How to pose for a group photo?

How to pose for a group photo and pose for a photo?

1. The head and body should not be in a straight line. If the two are in a straight line, it will inevitably feel dull. Therefore, when the body is facing the camera, the head should turn slightly to the left or right, and the photo will look elegant and vivid; Similarly, when the subject's eyes look directly at the lens, turning his body to a certain angle will make the picture look vivid and dynamic, and increase the three-dimensional sense.

2. Arms and legs should not be parallel. No matter sitting or standing, never let his arms or legs be parallel, because it will make people feel stiff and mechanical. The correct way is to play the same song all the time or form a certain angle between them. This can not only cause movement, but also change posture.

3. Try to make the body shape curve clear. For female subjects, it is necessary to show their charming curves. The usual practice is to let one leg of the character actually support the weight of the whole body, and the other leg is slightly raised and leaned against the standing leg. The arm should be rotated to show its narrowest side, and the chest should pass through the curve of the waist to show its towering and plump feeling as much as possible. At the same time, the character's hand can be placed on the hip to provide the necessary width for the picture.

4, sitting posture is not sleepy. Don't let the subject sit in the chair as usual when showing his sitting posture. If so, her thighs will be at rest, so that the fat part at the upper end of her legs will bulge, making her legs look thick. The correct way is to let his body go forward, sit near the chair, chest out and abdomen in order to avoid the phenomenon of drooping shoulders and protruding abdomen.

5. The lens should be far away. Generally speaking, it is better to take a long shot than to take a close shot. Because when the lens (especially the lens with short focal length) is very close to the subject, distortion will occur. Therefore, when shooting, we should choose a lens with appropriate focal length and keep a certain distance from the subject. According to practice, we know that the best distance to shoot a person's head with a standard lens should be 6-8 feet (1.8-2.4 meters). Chest photos should be taken between 8-9 feet (2.4-2.7 meters); 13-22 feet (3.9-6.6 meters) is suitable for taking full-length portraits.

6. Show a good posture. The proportion of the subject's hand in the picture is not large, but if it is improperly placed, it will destroy the overall aesthetic feeling of the picture. Pay attention to the integrity of the hand when shooting, and don't let the hand feel deformed, broken or incomplete. If you put your hands in your hips or pockets, show some fingers to avoid giving the impression of being cut off.

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Internal action: professional models have a trick: press the tongue on the back of the maxillary incisors to make the mouth and the lower part of the face look better.

Affectionate expression: Expressing feelings with eyes can make photos look affectionate. Imagine listening to your lover with a smile. Do not be blind.

Narrow your nose: Tilt your head slightly upward, and your nose will look smaller.

Silence is beauty: don't talk, so as not to affect the beauty of your mouth.

Psychological hypnosis: imagine yourself as the most beautiful person, don't always worry about not looking good, you must look relaxed and confident.

Keep steady: smiling is the most photogenic expression, but don't smile, so as not to have obvious fine lines around your eyes and lose your manners.

Pay attention to standing posture: stand up straight naturally and straighten your back, then the curves of long legs and hips will naturally come out and your expression will glow.

Get a prop: Faye Wong gave a concert in the Red Pavilion in his early years. The singing of that performance was first-class, but it always made him feel a little monotonous. It is because they put headphones on Faye Wong, who doesn't like acting very much, and there is no microphone in her hand. Tianhou is very helpless. So if you don't know where to put your hand when taking pictures, take a prop, such as a book, a cup or a mirror.

The secret of celebrity news photography

Taking photos has almost become a part of a star's career, so their "taking photos" skills are also very professional.

● Use eyebrow glue.

Anastasia Stasija, a makeup artist at the Charlize Theron event, used eyebrow gel to decorate her eyebrows. Its texture is a bit like hair wax, which will immediately make the eyebrows look thicker after applying it.

● Soak the cotton pad with hot water.

