What are the two kinds of paper-cut flowers grouped according to the relationship between line and surface?

Group flower paper-cutting can be divided into paper-cutting and paper-cutting according to the relationship between line and surface.

Paper-cutting is a traditional art in Jintan City, Jiangsu Province, and it is one of the national intangible cultural heritages. The paper engraving art in Jintan has a long history, which can be traced back to the Sui and Tang Dynasties. In every dynasty and generation, a large number of paper carvings are scattered in folk shoes, snuff paper money and paper money, with a wide variety.

By the end of the Qing Dynasty and the beginning of the Republic of China, there were more than 30 paper-cutting and mounting and paper binding workshops and shops in Jintan when the urban and rural areas were prosperous, and there were a number of visiting apprentices, such as Yin Deyu, a toddler, Ding Suobao of Houyang, Zhang of Degao and Shetou, all of whom were famous local paper binding workshops and shop owners.

These projects include the binding and installation of lanterns and dragon lanterns, the cutting and carving of doorplates, happy characters and flower cards, the production of soul flags and treasure covers, etc. Business is thriving and enduring. As a result, a broad folk foundation of Jintan engraving paper was formed.

technique of expression

The expression technique adopts comprehensive techniques such as stippling, color filling and color contrast, which is rich and delicate and breaks through the single color of traditional paper-cutting; In the form of traditional folk paper-cutting, such as group flowers, square fights, nave, four screens, etc. They are bold and innovative.

For example, Fishing Map is the work of Mr. Sun, former director of Jintan Paper Carving Research Institute. The middle part of the work is in the form of paper-cut flowers, which are very beautiful and the composition is very bright. The picture shows a strong imagination and creative passion. Under his carving knife, the fish became lifelike, and his works were filled with a strong flavor of life, which showed the economic prosperity of rural areas in the south of the Yangtze River.