.

Value of historical materials: It reflects the specific situation of agricultural production in the Western Zhou Dynasty in many aspects and provides important historical materials for the study of agricultural development in the Western Zhou Dynasty. For example, the description of Zhou people's disobedience to the farming season in July and the description of Zhou people's killing insects with fire in the field are vivid records of Zhou people's valuable production experience. It reflects the specific situation of agricultural production in the Western Zhou Dynasty from many aspects and provides important historical materials for studying the agricultural development in the Western Zhou Dynasty.

Artistic value: (1) A unique expression full of the flavor of agricultural life, such as "July", which combines festivals with phenology and vividly reflects the abstract concept of seasonal changes with a series of phenology. The expression is unique and vivid. For example, "July is in the wild, August is in the house, September is in the house, and October crickets enter my bed", which is very interesting to use the migration of crickets to indicate the drop of temperature and the change of solar terms. (2) Capture meaningful production and life fragments, create implicit and meaningful charm, and arouse people's thinking. For example, the widow gleaned in the field.

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