Most makeup artists use a slightly wet sponge to apply makeup, which can absorb liquid and frosty molecules at the same time, so that they can blend together better. However, Ebrat, a makeup artist in nicole richie, soaked the sponge in warm water. The hotter the water soaked in the sponge, the easier it is to spread the foundation evenly, and the foundation will not dry in a short time. Ordinary people who don't need makeup can take pictures at this time!

● Blower heating mask

Many stars put on masks before taking photos and making up. Anne Hathaway's makeup artist Efr will use a hair dryer to heat the mask before using it: "It feels great, and the heat generated can help the essence enter the deep skin."

● Let the brush "wet" first.

How do stars create eye makeup with sharp outline and strong three-dimensional sense, but the makeup looks transparent and clean? "Please wet the brush before dipping it in powder," said Pat mcgrath, who did it for the sake of stars and supermodels. "But the closer you get to the makeup time, the better the transparency, so it's best to take pictures immediately after finishing makeup. After filming for a while, I have to take off my makeup and start over. There is no way to replenish water. "

● "Three-in-one oil" forging perfect panel

Paris Hilton once experienced such a "mixed foundation" when working with Stilla makeup artist Sarah Lucero: "Professional makeup artists usually mix moisturizing cream and brightening cream into a drop of foundation." Stilla makeup artist Sarah Lucero said that she used this special mixed foundation for Paris Hilton. Actually, you can do it yourself before taking pictures. If you have a good panel, you can choose pink brightening cream. If the skin color is dull and uneven, you can choose gold.

● Unable to pierce "enough paper"

The flash of the camera can't make the panel transparent, but it can make the panel particularly "shiny", which means that stars must wear a lot of honey powder when taking pictures to keep their faces in a * * * state. In order to prevent the honey powder from being too thick and heavy, the makeup artist first covers his face with a thin paper towel, and then applies the honey powder through the paper towel. This paper towel can filter out the excess powder, and it becomes very thin after each powder application.

● Eyeliner damping method

A simple and perfect eyeliner "shock absorption method" is circulated by many Hollywood stars' royal makeup artists: when drawing clear and accurate eyeliner, the eyeliner will be wrapped with rubber strip, which can prevent fingers from slipping and increase the control of the pen.

Tips for shooting stand-up crosstalk and headshots.

1. Try to slightly side your face at 45 degrees or 65 degrees, so that your face will look smaller and the outline will be more obvious.

2. Try to look natural and lovely, but don't be stiff. You'd better have a look when you laugh. Laugh too much and crow's feet will appear. Pay attention to the corners of your mouth and show your teeth.

3. Gestures can be exaggerated, but be careful not to go out of line or cover friends around you.

It's best to shrink your neck and look up, so your eyes will be bigger and more divine. (Note: We suggest stretching your neck to show elegance when taking long-distance photos. )

Pay attention to the boundary line when taking big photos, otherwise it is easy to take pictures of half a face or half a hand.

The aesthetic modeling of portrait photography is unique to commercial portrait photography. The audience of commercial portrait photography is customers. Because most customers want to take good-looking photos, photographers need to make full use of shooting angles, props environment, lighting modeling and other means to beautify customers. In commercial portrait photography, the beauty of characters should be determined according to the following aspects:

First, the temperament type of customers.

A person's temperament is a comprehensive reflection of experience, cultivation and living conditions. After seeing and contacting customers, photographers should have a general classification of customers' temperament, such as some customers are lively and cheerful, some customers are quiet and dignified, and some customers are noble and elegant. When designing for a quiet and dignified guest, the facial expression should be implicit, the shape of limbs and body should not change much, and the posture of the characters should be static.

Second, the external characteristics of customers

In portrait photography, we usually pay attention to facial features and character modeling. Customers with different facial features have different aesthetic styles. Generally speaking, our customers have more or less five senses and imperfect bodies. So the aesthetic style should be different. ：

1, Forehead Protrusion: When shooting, please bend the subject's chin upward. Or design the hands, hair, etc. of the subject. Cover his forehead.

2. Fat face: When shooting, let the subject half face the camera. Take a frontal portrait and avoid using flat light.

3. Face-lifting type: When shooting, let the subject's face face the camera, the plane is bright and the brightness is low. Don't let the cheekbones or cheeks of the characters stand out in the frame.

4, nose is not correct: when shooting, let the subject face the camera half or side. Face to face shooting

5, high nose: when shooting, let the subject face the camera, flat and soft light.

6, concave nose: When shooting, let the subject face the camera and adopt the front position, which is best to produce highlights on the nose of the character.

7. Baldness: When shooting, let the subject wear a hat or wig, and don't let the customer bend over to face the camera.

8, double chin: whether fat or thin, this is a common phenomenon. When shooting, please stretch the subject's chin forward and lengthen the chin muscles to avoid crowding together. You can also shoot at high altitude.

9. Eyes of different sizes: When there are obviously eyes of different sizes, it can be solved by the stylist sticking fake double eyelids. When taking pictures, customers can also open their eyes wide or turn their eyes to different places. You can also make the subject's small eyes close to the lens and decorate the subject too far with small perspective changes.

10, convex eye: when shooting, you can shoot a frontal portrait and project it on the subject with flat and soft light.

1 1, there are spots on one side of the face: let the marked side of the subject turn his back to the camera or cover it with hair, hands and accessories.

12. Fan your ears: cover them with hair, hands and headgear, so that the ears close to the camera are in the shadow. It is not appropriate to take a positive portrait.

13, cross-eyed: Try not to shoot head-up, let customers turn up and down, left and right, and find the most suitable angle to shoot.

14, stout: Let the subject wear dark clothes and shoot with dark background and props.

15, legs slightly shorter: when shooting, let the subject wear uniform color clothes and shoot low.

16, the arm is too thick: improve by dressing. When taking pictures, keep your arms away from your body. Don't squeeze your arm. Cover your fingers with ornaments to reduce the area occupied by your arms in the picture.

17, abdomen protruding: when shooting, let the client hold out his chest and abdomen, and improve it by gesture or holding flowers.

18, the distance between two people is too big: let the thinner one get close to the camera, block part of the other one or turn the angle to make the fatter one look thinner.

19, the legs are too rented: let the subject wear a long skirt or cover it with props and ornaments.

20. The hand shape is not beautiful: Turn the angle of the hand and choose a beautiful angle to shoot. If there is no ideal angle, you can shoot by wearing gloves and covering with accessories.

Third, the posture and behavior of the subjects.

1. Standing portrait: Standing portrait is one of the most common postures in portrait photography. Standing portraits can fully display the lines of characters, with great aesthetic freedom and many postures. When posing for a standing portrait, we should pay attention to the following points: a. One leg of the subject stands straight, and the other leg is freely crossed or slightly lifted. The straight leg should not be bent, and the lifted leg should keep the body straight. The laying of legs and feet is the premise of laying upper body parts. B, the subject's head, chest and buttocks are generally not in a straight line. Let the main line of the body form a curve or S line. C, head, chest, buttocks formed by the plane block should not be in a plane. For example, when the chest is in the forward direction, the face should be sideways. For example, when the chest is in the lateral direction, the buttocks should be turned forward. D, the general standing posture requires starting from the feet? Get up:

2, sitting portrait: sitting portrait is more limited than standing portrait, but sitting posture can form a beautiful curve, which is also conducive to eliminating the tension of the subject. Sitting posture is based on sitting posture inclined to the camera at 45 degrees, which can be divided into three types: oblique sitting posture, back sitting posture and side back sitting posture. The angle formed by the upper body and the lower body can be divided into right-angle sitting posture. ...

How to pose for a photo depends on the type, appearance and size of the scenery or props around you, but the most important thing is to consider 1. The effect of scene 2. The feelings that photos want to express.

How do models pose for photos? This requires professional study, but also pay attention to the magazines and pictures you usually see, and see how those covers pose, as long as they are used as reference. You should put on your own style, don't be the same, have your own things.

How to pose for a wedding photo? 1, husband and wife depend on each other

This formula is the most commonly used. Props are simple, a small stool can solve it, even when there is no small stool, you can take a standing posture; Convenient modeling, natural and decent between husband and wife; The action is easy to do, as long as two people open their mouths and smile, but they can also shout "Tianqi" if they can't laugh. Moreover, the overall performance feels dignified and generous, and the husband and wife have no intimacy together, such as a dragonfly, which is very oriental; The facial expressions of the five senses are vividly displayed, which are welcomed by the majority of newlyweds and photo studios, and the huge photos at the wedding banquet also adopt this style.

If the woman is not too fat, the formula can be further evolved into a hug, and the groom puts his hand around the bride's shoulder or waist, which is more intimate.

2. Husband and wife stare at each other.

Husband and wife stand face to face (nonsense, how to look at each other when sitting? ), stare at each other, show affection. The key to this posture is to hold your eyes well, not too stiff, not only to show the goodwill of both sides, but also to be affectionate and not too artificial. It is best to make people feel electric shock at first sight. If you are not sure, you can take technical measures to cover the details of your eyes.

Step 3 look to the future

The husband and wife stand in the same direction, take a sideways posture, and look straight ahead (maybe they have seen too many revolutionary reliefs). This method can change the angle, show the most beautiful side of the couple, and also contains the profound meaning of boundless future. Of course, it can also be matched with the gesture in front of the groom's finger, highlighting the groom's far-sighted leadership style.

4. Innocent girlish style

The bride's bust rests on the groom's body, shoulders or arms, showing the image of the bride's femininity and the groom's courage and responsibility. Of course, the pure and happy expression on the bride's face is the most important. The groom's expression can be happy or serious.

Step 5 kiss on the cheek

Kiss the bride on the cheek for the groom. Of course, kissing is just a gesture, and there is no chance to kiss the cheek. There is no need to spoil the bride's hard-made makeup here. A higher level will separate husband and wife a little, creating a dynamic beauty.

6. Savage girlfriend style

This style subverts the traditional concept that men are superior to women. Influenced by the savage girlfriend Korean Wave, the woman usually plays the winner, while the man shows the poor image of listening to his wife and not daring to resist through exaggerated expressions or obscene actions. What's more, even the clothes dare to be worn backwards, which is admirable. However, it is not known whether the married groom is really as docile as a lamb as shown in the photo.

7. Back to back

Kappa's free advertisement. Usually the husband and wife sit back to back on the grass, and a third party like a big tree often appears in the camera. This way can remind people of the dating scene at the beginning of the relationship between husband and wife. The grass is green, the clouds are light and the wind is clear, chatting casually, and it is extremely gentle. It can shoot the grass in the background and present a harmonious scene between man and nature. Couples can also turn their heads to different angles to create an atmosphere. The two sides live alone, which truly explains the feelings of husband and wife through thick and thin.

8. at arm's length

Husband and wife keep a certain distance and make eye contact completely. Of course, you can also let the two sides reach out and shake hands, reluctant to go, and want to refuse to welcome. The love in the middle seems to be visible, such as the cowherd and the weaver across the river, creating a sense of beauty of distance. Of course, it also contains the charm of thousands of miles of karma. Distance is the key.

9. Homesickness

The bride and groom appear in ancient costumes, usually the bride's cheongsam and the groom's Tang suit or both robes. Common scenes include Liang Zhu reading in the study, and the harmony between piano and harp. Commonly used Taoism includes folding fans, writing brushes, thread-bound books, ancient musical instruments and so on. The groom is usually dressed as a handsome boy, standing by and watching the bride write or play the violin, often accompanied by a frivolous look. Photos are also post-processed. It is generally suitable for couples who are nostalgic or arty.

Still have to choose the posture of taking wedding photos according to your own preferences.

How to pose for * * * If you really want to shoot well, you should be creative and can't simply imitate it. It's better to learn dance first. Usually, the figure trained by dancing is good, and the most important thing is that the whole body is in harmony and there will be a sense of beauty between manners. If you have a piece of music hidden in your heart, Hoho ... then hairdressing comes from the heart, involuntarily, and the jade tree is in the breeze, and the spring breeze blows the willow. . . One word: beauty

Give the baby a picture of how to pose 1 and reach out to cover the sun.

Step 2 cover one eye

3. Cover with leaves, flowers, scarves, eyes and half of your face.

4, against the wall, from the side, generally stretch out an arm to the camera, looking at or not looking at the camera, the camera is there.

5, shake your head, when there is no wind, when the wind is strong.

6. Stand with your back to the camera and twist.

7, lying on the table in restaurants, roadside stalls, bars, cafes, classrooms, one posture, all kinds of beauty.

Our classmates take pictures. I can't pose. I'll teach you to pose.

Sense of wholeness: The head and body cannot be in a straight line. When the body is facing the camera, it is necessary to slightly deflect the head to the left or right, so as to avoid dullness and make the photo look vivid and elegant.

Body shape curve: Try to make the body shape attractive and three-dimensional, so it is necessary to highlight a clear curve. The usual practice is to land on one leg and lift the other leg slightly, which is both energetic and prominent. It should be noted that the arm should be turned to expose its narrowest side, and the hand of the photographed person can be placed on the hip to provide the necessary width for the picture.

Face: When you take a close-up of your face, you must make it look small and delicate. You can't shoot from the face. For people with wide faces, you can cover them with your hands, which is very cute and can make your face look beautiful.

Legs: especially for women, let the legs cross or one leg stand straight and the other leg rest, because this will make people's legs symmetrical and avoid the defect of straight legs. (Many photos of beautiful stars are like this ~)

Sitting posture: don't put your whole body on the chair as usual, let your body move forward, sit near the chair, hold your chest out and abdomen in order to avoid the phenomenon of drooping shoulders and protruding abdomen. If the whole body sits on a chair, the fat on the legs will partially bulge, which will make the legs look thick and affect the aesthetic feeling.

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Hand posture: Although the hand occupies a small position in the picture, for the overall beauty of the picture, we should pay attention to the hand posture and the nature of the hand. Don't pose some hand postures, which will make the picture appear abrupt and discordant. Follow the above steps, and you can make a beautiful and attractive film ~

How to pose in personal shooting will give people a novel first impression. If the shape is too bad, this photo will basically become scrap iron no matter how good it is elsewhere. There are many articles and monographs in this field. Generally speaking, as a beginner, you can recite some classic shapes, but you can use them flexibly when shooting. Everyone looks different, so it is difficult to make a style suitable for everyone. Basically it should be harmonious, natural and beautiful. It's a bit like painting red when I was a child. You can paint it red when you study, but you can't paint it red when you want to write an inscription for others. There are some small taboos in modeling, and the success rate of remembering photos will be much improved. For example, eyes, ears and shoulders cannot be completely parallel, otherwise it will be silly; Don't bend your elbow or knee directly to the camera, otherwise it will be thick; Don't turn your eyes up if they are small, or they will be ugly; When standing, the viewfinder should be aimed at the navel or waist to reflect the slender * * * (unlike focusing, this is Jia Yuping's experience); Don't be too symmetrical and too stiff; For photos with big faces, people's eyes should not be below the center line of the whole picture; Take as few full-body photos as possible when standing, and most of the bodies are more likely to succeed; On the side, the face and chest should not be on the same plane ... there are many more, you can see the related articles. The successful experience of others may not be useful to you, but the lessons of others' failures are basically useful to you. Models don't have to pose. Generally speaking, let the subject pose by himself, and then you can make corrections and supplements, which will make it easier to succeed, improve the subject's sense of participation and self-confidence, and make it easier to cooperate. In wedding photography, the general modeling is relatively simple, especially in personal art photos, there is no particularly obvious exaggerated modeling and makeup. Some life photos can be taken without makeup, but * * * put on light makeup as suggested. There is a saying that the highest state of makeup is that you can't see that you are wearing makeup. Some people exaggerate makeup, but I still hope that the characters in the photos are as close to reality as possible, which is not contradictory to beautifying the characters as much as possible. One belongs to "makeover" and the other belongs to "promoting beauty and restraining ugliness" In the long run, the latter is more vital.